Europe

First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.

Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.

 

Rare first edition of Hector Berlioz's first book.
Some restorations to the top spine-end, volume label on the spine of the second volume not fully visible, boards strengthened or lined (first board of the first volume), some stains on the first boards of both volumes.
Fine condition inside almost without any foxing.
Our copy is housed in green half shagreen chemises and slipcases, marbled paper boards, slipcases lined with the same shagreen, gilt titles and dates on the spine.
Rare.

Original and unpublished manuscript by “Jean Cocquebert de Roquelaure de Reims”, dated 1647; 1 title leaf and 216 folios numbered in ink (431 pp. of text), including 2 ff. of a “Table of Towns and Other Places Contained in this Book” at the end. The full list of towns and villages cited in the manuscript is provided at the end of this description.
Full limp vellum binding, smooth spine with a calf lettering piece. Some dampstaining; one quire detached.

During the closing years of the Thirty Years’ War, a traveller from Reims named Jean Cocquebert, set down in this exceptional manuscript the entirety of his seven‑month journey through France and Italy in the year 1647. From Lyon to Marseille, where he embarked for Genoa, Cocquebert carries us on to Rome and Venice, allowing the reader to grasp the intimate, day‑by‑day ordeal of the long journey to the Eternal City and La Serenissima.

In southern France, Cocquebert describes in detail each stage, every hamlet and every inn in the Lyonnais, Dauphiné, Comtat Venaissin, Provence, and Languedoc regions which he explores even more thoroughly on his return route to Lyon. He records in particular a visit in Aix‑en‑Provence to the cabinet of curiosities of “a good old man,” geographically identifiable from his description as that of the celebrated notary Boniface Borrilli (visited by King Louis XIII in 1622) as well as to the famed botanical garden of the Montpellier Faculty of Medicine, where he encounters “a maid in this garden who speaks Latin better than French, which makes those who hear her jargon laugh.” We follow closely his pilgrimage to the sanctuary of Mary Magdalene at Sainte‑Baume (much mutilated during the Revolution) and to the Grande Chartreuse. His adventures abound in depictions of Provençal gastronomy - on the Îles Pomègues near Marseille he eats rock samphire growing between the stones, and throughout his journey consumes quantities of olive oil, together with French and Italian wines with detailed mentions of vineyards, quality, and price.

The daily chronicle of his Italian sojourn brims with accounts of storms, pirates, processions, flagellants, carnivals, jeu de paume, horse races, visits to the masterpieces of the Vatican and to the cabinets of curiosities in the Barberini and Ludovisi palaces, to the Doge’s Palace, and to the glassworks of Murano. Faithful to his hometown of Reims, he ranks the beauties of Reims Cathedral above the marvels of the Italian churches. His connections within the clergy of his native city enabling him to travel untroubled. The manuscript contains precious comments and first‑hand testimonies on life in Italy, on the place of the Jews in the cities he visits, and on the debauchery and violence encountered along the way, particularly in Rome, where capital executions and prostitution were commonplace. In Modena, Cocquebert even turns soldier for several months, offering a rare source on the daily life of French troops posted in the duchy of Francesco I d’Este, then preparing to attack the Milanese with Mazarin’s support.

First edition, printed in 500 numbered copies, of this splendid archaeological album featuring 78 in-text illustrations and 13 full-page plates with tissue guards (including 7 double-page or folding plates).

Text by Henri Lechat.

Publisher’s Bradel binding in full forest green cloth, smooth spine, headcaps slightly crushed, one joint split at head, spine and boards ruled in ochre, corners slightly rubbed, bookplate affixed to the front pastedown.

Copy from the library of industrialist Anatole Descamps (1833–1907), with engraved ex-libris by Devambez mounted on the pastedown.

A handsome copy.

First edition illustrated with 5 plates outside the text, including 4 folding lithographs printed in Marseille by Charavel: Plan of the camp at the foot of Mount Elbrus, View of Mount Elbrus, Inscription in Russian, Huno-Scythian alphabet, Inscription on two white marbles found at Magyar (cf. Blackmer 131, Atabey 105).

Spine split with small losses, some corner defects to the boards.

"The author was interested in tracing the origins of the Magyars to the Caucasian peoples. In 1829-1830 he travelled through the Caucasus and then into Armenia. He also produced a Turkish grammar,"

Abrégé de la Grammaire Turque, Pest, 1829 [Leonora Navari].

On the verso of the half-title appear the author’s and the publisher’s stamps and autograph signatures.

Printed ex-libris of J. de Sainte-Foy.

First edition illustrated with 81 engraved plates, drawn by Antoine-Marie Chenavard and engraved on steel by various artists, comprising: a route map, a plan of Athens, and 79 plates numbered I to LXXV, including plates XXVIIIbis, XLVIIIbis (these two not listed in the table), LVIbis, and LVIIbis.

Cf. Blackmer 334. Atabey 230. Brunet II, 1831.

Each plate is accompanied by a leaf of explanatory text.

Plates LIX and LX are transposed in this copy.

Bound in modern half green sheep with corners, spine with four raised bands decorated with black fillets, black sheep lettering-piece and author’s name, sides covered in almond-green felted paper, a scratch to the lower cover.

The leaves are mounted on cloth guards, the preliminary leaves with some marginal soiling, a few light dampstains in the margins of certain pages, all leaves with marginal sunning.

Black and white portrait photograph showing Tito facing the camera.

A well-preserved example. Included are an envelope bearing the letterhead of the Yugoslav Embassy, a printed card from the same embassy, and a typewritten letter from the Yugoslav Consulate thanking Claude Armand for his request for a photograph of Tito.

Bold blue ink autograph by Tito in the right-hand margin of the photograph.

