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African Poetry and Prose

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        4500€
        Score : 100.00
        Martinique charmeuse de serpents
        André BRETON, André MASSON
        Martinique charmeuse de serpents
        Editions du Sagittaire|1948

        First edition, one of 15 numbered copies on Hollande paper, the leading copies.
        This copy with the original frontispiece lithograph by André Masson.
        Hors-texte illustrations by André Masson.
        A very good and rare copy.

        €4,500
        250€
        Score : 100.00
        Fatou Cissé
        Maurice GENEVOIX
        Fatou Cissé
        Flammarion|1954

        First edition on ordinary paper.

        Small pale dampstains on the spine.

        Inscribed, signed and dated by Maurice Genevoix to Nicole and Philippe Derez.

        €250
        750€
        Score : 100.00
        They all played ragtime - The true story of an american music - Exemplaire de Boris Vian
        (to Boris VIAN) Rudi BLESH
        They all played ragtime - The true story of an american music - Exemplaire de Boris Vian
        Alfred A. Knopf|1950

        First edition, for which there was not printed any grand papier (deluxe) copies.
        Publisher's binding in full grey cloth.
        Illustrations.

        Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.

        Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”

        €750
        2300€
        Score : 100.00
        Soleil cou coupé - Exemplaire de Raymond Queneau
        Aimé CÉSAIRE (inscribed to Raymond QUENEAU)
        Soleil cou coupé - Exemplaire de Raymond Queneau
        K éditeur|1948

        First edition, a numbered copy on alfa du Marais paper, this one not included in the justification.
        Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: “Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]”
        Covers and spine slightly sunned at edges (but not seriously).

        €2,300
        2000€
        Score : 100.00
        Volontés. Revue mensuelle. Collection quasi complète du N°1 au N°20 contenant la pré-originale "Cahier d'un retour au pays natal" d'Aimé Césaire
        Aimé CÉSAIRE, Léopold Sédar SENGHOR
        Volontés. Revue mensuelle. Collection quasi complète du N°1 au N°20 contenant la pré-originale "Cahier d'un retour au pays natal" d'Aimé Césaire
        Volontés|Décembre 1937 - Août 1939

        The first edition of this review headed by Pierre Guégen, Eugène Jolas, Joseph Csaky and Frédéric Joliot.
        Numerous contributions, including from Le Corbusier, Henry Miller, Raymond Queneau, Eugène Jolas, Léonce Rosenberg, Jacques Audiberti, Jean Hélion, Armand Robin, Paul Guth, Roger Caillois, Joë Bousquet, Jean Follain, Jules Monnerot, Léopold Sédar Senghor, Pierre Klosssowski, Michel Leiris, Aimé Césaire, and others.
        Number 20 of Volontés contains a first edition, the entire “Cahier d'un retour au pays natal [Notebook on a Return to my Native Land]” by Aimé Césaire, a foundational and fundamental text of the “Négritude” movement.
        Two plates worn, otherwise a good and rare set, lacking the extremely rare final number, the 21st, printed in April 1940, which is missing from most collections.

        €2,000
        150€
        Score : 100.00
        Coupure de presse dédicacée par Joséphine Baker
        Joséphine BAKER
        Coupure de presse dédicacée par Joséphine Baker
        s. n.|1975

        Press clipping illustrated with a photograph depicting Josephine Baker on stage.

         

         

        Horizontal central fold, minor tears of no consequence along the right margin of the clipping.

         

         

        Inscribed and signed by Josephine Baker in black felt-tip pen a few months before her passing: "A Claude Armand ami de Jospéhine Baker 1975".

        €150
        800€
        Score : 100.00
        one of the most comprehensive studies on Toussaint Louverture and the revolution in Saint-Domingue
        one of the most comprehensive studies on Toussaint Louverture and the revolution in Saint-Domingue
        Vie de Toussaint-Louverture
        Victor SCHOELCHER
        Vie de Toussaint-Louverture
        Paul Ollendorff|1889

        First edition, very rare (cf. Lorenz XII, 926).

        Half caramel calf with corners, spine with four raised bands ruled in black, brown shagreen lettering-piece, restored original wrappers and spine bound in, modern binding.

        Loss of paper to the upper right corner of the half-title, some passages underlined in pencil, pp. 399-400 detached with loss of text.

        An important work: one of the most comprehensive studies on Toussaint Louverture and the revolution in Saint-Domingue.

        This was his final work, published on the occasion of the centenary of the French Revolution. It recounts, in particular, the events following the slave rebellion in Saint-Domingue in August 1791, the abolition of slavery in the colony in August–September 1793, the Convention’s decree of emancipation on 16 Pluviôse Year II (4 February 1794), and the protracted war waged by the French troops—dispatched by Napoleon Bonaparte to the colony in December 1801—against the newly freed slaves, ending with the French defeat in November 1803 and the proclamation of independence.

        €800
        1800€
        Score : 100.00
        The work of a landowner, cited by Schoelcher
        The work of a landowner, cited by Schoelcher
        Des Colonies, et particulièrement de celle de Saint-Domingue ; mémoire historique et politique ou l'on trouvera : 1° Un exposé impartial des causes et un précis historique des guerres civiles qui ont rendu cette dernière colonie indépendante ; 2° Des considérations sur les moyens de la rattacher à la métropole, d'y ramener une paix durable, d'en rétablir et accroître la prospérité
        Charles-Marie-François MALENFANT
        Des Colonies, et particulièrement de celle de Saint-Domingue ; mémoire historique et politique ou l'on trouvera : 1° Un exposé impartial des causes et un précis historique des guerres civiles qui ont rendu cette dernière colonie indépendante ; 2° Des considérations sur les moyens de la rattacher à la métropole, d'y ramener une paix durable, d'en rétablir et accroître la prospérité
        1814

        First edition. (cf Sabin, 44114. Duvivier, Haïti, II 92.)

        Bound in Havana sheep, spine with five raised bands framed by blind fillets, marbled paper boards, endpapers and pastedowns of marbled paper, original plain blue wrappers preserved, later binding.

        A rare and appealing copy.

