La Victoire : étude pour la tapisserie de Beauvais. Étude 2 - Crayon sur papier

Original pencil drawing. Series of eight sketches. Artist's signature stamp in the lower right corner of the work, and studio stamp signature on verso. Manuscript notes by the artist "Donnez à la semeuse, l'éternelle. Semez, semez" ["Give to the sower, the eternal one. Sow, sow"]. Very fine condition. Provenance: from the artist's studio, referenced in the catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08). Louis Anquetin, born in Étrépagny in 1861 and died in Paris in 1932, was an important French painter. He began his career alongside avant-garde painters such as Vincent Van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he invented Cloisonnism. From 1884 to 1893, Louis Anquetin continuously explored the new possibilities offered by the liberation introduced by Impressionism in French painting. From 1893, following a long confrontation with the "masters of the past," he adopted a pictorial stance that would place him on the margins of the general movement in art, and distance him from his friends. Dazzled by Baroque art and its creative vigor, he believed that his childhood friends had embarked on a path that would lead to the death of painting. He believed in a "perfect painting" embodied in the remembrance of the lessons of Michelangelo and Rubens in particular. His work therefore became more classical; he advocated a return to craftsmanship, proposing to reflect on the a priori conditions of any possible form of art while respecting the rules of perspective and anatomy, as practiced by the masters of the 16th and 17th centuries. Leaving only a few works that could be described as monumental, Anquetin proved prolific through his numerous studies and sketches, he who considered drawing to be "an all-powerful means of expression," the necessary foundation of all plastic arts. By deliberately working against the grain of his era, Louis Anquetin made possible the existence of an original modern figuration. Through his obstinacy and passion for painting, he indeed prevented the path of the great Western tradition from being completely blocked. His works can be admired in numerous prestigious museums such as the Musée d'Orsay and the Louvre in Paris, in San Francisco and Detroit, at the Hermitage Museum in Saint Petersburg, at the National Gallery and the Tate in London, etc.