Provenance: from the collection of noted autograph collector Claude Armand.

First edition, printed in a very small number of copies of this offprint from the Journal de l'agriculture et des pays chauds, 1865-1866; cf. Berger & Rey, p. 232. Not cited by Pritzel.

Bradel binding in full green boards, smooth spine, black shagreen lettering piece, modern binding.

Dr. Victor Pérez was a physician in Laguna (Tenerife) and Dr. Sagot (1821-1888) was a former surgeon in the Imperial Navy.

Pleasant and rare copy.

First edition illustrated with 62 figures in the text or full-page, included in the pagination.

Half green oasis morocco, spine with five raised bands, marbled paper sides, endpapers and pastedowns of marbled paper, original wrappers and spine preserved, top edge gilt, modern binding signed Laurenchet.

A few small spots of foxing, manuscript ex-dono at the head of the front wrapper.

A pleasing copy.

Very rare first edition. 

Some light foxing.

Contemporary 19th-century modest half-grained cloth binding, spine faded, marbled paper boards with surface abrasions, yellow endpapers and pastedowns, marbled edges. 

Sole edition, uncommon, of this vindication by Jacob Spon (1647-1685) concerning his major travel account of the Levant (Voyage d'Italie, de Dalmatie, de Grèce et du Levant, fait aux années 1675 & 1676), published in 1678.

First edition.

Half blue shagreen, spine with four raised bands decorated with gilt floral tools within blind-ruled compartments, blind fillet borders on indigo percaline boards, boards with marginal soiling at foot, brown paper endleaves and pastedowns, modern bookplate affixed to a pastedown, contemporary binding.

Some scattered foxing, a black ink stain on the edge not affecting the text.

First edition of the most significant 19th-century scientific expedition to Iceland and Greenland.

A few light spots of foxing, otherwise a very good copy.

The 8 volumes of text include:

- History of the voyage, by Joseph-Paul Gaimard and Eugène Robert: 2 volumes with a portrait.

- History of Iceland, by Xavier Marmier: 1 volume.

- Icelandic Literature, by Xavier Marmier: 1 volume.

- Travel journal, by E. Mecquet: 1 volume.

- Zoology and medicine, by Eugène Robert: 1 volume, with folding table.

- Physics, by V. Lottin: 1 volume.

The 4 atlas volumes comprise:

- Mineralogy and geology, by Eugène Robert: 1 volume. Atlas:

- Mineralogy and geology: 1 volume with 36 black plates, some printed on China paper and mounted.

- Historical: 2 volumes with 150 lithographed plates and views in black, printed on China paper and mounted.

- Zoological, medical, and geographical: 1 volume with 51 plates, 35 of which are finely hand-colored (one plate present in both states: black and colored).

Bound in modern half blond calf, flat spines richly gilt with garlands and gilt and blind-stamped fillets, gilt decorative bands at foot of spines, red and dark green morocco spine labels, marbled paper boards, bindings signed by Laurenchet.

A very rare and attractive uniformly bound complete set.

First edition of this fine collection comprising 72 numbered copper-engraved plates. (cf. Katalog der Ornamentstichsammlung Berlin, 2744. Brunet, V, 199 lists the author's name as Scheult).

Contemporary half calf binding with vellum-tipped corners, recently rebacked with a smooth spine decorated with gilt ornamental rolls and fleurons, olive green morocco label. Some rubbing to the spine, marbled paper-covered boards.

Scattered foxing, light dampstain to the upper outer corner of most leaves.

First and only edition of this beautiful album, illustrated with a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints offering spectacular views of the island.

The half-title page bears the following title: Voyage pittoresque aux îles Hébrides.

Some occasional spotting, otherwise a pleasing copy of this album.

Contemporary full purple shagreen binding, spine with four raised bands, compartments decorated with blind-ruled panels, minor rubbing to spine, covers framed with double blind fillets and scrollwork, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, gilt dots along the edges, all edges gilt. Half-title: Voyage pittoresque aux îles Hébrides, title, 32 pp., a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints depicting striking island views.

Publisher Charles-Louis-Fleury Panckoucke (1780–1844), son of the renowned Charles-Joseph, recounts a journey to the islands of Skye, Iona, and Staffa from Glasgow, with particular emphasis on the latter. Staffa is famed for its basalt cave, known as "Fingal's Cave" in homage to Ossian and his pseudo-Gaelic creations, which in the 19th century drew numerous writers and artists enchanted by the wild majesty of its interior.

Second edition of the French translation (Sabin 98442).

Bound in modern pastiche half beige calf, smooth spines ruled in gilt with double fillets, red morocco title labels and brown morocco volume labels, marbled paper boards.

The final two leaves of volume two have been restored, with loss of text: a few letters are missing from page 381, and there is a loss of text on pages 383–384, which comprise the table of contents; occasional light spotting, blind stamps to the lower right corner of title-pages.

Complete set including the atlas, sixth and final volume, illustrated with 17 plates and 9 maps.

A handsome copy of this celebrated voyage of exploration through the Pacific and along the west coast of America.

First edition of this correspondence recounting the journey of Joseph-François Michaud and Jean-Joseph-François Poujoulat through Greece, the Archipelago, Constantinople, Jerusalem and Egypt (cf. Atabey 807. Blackmer 1122. Contominas 465).

Minor losses to corners on some boards and spines, a pleasant set overall.

Our copy retains, at the end of volume II, the extremely rare map that is missing from most other copies.

First edition of this beautifully lithographed album after various artists, alternating picturesque views with architectural details. (Not listed in the Ornamentstischsammlung catalogue, Berlin.)

This splendid album contains 51 lithographed plates outside the text, our copy with two additional duplicate plates bound in.