         

        €1,800
        150€
        Score : 100.00
        Les combattants africains dits "Tirailleurs sénégalais" au secours de la France (1857-1945)
        Samuel MBAJUM
        Les combattants africains dits "Tirailleurs sénégalais" au secours de la France (1857-1945)
        EDITIONS RIVENEUVE|2013

        First edition, no copies printed on deluxe paper.
        Illustrated, a pleasant copy

        Precious and very fine autograph inscription, dated and signed by Samuel Mbajum: "Paris, 30 June 2014, au ministre Bernard Kouchner, avec ma sympathie pour votre combat humanitaire, en espérant que vous m'aiderez à plaider le plus largement possible la cause de ces oubliés de l'histoire franco-africaine, et aussi des débats sur la commémoration de la Grande Guerre."

        €150
        500€
        Score : 100.00
        Photographie dédicacée par Erroll Garner
        Erroll GARNER
        Photographie dédicacée par Erroll Garner
        s. n.|s. d. [1970]

        Photographic portrait of Erroll Garner, seated at his piano.

         

         

        A fine copy.

         

         

        Inscribed and signed by Erroll Garner in blue ink in the upper left margin of the photograph.

         

         

        Provenance: from the collection of the renowned autograph collector Claude Armand.

         

         

        €500
        950€
        Score : 100.00
        Charles Renouvier’s copy
        Charles Renouvier’s copy
        Les États confédérés et l'esclavage
        Fitz William SARGENT
        Les États confédérés et l'esclavage
        Hachette|1864

        First edition of the French translation of England, The United States and the Southern Confederacy, originally published the previous year in London (Sabin 76968).

        Copy belonging to the philosopher Charles Renouvier (1815–1903), with a manuscript presentation inscription at the head of the front wrapper.

        Spine cracked with small losses and tears. Some light foxing; slight marginal tears to the wrappers.

        €950
        3000€
        Score : 100.00
        First edition of these extremely scarce memoirs
        First edition of these extremely scarce memoirs
        Souvenirs et mémoires de madame la comtesse Merlin, publiés par elle-même
        María de las Mercedes de Jaruco Merlin [María de las Mercedes Santa Cruz y Montalvo MERLIN]
        Souvenirs et mémoires de madame la comtesse Merlin, publiés par elle-même
        Charpentier|1836

        First edition of these extremely scarce memoirs (cf. Bourquelot V, 374. Tulard 1007. Bertier de Sauvigny 720).

        Contemporary bindings in brown half sheep, flat spines decorated with gilt Romantic rolls and black floral tools, red morocco labels for volume numbers and titles, marbled paper-covered boards, marbled endpapers and pastedowns, some corners worn, marbled edges.

        Spine of volume four damaged, restorations to the spines, two lower caps rubbed, occasional foxing.

        The Countess Merlin was born Maria de las Mercedes de Santa Cruz y Montalvo (1789–1852) in Havana.

        Her memoirs offer valuable anecdotal insight into society life in Cuba, the Peninsular War, and more.

        €3,000
        5000€
        Score : 100.00
        Guadeloupe in lithographs
        Guadeloupe in lithographs
        La Guadeloupe pittoresque
        Armand BUDAN
        La Guadeloupe pittoresque
        Noblet & Baudry|1863

        First edition, very rare, of this album illustrated with 12 lithographic plates by Émile Verdier after drawings by the author (1 frontispiece and 11 plates, including one large folding plate depicting Pointe-à-Pitre) (cf. Sabin 8949).

        Text and illustrations by Armand Budan.

        Contemporary binding in brown quarter cloth with corners, smooth spine with long chocolate shagreen title-piece, boards covered with marbled paper framed by blind fillets, blue endpapers and pastedowns, sprinkled edges, early 20th-century binding.

        The plates depict: Palmiste River. Heights of Petit-Bourg; Forest interior. Road to the Soufrière; View of the Soufrière from Versailles; The Yellow Baths near the Soufrière; Basse-Terre. View from the Empress’s Battery; Vauchelet Waterfall. Near Camp-Jacob; The Saut de Constantin. Near Basse-Terre; View of the port and the town of Le Moule; The village of Anse Bertrand. Grande-Terre; The Cow Hole (Anse-Bertrand); General view of the Port and the town of Pointe-à-Pitre taken from Morne-à-Caille.

        The painter Armand Budan was born in Guadeloupe in 1827 and died in 1874. He painted the frescoes in the chapel of Saint-Pierre & Saint-Paul in Pointe-à-Pitre, rebuilt after the 1843 earthquake, as well as the decorative paintings of the municipal theatre.

        Regarded as one of the first photographers in the Antilles, Budan launched a subscription for the publication of La Guadeloupe pittoresque in November 1862.

        A few minor foxing spots, not affecting the overall condition.

        A handsome and very rare copy.

        €5,000
        680€
        Score : 100.00
        Un continent perdu, ou l'esclavage et la traite en Afrique (1875) avec quelques observations sur la manière dont ils se pratiquent en Asie et dans d'autres contrées sous le nom de système contractuel de la main-d'oeuvre
        Joseph COOPER
        Un continent perdu, ou l'esclavage et la traite en Afrique (1875) avec quelques observations sur la manière dont ils se pratiquent en Asie et dans d'autres contrées sous le nom de système contractuel de la main-d'oeuvre
        Hachette|1875

        Second edition of the French translation, complete with its folding map at the beginning of the volume.

        Scattered light foxing, otherwise a well-preserved copy.

        Preface by Édouard René Lefebvre de Laboulaye.

        Bound in contemporary chocolate-brown half morocco, spine with five raised bands ruled in black, double blind fillets framing the marbled paper boards, comb-marbled endpapers and pastedowns, red top edge, slightly rubbed corners, bookplate affixed to a pastedown.

        French translation of The Lost Continent: or, Slavery and the Slave Trade in Africa by the Quaker abolitionist Joseph Cooper (1800–1881).

        The work is of particular interest for its early recognition that indentured labour, which emerged in the wake of successive abolition movements, often perpetuated the logic and practices of slavery under new forms.

        Provenance: from the library of Emmanuel Mancel, with his engraved bookplate by Trouchou pasted on a pastedown.

        €680
        1800€
        Score : 100.00
        The Slaves of Bahia Questioned by Francis de Castelnau
        The Slaves of Bahia Questioned by Francis de Castelnau
        Renseignements sur l'Afrique Centrale et sur une nation d'hommes à queue qui s'y trouverait, d'après le rapport des nègres du Soudan, esclaves à Bahia
        Francis de CASTELNAU
        Renseignements sur l'Afrique Centrale et sur une nation d'hommes à queue qui s'y trouverait, d'après le rapport des nègres du Soudan, esclaves à Bahia
        P. Bertrand|1851

        First edition, illustrated with four plates including a map of the Sudan.

        The plates depict human types and a map of Sudan, drawn "according to the Negro slaves in Bahia".

        Modern Bradel binding in black half shagreen, smooth spine decorated with two gilt floral tools, gilt date at foot, marbled paper boards, original wrappers preserved (small hole on rear board).

        A naturalist and explorer, Francis de Castelnau undertook, between 1843 and 1847, a major expedition across South America, notably visiting Peru and Brazil.

        In 1848, he was appointed French consul in Bahia. Upon his arrival, he observed that several African-born slaves could read and write Arabic and Libyco-Berber. Through interviews, some of them spoke to him about the Niams-Niams, or tailed men, said to live in a region referred to here as "Sudan", corresponding to present-day Nigeria. In this work, Castelnau presents the information he gathered on the subject. He describes several tribes from the Sudan region represented among the Bahia slaves: Nagos, Gèges or Dahomeys, Gallinhas, Minas, Borgos or Bargous, Tapas, Angols or Congos, Hausas, Fulanis or Foullatahs. He then recounts the interrogations of Bahia slaves who claimed to have seen or heard of the Niams-Niams, thereby collecting a wealth of ethnographic and geographic information on that part of Africa. The volume ends with a vocabulary section in several Sudanese languages (Hausa, Fulani, Courami, Java).

        A handsome and scarce copy.

        €1,800
        400€
        Score : 100.00
        Les Colonies françaises depuis l'abolition de l'esclavage - Le travail. L'immigration africaine et asiatique. La production. La propriété.
        LEPELLETIER DE SAINT RÉMY
        Les Colonies françaises depuis l'abolition de l'esclavage - Le travail. L'immigration africaine et asiatique. La production. La propriété.
        Guillaumin & Cie|1859

        New edition, partly original as revised, of this study first published in 1858 in the Revue des Deux Mondes (Sabin 40127. Ryckebusch 5041).

        Minor chips to the corners of the covers, some occasional foxing.

        A member of one of the oldest families in Martinique, Romuald Le Pelletier de Saint-Rémy (1809–1882) served as president of the Central Agency of Colonial Banks; he wrote extensively on West Indian issues and colonial ventures in South America.

        Inscribed by the author Romuald Le Pelletier de Saint-Rémy on the front free endpaper.

         

        €400
        1200€
        Score : 100.00
        Grammaire de la langue Woloffe
        David BOILAT
        Grammaire de la langue Woloffe
        Imprimerie Impériale (1851-1870)|1858

        Very rare first edition of this excellent grammar.

        A few occasional spots, otherwise a pleasing copy.

        Contemporary-style binding in half forest green morocco-grained shagreen, spine with five raised bands, marbled paper boards, marbled endpapers, binding signed by Laurenchet.

        The third part contains fables, tales, and poems in both Wolof and French.

        Abbé David Boilat (Saint-Louis, Senegal, 1814 – Nantouillet, 1901), a missionary in Senegal, left behind a significant body of work: this grammar, the Esquisses sénégalaises, and several unpublished manuscripts.

        €1,200
        10000€
        Score : 100.00
        J'irai cracher sur vos tombes
        [Boris VIAN] Vernon SULLIVAN
        J'irai cracher sur vos tombes
        Les Editions du Scorpion|1946
        €10,000
        150€
        Score : 100.00
        L'An V de la révolution algérienne
        Frantz FANON
        L'An V de la révolution algérienne
        François Maspero|1960
        €150
        700€
        Score : 100.00
        Une ville flottante - Les forceurs de blocus - Aventures de 3 Russes et de 3 Anglais
        Jules VERNE
        Une ville flottante - Les forceurs de blocus - Aventures de 3 Russes et de 3 Anglais
        Hetzel|1905
        €700
        350€
        Score : 100.00
        En famille
        Marie NDIAYE
        En famille
        Les Editions de Minuit|1990
        €350
        300€
        Score : 100.00
        Liberté 1 Négritude et Humanisme
        Léopold Sédar SENGHOR
        Liberté 1 Négritude et Humanisme
        Le Seuil|1964
        €300
        180€
        Score : 100.00
        Carte postale photographie signée par Lionel Hampton
        Lionel HAMPTON
        Carte postale photographie signée par Lionel Hampton
        s. n.|s. d. [1970]

        Photographic postcard depicting Lionel Hampton in the 1960s–70s playing the vibraphone.

         

        A handsome copy.

         

        Signed by Lionel Hampton in blue felt-tip pen on the verso of the photograph.

         

        Provenance: from the collection of the renowned autograph collector Claude Armand.

        €180
        170€
        Score : 100.00
        Carte postale photographique signée
        Lionel HAMPTON
        Carte postale photographique signée
        s. n.|s.d. (ca 1970)
        €170
        80€
        Score : 100.00
        Mali, ô Mali
        Erik ORSENNA
        Mali, ô Mali
        Stock|2014
        €80
        120€
        Score : 100.00
        Texaco
        Patrick CHAMOISEAU
        Texaco
        Le grand livre du mois|1992
        €120
        250€
        Score : 100.00
        Poèmes
        Léopold Sédar SENGHOR
        Poèmes
        Seuil|1972
        €250
        150€
        Score : 100.00
        S'ils frappent à l'aube
        Angela DAVIS
        S'ils frappent à l'aube
        Gallimard|1972
        €150
        600€
        Score : 100.00
        Veillées noires
        Léon-Gontran DAMAS
        Veillées noires
        Stock|1943
        €600
        1200€
        Score : 100.00
        Le coeur serré
        René MARAN
        Le coeur serré
        Albin Michel|1921
        €1,200
        100€
        Score : 100.00
        Le monde est mon langage
        Alain MABANCKOU
        Le monde est mon langage
        Grasset|2016
        €100
        300€
        Score : 100.00
        Texaco
        Patrick CHAMOISEAU
        Texaco
        Gallimard|1992
        €300
        500€
        Score : 100.00
        L'Ivrogne dans la Brousse
        Amos TUTUOLA, Raymond QUENEAU
        L'Ivrogne dans la Brousse
        Gallimard|1953
        €500
        2000€
        Score : 100.00
        [Catalogue d'exposition de Kalifala Sidibé] Výstava. Obraz? ?ernocha Kalifala Sidibé A Kreseb A Grafiky Václava Fialy [avec]  3 vignettes de collection
        (Kalifala SIDIBE) COLLECTIF
        [Catalogue d'exposition de Kalifala Sidibé] Výstava. Obraz? ?ernocha Kalifala Sidibé A Kreseb A Grafiky Václava Fialy [avec] 3 vignettes de collection
        S. n.|1930 et [ca. 1930]
        Extremely rare first edition of the exhibition catalog of paintings and photographs by Kalifala Sidibé and drawings by the Czechoslovak artist Václav Fiala at the Krasoumná Jednota Gallery in Prague.