Contemporary binding in half black morocco, smooth spine decorated with gilt typographic motifs, original black moiré paper boards with gilt title on upper cover preserved, original delivery wrappers bound in, corners rubbed, some marginal tears and wear to board edges, modern binding.

Some occasional foxing.

First edition and first issue of the illustrations, without the table of plates which was later printed at the bottom of page XLIII and the beginning of page XLIV of the text volume (cf. Louandre et Bourquelot, I, p. 46. Blackmer, 33, mentions a large folding map bound in the atlas which, in fact, does not belong to the work).

The atlas volume contains the complete set of 10 plates, including 4 lithographs engraved by Faure after drawings by Préaux and lithographed by Langlumé.

Text volume bound in contemporary full tree calf, flat spine gilt with double fillets and naval anchors, red morocco label, gilt roll tooling to head- and tailpieces, gilt rolls framing the boards, marbled endpapers and pastedowns, red edges, gilt fillets on board edges.

Atlas volume bound in contemporary half marbled calf, flat spine with gilt double fillets, red morocco label, marbled paper-covered boards.

Some minor foxing to the atlas, small restoration to the title-page of the text volume.

A rare and appealing set.

First edition of this significant publication issued by the Commission of Inquiry tasked with collecting all available data and documentation on the cultivation, production, and sale of tobacco.

Illustrated with numerous folding tables and a folding map of France, printed in lithography by A. Cabassol and bound out of text.

Apparently not recorded in the Bibliothèque nationale de France.

Contemporary half calf binding, flat spine rebacked and decorated with gilt fillets, morocco labels in light brown, some rubbing to the spine, marbled paper boards with minor marginal flaws, marbled endpapers, sprinkled edges.

Some spotting to top edge; an embossed ownership stamp appears on the first leaf, with the initials CA in a medallion (possibly Caroline Augusta of the Two Sicilies, Duchess of Aumale?).

Comprehensive alphabetical index at the end of the volume.

First edition of this rare album illustrated with 15 line-engraved plates, each protected by a tissue guard and accompanied by a caption leaf, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818.

Publisher's original full grey boards, flat spine without lettering, some rubbing, blind-ruled borders on covers, a scratch to the foot of the upper cover, central title, corners rubbed.

Some foxing.

Inscribed by Antoine-Marie Chenavard to his friend Antonin L., with the author's signed presentation note.

First edition of this uncommon work (cf. Atabey 138. Blackmer 178.)

Return journey via the Black Sea, Rumelia, Bulgaria, Russian Bessarabia, the Danubian Principalities, Hungary, Austria and Prussia, in May, June, July and August 1853. Paris, Treuttel et Würtz, Dumoulin, Derache, Victor Didron, 1855, 2 vols. 12mo,

Contemporary half cherry calf bindings, flat spines decorated with gilt fillets, dotted lines, and garlands, gilt rolls at foot, black marks and discoloration to spines and boards, red paper-covered boards, marbled endpapers and pastedowns, sprinkled edges.

Occasional light spotting, a fresh and well-preserved copy.

First edition, cf. Blackmer 133. Not in Atabey.

Contemporary romantic binding in navy-blue half sheep, spine gilt with decorative romantic tools, gilt rolls (partly faded) at head and foot, gilt fillet framing the boards decorated in blind with romantic arabesques, gilt-stamped plaque of the "Lycée impérial du Mans" to upper board, some wear along board edges, endpapers and pastedowns of marbled paper, marbled edges, gilt tooling at head and foot of the boards’ edges mostly rubbed. A handsome romantic binding of the period.

A near-spotless copy, attractively preserved in a period romantic binding.

New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).

This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.

Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.

First edition of this rare album illustrated with 15 outline-engraved plates, each protected by a tissue guard and accompanied by a leaf of descriptive text, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818 (cf. Castiglione, p. 226. Only three copies listed in the CCF: BnF, INHA, Lyon).

Contemporary green half sheepskin binding with corners, spine with four raised bands framed by dotted rolls, gilt double fillets and floral tools, triple gilt fillet border on green paper-covered boards, gilt title to upper board, marbled endpapers, contemporary binding.

Some rubbing to spine, corners restored.

A handsome copy.

Author's copy with inkstamp to the title-page.

First edition of the French translation, illustrated with a folding map in the first volume (see Cordier, Sinica, 2094; Quérard I, 260; not in Schwab or Atabey. Blackmer (111) owned only the English edition: Travels from St. Petersburg in Russia, to diverse parts of Asia, Glasgow, 1763).

Contemporary full marbled calf bindings, spines with five raised bands richly gilt in double panels, brown or green morocco title-pieces (in the second volume), red morocco volume labels, gilt rolls on the caps, marbled endpapers and pastedowns, gilt fillets to edges, marbled edges, some corners a bit rubbed.

Minor wormholes on the upper board of the first volume, light scuffing to boards.

First edition of the French translation of the compilation entitled Historia de la dominacion de los Arabes en España sacada de varios manuscritos y memorias arabigas (Madrid, 1820–21), cf. Playfair 528. Palau 59020.

Contemporary bindings in black half sheepskin, flat spines decorated with gilt garlands and blind-tooled floral ornaments, gilt library shelfmark numbers at foot, vellum-tipped corners, headcaps rubbed on two volumes, covers in mottled paper, bookplates pasted on the endpapers, a few small chips to the upper edges and corners of the third volume, sprinkled edges.

Scattered foxing, minor rubbing to the bindings.

Copy from the library of Vittorio Rochstol, with his bookplates mounted on the front endpapers.

First edition, of great rarity (cf. Sabin 4182).