        [With:] 3 original 1930's German cigarette cards depicting 3 Sidibé paintings in color: "The Judgment of Pâris", "On the banks of the Niger River" and "Elephant Hunt". These are very rare reproductions of Sidibé's paintings, which have all but disappeared today. Each card is numbered and includes a short biography of the painter on verso.
        Two of the paintings featured on the cards to our knowledge have never been reproduced in the rare illustrated press articles on Sidibé - Der Querschnitt, n°IX, Cahier 12, 1929, p. 890; La Lumière, November 2, 1929, p. 11; Der Cicerone, n° XXII, Cahier 2, 1930, p. 54-55; Omnibus, 1931, p. 32; Comœdia, March 7, 1931, p. 3. A poor-quality black-and-white reproduction of "Elephant Hunt" was published in La Liberté, October 19, 1929, p. 1.
        These colorful objects of popular culture keep a visual record of the work of an unjustly forgotten and trailblazing artist. This type of illustrated vignette used to stiffen soft packets of cigarettes was essentially a marketing device intended to promote sales by encouraging people to acquire complete sets - in this case, the series "Die bunte Welt" (The Multicolored World), to be housed in special albums, known as "Sammelalbums", as indicated on the card's verso.
        Prague Exhibition catalog of paintings by Sidibé
        The booklet lists twenty of Sidibé's paintings, with titles and sale prices; the last line also indicates a set of 24 of his photographs, with its price crossed out and corrected.
        An exceptional document recording the presence and reception of artworks by Sudanese (present-day Mali) painter and precursor of modern African art Kalifala Sidibé, in Prague's most important avant-garde exhibition gallery in the inter-war years.
        Considered the first African painter working on canvas, Sidibé was "discovered" by French banker Henri Hirsch, during a visit to French West African colonial territories. In 1929, Hirsch sent portraits of the artist and photographs of his work to his friend Georges Huisman. Within a few months, Huisman attracted the interest of gallery owner Georges Bernheim who exhibited Sidibé's paintings for the first time in 1929. The event enjoyed a great success with connoisseurs and rave reviews from leading figures in the art world: Le Corbusier, Michel Leiris, Roland Dorgelès. After the first show in Paris, Sidibé's paintings soon toured Europe and were exhibited in Prague from May 8 to 25, 1930. Most of his artworks created during his short career – Sidibé died at the age of 30 a mere months after this exhibition – has now been lost. The only surviving works are now part of prestigious European collections, including the Le Corbusier Foundation and the Michael Graham-Stewart collection.
        As in France, "primitive art" had entered Czechoslovakia with the dissemination of Cubist aesthetics. In 1913, "Negro sculpture" appeared alongside artworks by Braque, Picasso, Derain, Cézanne and Juan Gris at the third exhibition of the Cubist movement's Groupe des Beaux-Arts in Prague. This first exhibition remains famous for displaying no original works from Africa: only including a single African statuette which turned out to be a fake, since attributed to the artist Ernst Ludwig Kirchner, mixing the aesthetics of Cameroonian statues and Oceanian wooden reliefs from Palau. It also included photographs of African sculptures from the collection of the French art dealer Kahnweiler. The following year, five statuettes from the Belgian Congo and Cameroon made the journey to Prague also displayed with photographs of other non-European works of art. The aim was to demonstrate the universality of art bringing together classical and folk art, the European and the ethnographic. The result in these avant-garde exhibitions was a seemingly incoherent melange of European and non-European artworks of different periods and styles, in an attempt to find formal parallels to associate with a new canon Cubist artists were then creating.
        Except for Sidibé's exhibition, African art in Czechoslovakia was only about fetishes, masks and statuettes, which certain great Czech artists, such as Josef Čapek would progressively add to their aesthetic influences and artistic theories. This vision would also continue in the 1930s, with the exhibition of works by avant-garde painter Emil Filla accompanied by businessman Joe Hloucha's collection from sub-Saharan Africa, Oceania, pre-Columbian America and Asia (Emil Filla - Černošská a tichomořská plastika ze sbírky Joe Hlouchy, February 5-26, 1935, Prague).
        In 1930 Prague, Sidibé's exhibition radically differed from the usual non-European mélange of art, where anonymous creations were displayed with no apparent connection between them. The exhibition of Sidibé was organized by the Krasoumná Jednota, Prague's most important association for the promotion of contemporary and avant-garde art founded in 1850. In the 1920s, it exhibited the great names of Czech painting as well as Paul Klee and Emil Nolde. The year before Sidibé's exhibition, the gallery featured works by Fernand Léger, Henri Matisse, Pablo Picasso, Georges Rouault and Auguste Rodin. The Jednota gallery made Sidibé the headliner of this unprecedented event in the history of the Czech avant-garde, having already created a sensation at Bernheim in Paris. Few traces of the Prague event survive today. The exhibition is not listed in the extensive database of Art Exhibitions in the Czech Lands, 1820-1950. This catalog is one of the few surviving sources for understanding the European reception of Sidibé's work: the attraction of the exotic which still largely prevailed, is reflected in the soaring prices of his paintings, between 2,500 and 6,000 Czech crowns - an average of $12,000 today. Sidibé shared the gallery space with Czech artist Vaclav Fiala, academic painter and illustrator who exhibited more drawings for a much lower average price ($800 today). This exhibition remains a unique event in the early 20th-century Czech art world: the few exhibitions of African art held between 1910 and 1930 were confined to primitivist comparisons between modern art and the indigenous cultures of America, Africa and Oceania.
        Due to his premature death and a limited number of artworks, Sidibé was soon forgotten despite the honors he received from the most prestigious modern art galleries and leading centers of artistic avant-garde. Perhaps his marouflaged canvases - antithesis of dark wooden fetishes - didn't fulfill European preconceived ideas of African art.
        The story of Sidibé and his work illustrates the ambivalent reception of modern African art in Europe at the beginning of the 20th century: praised by avant-garde critics, the painter was nevertheless forbidden to leave French Sudan to attend his first Parisian exhibition. This small booklet is probably the only documentary record of Sidibé's artworks and their journey to Eastern Europe, where they were exceptionally displayed as the creations of a contemporary artist in his own right.
        €2,000
        400€
        Score : 100.00
        L'Ivrogne dans la Brousse
        Amos TUTUOLA, Raymond QUENEAU
        L'Ivrogne dans la Brousse
        Gallimard|1953
        €400
        800€
        Score : 100.00
        Orealla
        Roy HEATH
        Orealla
        Seuil|1984
        €800
        1800€
        Score : 100.00
        Le paradis des nègres
        Carl VAN VECHTEN, Paul MORAND (pref.)
        Le paradis des nègres
        Editions Kra|1927
        €1,800
        80€
        Score : 100.00
        Où allons-nous ? La dernière chance de la démocratie américaine
        Martin Luther KING
        Où allons-nous ? La dernière chance de la démocratie américaine
        Payot|1968
        €80
        150€
        Score : 100.00
        Portrait photographique dédicacé par Léopold Sédar Senghor
        Léopold Sédar SENGHOR
        Portrait photographique dédicacé par Léopold Sédar Senghor
        S. n.|s. d. [circa 1980]
        €150
        50€
        Score : 100.00
        Autobiographie
        Angela DAVIS
        Autobiographie
        Albin Michel|1975
        €50
        200€
        Score : 100.00
        La Force d'aimer
        Martin Luther KING
        La Force d'aimer
        Casterman|1964
        €200
        2500€
        Score : 100.00
        Lettre autographe signée sur le peuple premier des Vazimba à Madagascar
        William ELLIS
        Lettre autographe signée sur le peuple premier des Vazimba à Madagascar
        28 février 1871
        Autograph letter signed on the Vazimba pepople of Madagascar

        Unpublished autograph letter signed by William Ellis, four pages in black ink on one folded leaf and one single leaf.
        Interesting letter by Rev. William Ellis, missionary for the London Missionary Society in Madagascar and author of the earliest preserved photographs of the island.
        A beautiful testimony of Ellis' ethnographic approach far from the "theory of the savage" commonly conveyed in European societies. He gives his interlocutor precious information on the Vazimba, still unidentified in the 19th century and described by first explorers as a warlike pygmy people living in the Malagasy mountains. Ellis is very critical of the fantasized descriptions of his predecessors and favors the direct testimonies of the inhabitants keeping the memory of this extinct people.
        Author of several books on Malagasy history, Ellis describes in detail the legends on the Vazimba believed to be the island's first inhabitants, characterized by their small size and reddened skin. Ellis doubted the accounts of explorers Flacourt (1648) and Abbé Rochon (1768), who referred to this people as "Kimos" or "Quimos" and described them as a "dwarf race". He relies more on the testimonies of the island's inhabitants collected during his travels among the Hovas and the Betsiles, reporting the fear and respect that Vazimba spirits and burials still inspired. The letter gathers and criticizes current knowledge on the subject and mentions the experience of his successor, Rev. Charles Jukes of the London Missionary Society, for whom he celebrated a mass sending him to proclaim the Gospel on July 8, 1866.
        In this letter, he mentions a hypothesis later confirmed by modern scientific research: the Vazimba are one of the founding communities of the island at the origin of the Malagasy language and culture.
        "[…] By the Hova's & others who spoke of them, they were called Vazimba. They were said to be smaller in stature and lighter in colour than the Hovas, & to be regarded with superstitious feelings by the other inhabitants, who hold their tombs in extreme veneration & frequently offer at their tombs sacrifices or gifts to the spirits of the Vazimba.
        During my own intercourse with people on the coast & in the interior I made repeated enquiries, but never met with a native who had seen a Vazimba. Their graves I saw frequently in my journeys among the people in the interior. I saw also many of their tombs at which offerings had been recently presented and found that many of the people regarded them with superstitious fear and seemed exceedingly afraid of doing any thing likely offend them. The Hovas didn't appear to know anything of the name of Kimos all elapses of whom I enquired call the diminutive race Vazimba & spoke of them as the ancient or earliest inhabitants of the country. […] My friend informed me that the Betsiles do not speak of the Vazimba as remarkable on account of their small size or light colour, many of the Hovas are of quite a light colour. [...]
        My own opinion is that the Vazimba are the dwarf of which early writers speak & that they are not as diminutive as they have been represented to be.
        As our missionaries now occupy the Betsiles country, I have no doubt we shall soon have reliable accounts of the Vazimba relating of their present condition as well as their traditions of the past. If the foregoing statements should prove in any way revocable it will be gratifying so."
        A fascinating and well-documented study on the customs and origins of Madagascar's inhabitants by one of the main historians of the island in the 19th century. In the intimacy of private correspondence, these pages reveal the evolution of ethnology and the diverse questionings raised by the missionaries' visits to the island.
        €2,500
        180€
        Score : 100.00
        En état de Poésie
        René DEPESTRE
        En état de Poésie
        Les Editeurs Français Réunis|1980
        €180
        60€
        Score : 100.00
        Où allons-nous ? La dernière chance de la démocratie américaine
        Martin Luther KING
        Où allons-nous ? La dernière chance de la démocratie américaine
        Payot|1968
        €60
        50€
        Score : 100.00
        Blues et gospels
        Marguerite YOURCENAR
        Blues et gospels
        Gallimard|1984
        €50
        1500€
        Score : 100.00
        Sapotille et le Serin d'Argile
        Michèle LACROSIL
        Sapotille et le Serin d'Argile
        Gallimard|1960
        Gallimard, Paris 1960, 12 x 19cm, in original wrappers.