Bradel-style binding in full orange paper-covered boards, with a brown shagreen spine label; modern binding.

A very good copy.

A vindication of France’s conduct during the uprising of the British colonies in America.

First edition, one of 35 copies printed on Japan paper, the deluxe issue, complete with the four states of the etchings (pure etching with remarque, with remarque, before letters, final state), see Vicaire, VII, 534.

(Vicaire mentions a blank leaf and a dedication leaf which appear to be missing here, although the copy is otherwise perfectly complete.)

Contemporary binding in half Empire green morocco, spine with five raised bands framed by black fillets, minor rubbing to the spine, spine and boards slightly faded, black fillet border on marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses, binding signed by Pétrus Ruban.

Excellent internal condition.

First edition illustrated with four plates of medals and one folding map with hand-colored outlines.

Contemporary half chocolate-brown sheep bindings, smooth spines slightly faded and decorated with triple gilt fillets, gilt letter "N" at foot of spines, marbled paper boards, marbled endpapers, speckled edges.

Minor rubbing to spines, occasional foxing.

A senior tax official, Baron de Nervo (1810–1897) authored several works on financial history, but was also an eclectic traveler: his account of a journey to Sicily undertaken in 1833 is decidedly uncommon.

First edition of the French translation, illustrated with a frontispiece engraved by Lechard after Gibert [Constantine], and a folding map bound at the end (cf. Tailliart 58. Palau 328 502).

A few minor spots of foxing.

Publisher’s binding in full red cloth, spine with black and gilt oriental-inspired decorations, blind-stamped frames on covers, red endpapers slightly faded at the margins, all edges gilt.

Only French edition, highly regarded, of this epistolary account of a journey undertaken in 1878 by the Russian geologist and naturalist Tchihatcheff (1808–1890), whose main interest lay in the natural sciences but who also addressed economic matters, a field dear to his correspondent.

The work is also of particular importance for the traveller’s thoughtful and well-informed observations on the details of French colonial administration in the region.

First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine and covers slightly and marginally faded, a pleasant copy.

First edition, illustrated with a portrait of the author after Sir Thomas Lawrence in the text volume, and, in the atlas volume, with 1 engraved map (numbered 1) and 74 lithographed plates (numbered 2 to 75; plate 27 misnumbered 17), including 8 hand-coloured plates: plates 28 (Fresco of Dieudonné de Gozon), 41 (Tomb of Fabrice Caretti), and 61 to 66 (Frescoes from the crypts of Our Lady of Philerme).

See Atabey 1056. Blackmer 1450. Loukia Droulia 1474. Weber, I, 163.

Text volume bound in contemporary green half shagreen, spine with four raised bands adorned with gilt garlands and floral tools, marbled paper boards, marbled endpapers, rubbed corners; atlas volume in contemporary red half calf with corners, flat spine with gilt fillets, rubbed, marbled paper boards with scratches, some wear to edges and corners.

Some foxing, stains at foot of plate no. 10 in the atlas, and minor foxing on some other engravings.

Brunet, IV, 1415: "Ouvrage curieux et dont les planches sont fort belles".

The lithographs, after drawings by Witdoeck, depict the coastlines of the island of Rhodes, the harbour, fortifications, and principal buildings and monuments, some in ruins: the gates of Saint Catherine, Saint Paul and Saint John, the site and reconstruction of the Colossus, the interior of the palace, Fort Saint Nicholas, Garden of Auvergne, Street of the Knights, tomb of Robert de Julliac, castellany, convent, Lodge of Saint John, priories of France, Spain, Portugal, Italy and England, Church of Saint Mark, bishop's palace, façade and interior of Saint Stephen, Admiralty, watchtower of the Knights, Church of Our Lady of Philerme with its frescoes, etc. After studying at the University of Louvain, Bernard Eugène Antoine Rottiers (Antwerp, 1771 – Brussels, 1858) joined the Dutch army in 1789. He fought at the Battle of Jemappes and sailed to England in 1795 with Stadtholder William V. He then served in the British army before leaving for Russia, where he joined the Georgian army. Promoted to colonel, he later returned to the Netherlands. A man of letters and archaeologist, he was entrusted in 1825 with a scientific mission to the Levant: "In January 1826, I departed with one of my sons and my painter, Mr. P.-J. Witdoeck. After stopping in Santorini, we landed in Rhodes, and barely arrived, we began our work. It was as dangerous as it was laborious. The Turks had never permitted anyone, until us, to draw the monuments of the island, especially the interiors of churches and other buildings... These dangers recurred everywhere. We had to brave them again for the drawings of the fortifications, the harbour, the tombs. But the goal was well worth the risk to attain it..." (pp. 15–16).

Rare work.

First edition.

Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.

The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania, pp. 223–224.

Copy from the library of Antoine-Marie-Philippe d'Orléans, Duke of Montpensier (1824–1890), youngest son of Louis-Philippe, with his gilt AO monogram stamped at the center of the boards. OHR 2590 (tool not listed).

A very handsome copy, finely bound in a period romantic binding with the Duke of Montpensier's monogram.

Extremely rare reissue of this journal. None of the institutions consulted hold this edition (see Palau, 71807).

Contemporary full ivory vellum binding with overlapping edges, flat spine with calligraphic title running lengthwise, boards slightly soiled.

The book was most likely reinserted into its original binding; a few small stains.

The first Spanish edition was issued the same year in Seville by Sebastián de Armendáriz—bookseller, publisher, and forerunner of Spanish journalism—at the press of Thomas Lopez de Haro.

It appears that the document used as the basis for Armendáriz’s account was a report by an eyewitness to the events, Count Paolo Amerighi.