        First edition, one of 40 numbered hors-commerce copies reserved for the author on pur fil paper, only deluxe copies.
        Sunned spine, endpapers and inscribed half title page entirely shaded, remains of adhesive paper on the first endpaper and the last page of the text, press cutting attached.
        Rare presentation copy signed by Michèle Lacrosil to her friends Gilbert et Geneviève Lafragette: "En témoignage d'amitié à Gilbert Lafragette. Sapotille est heureuse de dire à son parrain (et premier lecteur) sa reconnaissance et son affection et à Geneviève avec mon amitié. Michèle L." “As a token of friendship to Gilbert Lafragette. Sapotille is happy to tell her godfather (and first reader) of her gratitude and affection and to Geneviève with my friendship. Michèle L.”
        €1,500
        40€
        Score : 100.00
        Un noir à l'ombre
        Eldridge CLEAVER
        Un noir à l'ombre
        Seuil|1969
        €40
        1500€
        Score : 100.00
        Cajou
        Michèle LACROSIL
        Cajou
        Gallimard|1961
        Gallimard, Paris 1961, 12 x 19cm, in original wrappers.

        First edition, one of 20 numbered hors-commerce copies reserved for the author on pur fil paper, only deluxe copies.
        Endpapers and inscribed half title page entirely shaded due to the envelope containing the author's autograph letter.
        Rare and beautiful copy.
        Rare presentation copy signed by Michèle Lacrosil to her friends Gilbert et Geneviève Lafragette: "... comme Sapotille cette inquiète Cajou voudrait être aimée et protégée par vous. Michèle L." “...like Sapotille, this troubled Cajou would like to be loved and protected by you. Michèle L.”
        We enclose a note on Gallimard headed paper on which Michèle Lacrosil wrote the surname of her friends.
        Finally, our copy is enriched with an autograph letter of 34 lines, dated 29 September 1967 from Michèle Lacrosil to her friends Lafragette, announcing the death of her mother and recounting her snubs as a writer: "... je suis soumise à mon éditeur ! " “...I am subject to my publisher!” and telling them of the recent completion of her latest novel (Demain, Jab-Herma): "... c'est le petit frère de Sapotille..." “...it is Sapotille's younger brother...”
        €1,500
        70€
        Score : 100.00
        Carte noire
        François VALORBE, Wifredo LAM
        Carte noire
        Arcanes|1953
        €70
        3000€
        Score : 100.00
        Adresse à l'Assemblée nationale, pour l'abolition de la traite des Noirs
        Jacques-Pierre BRISSOT DE WARVILLE
        Adresse à l'Assemblée nationale, pour l'abolition de la traite des Noirs
        De l'imprimerie de L. Potier de Lille|1790
        Adresse à l'Assemblée nationale, pour l'abolition de la traite des Noirs
        De l'imprimerie de L. Potier de Lille Paris 1790 | 8vo (12 x 19.3 cm) bradel binding
        First edition of one of the most important revolutionary publications against the African slave trade and first manifesto of the Société des amis des Noirs, founded in February 1788 by Jacques-Pierre Brissot, Étienne Clavière and Mirabeau, just nine months after the London Society for Effecting the Abolition of the Slave Trade, which served as their model.

        Full Bradel binding with motif boards, spine title label, all edges marbled, binding signed Boichot.

        It was in London that Brissot in exile and under the threat of a “lettre de cachet” for his anti-monarchical writings, met Thomas Clarkson at the beginning of this first political association for the rights of Blacks born of the scandal caused by the massacre of 142 slaves on the Zong slave ship.
        Even before the success of the French Revolution and the Déclaration des Droits de l'Homme, Brissot decides to lead this necessary but highly controversial fight for the universality of human rights.
        Inaugurated by Bartolomé de Las Casas and La Boétie then led by Anglosaxon Quakers and French Enlightenment philosophers, this fight for the recognition of fundamental human rights was initially confronted with the economic logic of a West that builds its power and wealth on triangular trade. The Société des amis des Noirs like its English alter ego decides therefore to conduct the fight in two stages, the first of which must be the abolition of the slave trade. This is the express idea of this plea to the Assemblée Nationale which as Brissot writes comes from “engraving on an immortal monument that all men are born and remain free and equal in rights”.

        Although Brissot de Warville defended himself from any desire to abolish slavery (“The immediate emancipation of the blacks would [...] be a fatal operation for the colonies”), his speech was one of the most beautiful humanist appeals of the time. Thanks to an oratory rhetoric worthy of the greatest revolutionaries, the Girondin transforms his pragmatic demonstration of the economic uselessness of the slave trade into an ethical and philosophical manifesto of the founding principles of the French Revolution:
        “You have restored to the French people these rights that despotism had for so long despoiled. You have restored them to these courageous islanders in Corsica, thrown into slavery under the veil of charity. You have broken the chains of feudalism that still degraded a good number of our fellow citizens; you have announced the destruction of all the stigmatizing distinctions that religious or political prejudices introduced into the great family of humankind. Men whose cause we defend do not have the same high claims, although, citizens of the same Empire and men like us, they have the same rights as us. We are not asking you to restore to French blacks those political rights which alone, nevertheless, attest to and maintain the dignity of man; we are not even asking for their liberty. [...] No, never has such an idea entered into our minds. [...] we ask only that one cease butchering thousands of blacks regularly every year in order to take hundreds of captives; we ask that henceforth cease the prostitution, the profaning of the French name, used to authorize these thefts, these atrocious murders; we demand in a word the abolition of the slave trade, and we beg you to take promptly into consideration this important subject.”
        Brissot while rejecting suspicions of intelligence with the English enemy to ruin France – and we know what it will cost him to be accused of Royalism by Robespierre -, exposes the condition of slaves from their capture to their exploitation, offering a powerful analysis of the causes and consequences of this inhuman treatment and its irreducible logic:
        “Thus those who are calling for the continuation of this appalling traffic have declared that, in the final analysis, in order to make it profitable, everything that is atrocious must be preserved; that everything is combined in it, that the Black slave trade becomes a ruinous trade if one cannot, at all risks, cram a large number into the space rigorously calculated for a much lower number, if one cannot at last contain their despair by the Reign of Terror.”
        By establishing a constant parallel between the abolition of privileges and that of slavery, Brissot makes much more than a simple denunciation of the inhumanity of the executioners. He affirms, at the dawn of the French Revolution, in intelligence and maturity, the universality of human rights and the black population's equality of rights. Thus he adopts an intellectual position that is very far removed from the paternalistic and condescending goodwill that will pollute relationships between Westerners and Africans for a long time to come:
        “Finally, you will be told [...] that abolishing the Slave Trade, [...] is to ignite the revolt among Blacks.
        This was also the language we used in the past to prevent the reform of abuses among us.
        If some motive might on the contrary push them [the blacks] to insurrection, might it not be the indifference of the National Assembly about their lot? Might it not be the insistence on weighing them down with chains, when one consecrates everywhere this eternal axiom: that all men are born free and equal in rights. So then therefore there would only be fetters and gallows for the blacks while good fortune glimmers only for the whites?”
        The fleuron chosen for the title page is the reproduction of the famous seal created by William Hackwood or Henry Webber for the Society for Effecting the Abolition of the Slave Trade, originally surmounted by the motto: “Am I Not a Man and a Brother?”. To this day, this image remains the most iconic representation of the international anti-slavery movement. However the French decide a slight change the message: “Am I not your brother?”, thus testifying to a significant evolution from the recognition of black humanity to the need for brotherhood among people.