This journal recounts the siege and recapture of Budapest in 1686, held by the Turks since 1541 and ultimately expelled by Charles V of Lorraine (1643–1690).

A few spots on the title page, otherwise a very attractive copy in contemporary binding.

First edition with all the identifying points of the first printing, one of the review copies.

Exceptional presentation copy inscribed by the author to the famous singer Yvette Guilbert, to whom Céline himself sang and offered one of his scandalous compositions, “Katika la putain,” [Katika the Whore] later renamed “À Nœud coulant” [With a Slipknot"] "A madame Yvette Guilbert en témoignage de ma profonde admiration. LFCéline.”

Beneath Céline's inscription, the actor Fabrice Luchini has added: “A Yvette Guilbert in memoriam. FLuchini” ; and on the half-title, actor Jean-François Balmer wrote in turn: “Merci en bon voyage. JFBalmer.”

With pasted-in entry tickets to their respective performances of Voyage au bout de la nuit—at the Comédie des Champs-Élysées for Luchini, and at the Théâtre de l’Œuvre for Balmer.

Rare first edition (cf. Polak 2250).

Copy preserved in its original wrappers and in a plain grey waiting cover.

Some marginal staining affecting a few leaves; at the end of the volume, marginal repairs to three leaves, not affecting the printed text.

This double shipwreck occurred off the Algerian coast.

First edition of this work, primarily focused on Dieppe sailors and trade, which includes particularly compelling passages on the discovery of the Canary Islands, the exploration of the West African coasts, and expeditions to Sumatra (see Frère I, 436).

Contemporary-style binding in half tan shagreen, smooth spine gilt-tooled with double fillets, decorative rolls and black fillets, pebble-grain paper-covered boards, marbled endpapers and pastedowns, modern binding.

Some foxing, mostly at the beginning and end of the volume.

Born in Eu, Louis Estancelin (1777–1858) served as deputy for the Somme from 1830 to 1846.

Very rare first edition of this work, never reprinted.

Only one copy listed in the CCF (Versailles).

Contemporary bottle green half shagreen binding, spine with four raised bands ruled in gilt and adorned with double gilt compartments and gilt floral motifs, gilt title at foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.

Some foxing; Mexican peddler's stamp on title page.

Only edition of this collection presented from a Mexican perspective, with an introduction by José Maria Lafragua Ibarra (1813–1875).

Name R. Criado stamped in gilt at foot of spine.

Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).

Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.

The work comprises 35 engraved plates depicting the plans of 42 ports.

From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk. – 5. Gravelines. – 6. Calais. – 7. Boulogne. – 8. Dieppe. – 9. Valléry-en-Caux and Fécamp. – 10. Le Havre. – 11. Le Tréport and Honfleur. – 12. Rouen. – 13. Caen. – 14. Cherbourg. – 15. Granville. – 16. Port-Malo and Saint-Servan. – 17. Brest. – 18. Lorient. – 19. Port-Louis. – 20. Nantes. – 21. Les Sables-d'Olonne. – 22. Saint-Martin-de-Ré. – 23. La Rochelle. – 24. Rochefort. – 25. Concarneau, Mont-Saint-Michel and Oléron. – 26. Bordeaux. – 27. Bayonne. – 28. Saint-Jean-de-Luz. – 29. Port-Vendres and Collioure. – 30. Cette [Sète]. – 31. Marseille. – 32. Villefranche and La Ciotat. – 33. Toulon. – 34. Antibes and Saint-Tropez. – 35. Gibraltar.

Some minor and insignificant foxing.

New edition of the French translation.

Bound at the end of this volume are the following two texts:

• Relation du Nouvel Archipel Septentrional, discovered recently by the Russians in the seas of Kamchatka and Anadir. By Mr. J. Staehlin. Translated into English from the original German, and from English into French.
• Account of the singular adventures of four Russian travellers who were cast away on the desert island of Eastern Spitzbergen, with some observations on the productions of this island. By M.P.L. Le Roy. Translated into English from the original German at the request of several members of the Royal Society of London, and from English into French.
• Contemporary binding in half tan sheep, spine with gilt decorative rules and typographic motifs now fading, marbled paper boards, some wear to edges, marbled edges.
• Not cited by Sabin. See Lada-Mocarski nos. 20 and 29 for the latter two texts, here bound without their title pages.

Handsome Greek printing of the Psalter according to the Septuagint, followed by traditional Biblical hymnology and a weekly recitation guide.

Illustrated with a charming woodcut depicting David.

Contemporary black cloth-backed marbled boards, spine unlettered and slightly faded, blue endpapers and pastedowns.

Occasional foxing, otherwise clean and well-preserved throughout.

First and only edition, illustrated with 12 plates including 8 lithographed views and 4 folding tables.

Contemporary half calf binding with corners, spine decorated with triple gilt fillets and large blind-stamped fleurons, minor losses at foot of joints, marbled paper boards scuffed with some surface loss, corners worn, edges sprinkled blue.

Scattered light foxing, mostly at the beginning and end of the volume.

This text constitutes the first draft of what would become, in 1835, the major work Description de Moscou.

The folding map that complements this work was only published in 1825 and is not, strictly speaking, part of this edition.

Lecointe de Laveau (1783–1846), settled in Russia by at least 1806 (the year he married there), was secretary of the Imperial Society of Naturalists of Moscow. He travelled extensively throughout the Empire and did not return to France until after 1830.

Very rare first edition.

Two small losses to the head and foot of the spine, printed wrappers slightly soiled.

The presentation of the report is signed by the Marquis de Lafressange, Antony Androuët, the Viscount de Mazenod, and Louis Lapierre.