        Brissot's Adresse à l'Assemblée Nationale will not have an immediate effect, despite two other attempts in 1791 and 1792. However, on 24 March 1792, the Société will obtain the vote on a decree granting civic equality to free men of colour. The abolition of slavery will not be voted on until 4 February 1794, and was then revoked in 1802 by Napoleon. After a succession of degrees and intermediate laws, this crime against humanity was not definitively abolished in France until 27 April 1848, almost sixty years after Brissot's speech.

        “Well, do you not allow yourself to be deviated from the duty that humanity imposes on you here, for fear of some interruption to the few works that the Black slave trade brings about in France? Did you listen to this fear when, with a bold hand, you overthrew all the abuse that thwarted a free Constitution? This abuse, however, fed thousands of individuals; the commotion caused by this revolution threw all fortunes into uncertainty, caused capital to tighten, suspended almost all work. What bad citizen, however, dares to complain about this necessary suspension? Yet it was not your blood that your tyrants shed; they did not, at every moment, violate the sanctuary of your home; they did not condemn you unjustly to have the right to sell you; they did not tear you from your homes to plunge you into eternal captivity, and in a foreign land. Now if, in order to regain freedom, for which life itself must no doubt be sacrificed, you have not hesitated to suspend the movement of an immense Société, could you hesitate, when it is a question of the blood of thousands of men, to suspend the trade of a few individuals for fear of comprising their fortunes? They are fathers! What! Aren't these black men fathers too? Do they not also have a family to support? [...]
        Hurry up [...] and declare your principles on this issue, declare to the universe that you do not intend to discard them, when it comes to the interest of another Nation. The honour of the name François demands it. The free people of other times have dishonoured freedom by consecrating the slavery that benefited them. It is worthy of the first Assemblée Libre de France, to consecrate the principle of philanthropy which makes the human race but one family, to declare that it abhors this annual carnage which takes place on the coasts of Africa.”

        At a time when certain fundamental rights that we believed to have been definitively acquired are called into question, Brissot's declaration, the result of a humanist struggle lasting two hundred years and which will require another half century to see through, constitutes an essential step in the long, still unfinished, battle for the defence and preservation of human dignity.
        €3,000
        120€
        Score : 100.00
        Puissances du jazz
        Gérard LEGRAND
        Puissances du jazz
        Librairie Arcanes|1953
        €120
        300€
        Score : 100.00
        Parce qu'elle était Noire... Une Réserve en Australie
        Dymphna CUSACK
        Parce qu'elle était Noire... Une Réserve en Australie
        Les Editeurs Français Réunis|1966
        €300
        60€
        Score : 100.00
        Louis Armstrong
        Hugues PANASSIÉ
        Louis Armstrong
        Nouvelle éditions latines|1969
        €60
        50€
        Score : 100.00
        Jazz Panorama
        Hugues PANASSIÉ
        Jazz Panorama
        Editions des Deux rives|1950
        €50
        150€
        Score : 100.00
        Journal d'un Animal marin
        René DEPESTRE
        Journal d'un Animal marin
        Gallimard|1990
        €150
        60€
        Score : 100.00
        Léopold Sédar Senghor l'Africain
        (Léopold Sédar SENGHOR) Hubert de LEUSSE
        Léopold Sédar Senghor l'Africain
        Hatier|1967
        €60
        50€
        Score : 100.00
        La seule Révolution
        Martin Luther KING
        La seule Révolution
        Casterman|1968
        €50
        60€
        Score : 100.00
        Douze Ans de Jazz (1927-1938)
        Hugues PANASSIÉ
        Douze Ans de Jazz (1927-1938)
        Corrêa & Cie|1946
        €60
        100€
        Score : 100.00
        Really the blues
        Mezz MEZZROW
        Really the blues
        Gallimard|1946
        €100
        100€
        Score : 100.00
        Hollywood 1927-1941. La Propagande par les Rêves ou le Triomphe du Modèle américain. - Harlem 1900-1935. De la Métropole noire au Ghetto, de la Renaissance culturelle à l'Exclusion
        COLLECTIF
        Hollywood 1927-1941. La Propagande par les Rêves ou le Triomphe du Modèle américain. - Harlem 1900-1935. De la Métropole noire au Ghetto, de la Renaissance culturelle à l'Exclusion
        Gallimard|1991-1993
        €100
        150€
        Score : 100.00
        En état de Poésie
        René DEPESTRE
        En état de Poésie
        Les Editeurs Français Réunis|1980
        €150
        150€
        Score : 100.00
        La Route de la Liberté
        Howard FAST
        La Route de la Liberté
        Gallimard|1948
        €150
        50€
        Score : 100.00
        La Musique de Jazz et le Swing
        Hugues PANASSIÉ
        La Musique de Jazz et le Swing
        Editions Corrêa|1943
        €50
        800€
        Score : 100.00
        Martinique charmeuse de Serpents
        André BRETON, André MASSON
        Martinique charmeuse de Serpents
        Editions du Sagittaire|1948
        €800
        350€
        Score : 100.00
        L'Afrique bascule vers l'Avenir
        Germaine TILLION
        L'Afrique bascule vers l'Avenir
        Editions Tirésias - Michel Reynaud|1999
        €350
        300€
        Score : 100.00
        Soweto - Soleils fusillés
        Paul DAKEYO
        Soweto - Soleils fusillés
        Droit et liberté|1977
        €300
        100€
        Score : 100.00
        Carte de Voeux du Président du Sénégal Léopold Sédar Senghor qu'il a signée avec sa femme
        Léopold Sédar SENGHOR
        Carte de Voeux du Président du Sénégal Léopold Sédar Senghor qu'il a signée avec sa femme
        S. n.|s. d. [circa 1978]
        €100
        200€
        Score : 100.00
        Portrait photographique dédicacé de Léopold Sédar Senghor
        Léopold Sédar SENGHOR
        Portrait photographique dédicacé de Léopold Sédar Senghor
        S. n.|s. d. [circa 1980]
        €200
        200€
        Score : 100.00
        Portrait photographique dédicacé de Léopold Sédar Senghor
        Léopold Sédar SENGHOR
        Portrait photographique dédicacé de Léopold Sédar Senghor
        S. n.|s. d. [circa 1990]
        €200
        500€
        Score : 100.00
        J'aime Chéri Samba
        CHERI SAMBA [Samba wa Mbimba N'zingo Nuni Masi Ndo Mbasi] André MAGNIN
        J'aime Chéri Samba
        Fondation Cartier|2004
        €500
        50€
        Score : 100.00
        Diaeli. Le livre de la sagesse noire
        André DEMAISON
        Diaeli. Le livre de la sagesse noire
        L'Edition d'art H. Piazza|1931
        €50
        800€
        Score : 100.00
        Les phalènes
        TCHICAYA U TAM'SI [Gérald-Félix TCHICAYA]
        Les phalènes
        Albin Michel|1984

        First edition for which was no grand papier (deluxe) copy.
        Pleasant copy of this work which received the Prix Fémina in 1984.
        Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)

        Provenance: from the library of Régine Deforges.

        €800
        70€
        Score : 100.00
        Révolution non-violente
        Martin Luther KING
        Révolution non-violente
        Payot|1968
        €70
        80€
        Score : 100.00
        Où allons-nous? La dernière chance de la démocratie américaine
        Martin Luther KING
        Où allons-nous? La dernière chance de la démocratie américaine
        Payot|1968
        €80
        250€
        Score : 100.00
        Poèmes
        Léopold Sédar SENGHOR
        Poèmes
        Seuil|1972
        €250
        60€
        Score : 100.00
        Réalités économiques martiniquaises
        COLLECTIF
        Réalités économiques martiniquaises
        Union internationale des étudiants|s. d. [circa 1965]
        €60
        380€
        Score : 100.00
        Chemin-d'école
        Patrick CHAMOISEAU
        Chemin-d'école
        Gallimard|1994
        €380
        30€
        Score : 100.00
        Etudes N° de Novembre 1967 : La violence. - La crise raciale aux U.S.A.
        COLLECTIF
        Etudes N° de Novembre 1967 : La violence. - La crise raciale aux U.S.A.
        Etudes|Novembre 1967
        €30
        50€
        Score : 100.00
        Un noir à l'ombre
        Eldridge CLEAVER
        Un noir à l'ombre
        Seuil|1969
        First edition of the translation in French.
        Nice copy.
        €50
        80€
        Score : 100.00
        Ile fédérée française de la Martinique
        Gilbert GRATIANT
        Ile fédérée française de la Martinique
        Editions Louis Soulanges|1961
        €80
        60€
        Score : 100.00
        Les cigognes sont immortelles
        Alain MABANCKOU
        Les cigognes sont immortelles
        Seuil|2018
        €60
        120€
        Score : 100.00
        René Depestre
        Claude COUFFON
        René Depestre
        Seghers|1986
        €120
        150€
        Score : 100.00
        Bonjour et adieu à la négritude suivi de Travaux d'identité
        René DEPESTRE
        Bonjour et adieu à la négritude suivi de Travaux d'identité
        Robert Laffont|1980
        First edition for which it was not drawn from large papers.
        Pleasant complete copy of his prayer to insert.
        Autograph dated and signed by René Depestre to the poet Charles Dobzynski and his wife Eliane: "... who are always welcome in the affection, loyalty and admiration of their old friend."
        €150
        120€
        Score : 100.00
        René Depestre
        Claude COUFFON
        René Depestre
        Seghers|1986
        first edition.
        Pleasant copy.
        Autograph shipment dated and signed by René Depestre to Michel Deguy enriched with an autograph shipment signed by Claude Couffon.
        €120
        150€
        Score : 100.00
        Les terres du bout du monde
        Jorge AMADO
        Les terres du bout du monde
        Editions Messidor|1985
        First edition of the French translation for which it was not drawn from great papers.
        Pleasant full copy of his illustrated jacket.
        Signed autograph dedication of Jorge Amado, in Portuguese, to his translator Alice (Raillard) and her husband the art critic Georges.
        €150
        150€
        Score : 100.00
        René Depestre
        Claude COUFFON
        René Depestre
        Seghers|1986
        First edition for which it was not drawn from great papers.
        Nice copy.
        Autographed and signed autographs by René Depestre and Claude Couffon to Alice Raillard.
        €150
        200€
        Score : 100.00
        Martinique
        Michel COURNOT
        Martinique
        Gallimard|1949
        First edition, one of 1650 copies on chestnut.
        Two traces of vertical folds on the boards.
        Pleasant copy of this text castigating the colonialist policy of France.
        Rare autograph dedication signed by Michel Cournot to Jean Comte "The writers, at the time, had a lot of hair and very few holidays.Today Monsieur Comte knows how to take care of everything.I am not the only one to thank him. "
        €200
        80€
        Score : 100.00
        Rivière d'or
        José CAGNET
        Rivière d'or
        La pensée universelle|1982
        First edition, one of 20 numbered copies on vellum Lana, only leading copies.
        Nice copy.
        Signed autograph of José Cagnet.
        €80
        80€
        Score : 100.00
        Esprit. Nouvelle série N°324 de la 32ème année
        Martin Luther KING, COLLECTIF
        Esprit. Nouvelle série N°324 de la 32ème année
        Esprit|Janvier 1964
        €80
        70€
        Score : 100.00
        Esprit. Nouvelle série N°258 de la 26ème année
        Norman MAILER, COLLECTIF
        Esprit. Nouvelle série N°258 de la 26ème année
        Esprit|Février 1958
        €70
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