First edition, one of 1,000 copies on Hollande paper, the only printing along with 50 on Japan paper.
Frontispiece portrait of Paul Verlaine by Philippe Zilcken.
Spine slightly sunned, upper cover with minor marginal toning, otherwise a well-preserved copy.

New edition. "American Imprints" 28030. See Lowndes II, 298 for the first edition: "Liveliness of description of scenery and manners, couched in an easy and elegant style…"

Contemporary half havana shagreen with corners, spine decorated with gilt fillets and fleurons, rubbed beige morocco label, a few minor scuffs along the spine. Gilt garland borders framing the marbled paper boards, endpapers and pastedowns of rose paper lightly soiled at margins, marbled edges. Late 19th-century binding.

Some occasional foxing.

A good copy.

First edition of the French translation by A.J.B. Defauconpret (see Sabin 73385).

Illustrated with a frontispiece portrait of the author in the first volume, and in the second volume with a folding map and two plates depicting a view of the Victory and a view of the Filson Islands.

Contemporary green half calf bindings, flat spines decorated with triple gilt fillets, rubbed headcaps, joints slightly split at the head, green paper-covered boards, marbled endpapers and pastedowns, corners of the first volume slightly bumped.

Some foxing.

First edition of this biography of the renowned explorer.

Illustrated with a frontispiece portrait and a folding lithographed map bound at the end of the volume.

Copy preserved in a plain temporary wrapper.

Some light foxing, traces of damp-staining along the lower edge of all leaves.

Rare.

New edition of the French translation, illustrated in the first volume with a folding map of India with hand-colored borders, printed on bluish paper; and in the second volume with a folding map of Arabia, also printed on bluish paper (see Gay 83 and Lorin 2065 for the first edition of 1786).

Contemporary full speckled calf bindings, spine with five raised bands, gilt-tooled compartments with floral motifs, red morocco title and volume labels, gilt roll tooling at head and foot of spine, marbled endpapers and pastedowns, marbled edges.

Library stamps to title pages, shelf labels at foot of spines, some rubbing to spines and covers with minor surface losses, internally clean and fresh.

Pages [283] to 414 of Volume II contain Capper’s account of the journey to India via Egypt and Arabia. "Capper was in the East India Company service from an early age. The text of his work is in two parts - a letter describing the voyage from India via the Red Sea, Suez and Egypt, and a journal of the route from India through the Arabian desert via Mesopotamia to Aleppo. At this time there was unofficial interest in opening a new route to India through Egypt - the two standard routes being via the Cape of Good Hope or through the Euphrates Valley - and some attempts were made to use this route. Irwin was forced to use the Egypt-Suez route ; Capper is advocating it" [Leonora Navari].

First edition of the French translation, revised under the author's supervision, by Joseph Lavallée, of this highly regarded travel account.

The atlas includes 16 plates depicting views and natural history subjects, 12 pages of engraved music, and 1 folding map (cf. Monglond VI 729–730).

Contemporary bindings in half blond calf over green vellum-tipped boards, smooth spines decorated with gilt tooling, yellow edges, for the three text volumes.

Contemporary binding for the atlas in half green sheep with vellum tips, smooth spine decorated with triple gilt fillets, soft green paper-covered boards, marbled endpapers and pastedowns.

Wormholes on title pages, scuffed boards, joints starting, some foxing to the text volumes; minor abrasions and some foxing to the atlas boards.

Giuseppe Acerbi was the first Italian traveller to reach Lapland and the North Cape in 1799. He compiled an excellent general overview of Sweden and its northernmost regions, but above all, provided a thorough account of Finland, which had been little visited or documented by earlier travellers. Acerbi was accompanied by the Swedish colonel and skilled landscape artist Skioldebrand, whose drawings are reproduced in the atlas.

First edition, illustrated with a fine engraved frontispiece portrait of Cardinal Casanate, signed by Pet. Paul Bouché, an Antwerp engraver born around 1646 [cf. Bénézit].

Gay 1464.

This engraving is lacking in the copy held by the Bibliothèque nationale.

Contemporary full brown calf binding, spine with five raised bands, compartments decorated with gilt floral tools, gilt fillets on board edges, mottled edges.

Restorations to the spine, dampstain to the outer margins of the opening leaves, some leaves slightly yellowed.

“Another edition of this work by Emmanuel Schelstrate, published in Antwerp in the same year, is recorded.”

The author published this treatise to demonstrate that the Church of Africa and its most eminent pastors had always acknowledged the Pope as patriarch. This valuable history of the African Church, its heresies and its councils, also includes a list of bishops from the provinces of Numidia, Byzantium, Mauretania, Tripolitania, and Sardinia. Emanuel van Schelstrate [1645–1692], the Antwerp antiquarian and theologian, was a staunch defender of papal prerogative. A learned scholar, he served as canon and precentor of Antwerp Cathedral before being called to Rome, where Pope Innocent XI appointed him custodian of the Vatican Library and canon of St. John Lateran.

Library stamp to title page.

Autograph inscription signed by Edouard Imbenotte to Abbé Griselle (circa 1910) in black ink on the front pastedown.

Rare first edition, as referenced by Clouzot (see Guide du bibliophile français XIX^e siècle, p. 256).

A few insignificant spots of foxing, a small black ink stain at the bottom of pages 354–355. Complete with the errata leaf at the end of the volume.

Caramel half calf binding, spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools, gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls, endpapers and pastedowns in cat’s-eye paper, all edges gilt. Roman bookseller’s label at the top of a pastedown. Period-style binding signed in blind by Durvand.

Rare and important work (cf. Carteret), notable for being the first to bear Stendhal’s pseudonym on the title page.

Rare work illustrated with 199 in-text full-page costume plates, as stated in the table (not recorded by Colas. Hilaire p. 14).

Contemporary binding in red half shagreen, spine with four raised bands, triple panels ruled in blind and decorated with gilt central floral tools, some rubbing to the spine, marbled paper boards, marbled endpapers, a few small tears to the edges; period binding.

Two leaves have been restored (pages 51 and 147), one marginal tear, otherwise clean and fresh throughout.

A sweeping illustrated survey of the peoples of the world, featuring a substantial section on Oceania.

Among others, it depicts Russians from the Tver region, inhabitants of Siberia, Native Americans, Eskimos, and natives of various Oceanic islands, with their hunting or war weapons, ritual objects, and, for some, their tattoos.

Notable illustrations include a striking plate of a Sandwich Islands warrior and one of a tattooed man from Noukahiwa.

Very rare edition comprising the independent pre-publication of the first part of the major geological expedition to the Antilles and the islands of Tenerife and Fogo, a seven-volume quarto work also covering Guadeloupe, Martinique, and others.

Illustrated with 9 lithographed plates, including a folding map of the Cape Verde Islands and 6 tinted views.

Not recorded by Sabin in his entry on the Voyage.

Bound after, by the same author: Recherches sur les principaux phénomènes de météorologie et de physique générale aux Antilles, printed in Paris by Gide and J. Baudry in 1849.

Bradel binding in full black textured cloth, smooth spine decorated with blind fillets, small losses to spine ends, hinges rubbed, double blind-ruled frame on boards, yellow endpapers and pastedowns, sprinkled edges, corners slightly rubbed; contemporary binding.

Charles Deville (1814–1876), known as Sainte-Claire Deville, was a geologist born in the Antilles on the island of Saint Thomas, a member of the Académie des Sciences and professor at the Collège de France.

Some occasional foxing, remains of a removed ex-libris on the pastedown.

His body of work remains little known, likely due to the extreme rarity of his publications.

First edition, one of 240 numbered copies on pur fil paper, the only deluxe issue.

A handsome copy.

First edition, one of 20 numbered copies on alfa paper, the only copies printed on deluxe paper.

Contemporary half red shagreen binding with corners, spine with four raised bands ruled in black, gilt date at foot, gilt-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt; an attractive unsigned binding.

A handsome and rare copy, finely bound.

First edition, a Paris edition appeared the same year, see Cioranescu, XVII, 26842. Brunet V, 1222, under the entry "Villa," mentions this Paris edition under the title Voyage. Blackmer 505.

Contemporary full stiff vellum, flat spine, inked title at head of spine, speckled edges.

"This work is an abridged version of, or rather based on, Rostagno's Viaggi Dell'… Sign. Marchese Ghiron Francesco Villa In Dalmatia, e Levante, Torino, 1668. Du Cros, who in the preface says Rostagno lent him his manuscript, has produced a day-by-day account of the siege of Candia and of Villa's part in it. Villa took up arms against the Turks in 1665, sustained the siege of Candia for 2 years, and died of his wounds after he returned to Italy in 1668. According to Breslau, Du Cros, a diplomat who later carried out missions for Charles II and was involved in the marriage negociations of William and Mary, had travelled in the Levant and been in Crete himself as a follower of Ghiron Francesco Villa, but this is not mentioned in the preface, although Du Cros does speak of his obligations to Villa and apologizes to the reader for beginning his account with the last part of Villa's life, since he had intended originally to produce a full biography of the man" [Leonora Navari].

First edition of the French translation (cf. Quérard VIII, 14. Not in Blackmer or Atabey, who both describe the first English edition of 1679.)

Contemporary full tree calf, spine gilt with decorative compartments and red morocco lettering pieces, joints and spine skillfully restored, triple gilt fillet and dentelle border on boards, marbled endpapers and pastedowns, marbled edges, gilt fillets on board edges; late 18th-century binding.

Restorations to corners of boards; minor loss of gilt on boards, spine, and edges; internally clean and appealing.

The work, written at the request of Charles II, was first published in 1679. "There was a great deal of controversy at this time about the nature of the Eucharist, and the doctrine of the Orthodox Church seemed to be unclear on this point. Both the Anglican and Roman Churches wanted to be able to claim the support of the Greek Church for their respective dogmas. As a result several works on the Greek Church appeared during the latter part of the 17th century (see also Covel and Smith). Rycaut's work on the Greek Church is significant for the knowledge and sympathy it displays. He was almost alone among his contemporaries in understanding the struggles of the Greeks to maintain their religion in the face of the Turkish and Catholic pressures" [Leonora Navari].

Sir Paul Rycaut, or Ricaut, or Ricault [London, 1628–1700], English historian, accompanied the Earl of Winchilsea as secretary during his embassy to Mehmed IV (1661), and used his time in Constantinople to study Turkish customs and religion. In 1663, he drafted the articles of the peace treaty between England and the Porte, and played a major role in securing the privilege that exempted English ships from inspection rights. He is best known for his major description of the Ottoman Empire, first published in English in 1666–1667.

A good copy of this uncommon work.

Illustrated edition featuring 6 charming lithographs, including 5 costume plates, executed by Madame Veuve Jobard in Dijon.

No copy listed in the CCF; not recorded by Vicaire or Colas.

Contemporary half brown sheepskin binding, spine slightly faded, gilt double fillets and decorative gilt rolls at head and foot, marbled paper boards, sprinkled edges.

Scattered foxing, small paper flaw on half-title.

A rare, wide-margined copy in period binding.

First edition, illustrated with a frontispiece, a portrait of the author, and 14 copper-engraved vignettes within the text, mostly depicting inhabitants of the North (cf Sabin, 38711.)

Restored binding in full grained morocco, spine with five false raised bands adorned with gilt fillets and double compartments, gilded roulettes on the partially faded caps, small repairs to the joints, gilt fillets on the edges, slightly worn corners, binding of the period.

Ink annotations on the white endpaper and at the top of the false-title page.

Born in Rouen in 1634, La Martinière embarked around 1670 as a surgeon on a ship of the Northern Company bound for Norway, and visited Lapland, New Zemble, the Siberian coasts, and Iceland.

His account contains numerous details on the lifestyle, customs, and superstitions of the peoples of these regions, as well as natural history (reindeer, bears, penguins, etc.). There are also passages on hunting and fishing. Author of several medical works, notably on blood transfusion, La Martinière also published 'The Happy Slave', Paris, 1674, in which he recounts his captivity by the Barbary corsairs a few years before his voyage to Norway. A fine copy of this rare book.

Provenance: from the library of the Menneval château with its engraved bookplate pasted on the inside cover.

Illustrated edition comprising 54 plates depicting twelve views and over sixty different costumes, along with monuments and picturesque scenes (including bullfights), most of them based on drawings executed in 1809 and 1810 (cf. Colas, 439; Lipperheide, 1214; Brunet, I, 1226, no. 3; Quérard, I, 506).

Contemporary half blond calf bindings, spines with four false raised bands adorned with triple gilt and black fillets, gilt rolls at head and foot, marbled paper boards with minor surface losses along the fore-edges, marbled endpapers and pastedowns, marbled edges. Unsigned bindings, yet attributable to Thouvenin.

Scattered foxing, small tear on page 63 of volume 5.

"J'ai tâché d'offrir à mes lecteurs quelque chose de neuf […] Ce sont particulièrement des ouvrages en langues étrangères qui ont servi de base à ma description et au texte explicatif d'estampes jusqu'alors inédites pour la France. Sans négliger le voyage pittoresque de don Antonio Ponz, dont j'ai eu constamment l'original espagnol sous les yeux, j'ai recouru plus particulièrement à deux ouvrages publiés récemment en Angleterre, l'un en 1812, l'autre en 1813. Le texte magnifique de ces ouvrages est enrichi d'un grand nombre d'estampes qui ont été transportées dans le mien. M. Bradford, auteur du plus considérable des deux, étoit attaché en qualité de dessinateur à l'état-major de lord Wellington. L'autre, publié sous ce titre modeste, Costumes of Portugal, est rempli d'observations ingénieuses et piquantes…" (Preface, pp. V–VII).

The historical overview, spanning from the Carthaginians to Ferdinand VII, occupies volume 1; the second volume describes Catalonia and the kingdoms of Valencia, Murcia, and Granada. The next volume is devoted to the kingdom of Seville (including Cádiz and Algeciras), Gibraltar, the Jewish communities of Spain, Andalusia, and the kingdom of Galicia. Volume 4 covers the principality of Asturias, Old Castile, Biscay, and the kingdoms of Aragon, Navarre, and León.

The fifth volume continues with the kingdom of León, New Castile (including a description of Madrid), the kingdom of Córdoba, and Majorca.

The sixth and final volume is entirely dedicated to Portugal.

The charming period binding is by Thouvenin, who signed only one volume (La Suisse) of this impressive collection that has passed through our hands.

Provenance: from the library of Sinety, with an armorial bookplate affixed to the front pastedown of each volume.

First edition, illustrated with 39 full-page plates and numerous in-text vignettes (cf. Lorenz IX, 494).

Bradel binding in full brown buckram, smooth spine gilt-stamped with a floral tool, gilt double fillet at foot, green morocco label, modern binding signed by Lobstein-Laurenchet.

Some foxing, mostly to the first and last leaves.

A pleasant copy.

Autograph letter signed with his real surname, Fargonne, addressed to his friend Pierre Louÿs, 7 pages written in black ink on two bifolia bearing the letterhead of the Reina Christina Hotel in Algeciras.

Folding marks inherent to mailing, envelope included.

After postponing his reply, Claude Farrère finally decides to write to his friend: "Et plutôt que d'attendre toute ma vie (on ne sait jamais, affirmait la Mirabelle du roi Pausole), je préfère vous dire aujourd'hui que je ne sais rien." He takes the opportunity to evoke a recently deceased mutual friend: "j'ai eu une vraie désolation, en apprenant que la pauvre Nite était morte - je vous jure que je serais bien le dernier à rire du vers moliéresque - n'importe en quelle circonstance - mais en celle-ci, c'est très pire ; figurez-vous que j'adorais cette petite bête blanche pour l'avoir vue peut-être douze fois en tout"

He wryly comments on the military diligence that earned him favor with his superiors: "Et j'ai su d'autre part, - voie féminine - que mon empressement et mon enthousiasme à rallier le Cassini furent remarqués et commentés à Toulon - Qu'est-ce qu'on va dire quand on me verra revenir, mein Gott !!!! Il va falloir que je cherche un home à quadruple sortie. Nous chercherons ensemble, le mois prochain, entre Tamaris et Mourillon."

First edition printed in Marseille and illustrated with 20 steel engravings. Contemporary half hazel sheep binding. Smooth spine decorated with gilt fillets. Gilt title and volume numbers. Spine slightly faded. Minor rubbing. A well-preserved copy, with only occasional light foxing.

First text: first edition, with no copies issued on deluxe paper; second text: first edition in part.

Publisher's full grey cloth binding, flat spine, complete with the original dust jacket.

Illustrated with photographs by Tony Armstrong-Jones.

A small stain to the lower part of the front endpaper, otherwise a pleasing copy.

Inscribed and signed by Paul Morand: "A maître Chérier, ce tunnel sous la manche, très fidèlement Morand."