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Suggested or explicit, illustrated or purely textual, sadistic or sapphic, published under the cloak or out in the open, love has always had an intimate and passionate relationship with literature.  No, curiosity does not kill the Eroticat...

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        1500€
        Score : 100.00
        Rare first run with 15 lithographed plates
        Rare first run with 15 lithographed plates
        Le Navigateur, journal des naufrages et des autres événemens nautiques ; par une société de marins
        Édouard CORBIÈRE
        Le Navigateur, journal des naufrages et des autres événemens nautiques ; par une société de marins
        Hue|Avril 1829-1833

        Very rare first run of this fascinating maritime periodical, whose publication, under the direction of the renowned Edouard Corbière (1793-1875), continued until 1838 (a total of 18 issues), before the title was absorbed into the Journal de la marine (see Polak, 6955, who only records and knew of the first volume).

        The set is illustrated with 15 plates: 4 lithographed plates hors texte, including one folding plate, for the first volume; 2 hors texte plates, one of them lithographed, for the second; 3 lithographed plates for the third volume; a lithographed frontispiece in each of the following volumes: 4, 5, 6 and 7; and 3 lithographed plates, including a frontispiece, for the eighth volume.

        Half olive-green calf with corners, spines slightly darkened, with five raised bands tooled in gilt with floral ornaments in blind and gilt fillets, blind rolls along the edges of the marbled paper boards, endpapers and pastedowns in marbled paper, sprinkled edges, romantic bindings of the period.

        Joints cracked and fragile, some head- and tailcaps rubbed or trimmed, occasional foxing.

         

        €1,500
        1500€
        Score : 100.00
        Documents littéraires
        Émile ZOLA
        Documents littéraires
        Charpentier|1881

        First edition.
        Contemporary red cloth Bradel binding by Pierson, spine with gilt floral motif, date and double gilt fillet to foot, black shagreen title label.
        A little light spotting, principally affecting the first and final few leaves.
        Ex libris of Adolphe Racot on inside upper cover.
        Concerning Victor Hugo, Alfred de Musset, George Sand, François-René de Chateaubriand, Théophile Gautier, Alexandre Dumas fils, and so on…

        Autograph inscription from Emile Zola to Adolphe Racot.

        €1,500
        3800€
        Score : 100.00
        Queneau's Awards List
        Queneau's Awards List
        Dossier des fiches du jury remplies par Raymond Queneau pour le Festival de Cannes de 1952 - et résultats autographes des scrutins
        Raymond QUENEAU
        Dossier des fiches du jury remplies par Raymond Queneau pour le Festival de Cannes de 1952 - et résultats autographes des scrutins
        1952
        File of jury sheets completed by Raymond Queneau for the 1952 Cannes Film Festival, comprising 90 leaves almost all filled in by his hand. Only one film is unfortunately missing, Dans la tempête (Arashi no naka no hara) by Kiyoshi Saeki; otherwise the set is complete with reviews of all 35 feature films and 50 short films in the official competition that year. Included as well are 4 pages in pencil and one page in ink of autograph notes recording the results of every vote for all prizes awarded.
        An entertaining collection of Raymond Queneau’s reviews, as a member of the Cannes jury. These sheets capture the writer’s sharp or enthusiastic impressions as he viewed the films.
        The year 1952 marked the fifth edition of the young Cannes Film Festival, presided over by Maurice Genevoix. The Grand Prize was awarded to two films, Deux sous d'espoir (Due soldi di speranza) by Renato Castellani and Othello by Orson Welles. On the sheet for the latter, Queneau’s opinion is unequivocal: "Number one". As for Castellani’s film, the critic is ecstatic: "enfin ! du cinéma - intelligent, vivant, humain. Deux ou trois passages ont de la grandeur. Et ce n'est pas prétentieux." He judged its leading actress, Maria Fiore, "épatante". On the French side, Fanfan la Tulipe was in competition, and Queneau was harsh: "ça aurait pu être un film agréable, mais le dialogue gâche tout." Gina Lollobrigida was "quelconque" and Gérard Philippe "pas bon, cette fois-ci". The film nevertheless received the prize for Best Director. He found Marlon Brando, who would be awarded Best Actor, "T.B." in Viva Zapata by Elia Kazan. One of his undisputed favorites was Le Medium by Gian-Carlo Menotti, which he described as "EPATANT/ un film ! un opéra ! saisissant ! poignant !" and which won the Prize for Best Lyric Film.

        Queneau also noted, over four pages, the voting results of the jury in each category.
        They reveal that the two winning films, Deux sous d'espoir (Due soldi di speranza) by Renato Castellani and Othello by Orson Welles, each received 18 votes after no fewer than six ballots. André Cayatte was awarded a special prize for Nous sommes tous des assassins in the out-of-competition category, by a margin of just one vote. Queneau’s tallies also show the overwhelming support of the jury for Hollywood stars Lee Grant and Marlon Brando, who respectively won the acting awards for Detective Story and Viva Zapata!

        A valuable record of the behind-the-scenes workings of one of the very first Cannes Film Festivals, in the hand of one of the greatest French writers of the twentieth century.
        €3,800
        2300€
        Score : 100.00
        L'album. Les maîtres de la caricature
        Benjamin RABIER, CARAN D'ACHE
        L'album. Les maîtres de la caricature
        Jules Tallandier|1902
        First edition illustrated with numerous unpublished drawings in black and in color by Albert Guillaume, Ferdinand Bac, Albert Robida, Lucien Métivet, Jean-Louis Forain, Théophile Alexandre Steinlen, Job, Charles Léandre, Hermann Paul, Benjamin Rabier, Charles Huard, Henry Gerbault, Abel Faivre, Paul Balluriau...
        Publisher’s decorated binding in full cloth, smooth spine decorated with a green floral motif, bevelled boards, the upper cover illustrated by Lucien Métivet showing the masked faces of most of the illustrators of this volume and, above them, a society lady manipulating these caricatures with strings like puppets, endpapers and pastedowns of blue paper slightly discoloured at the margins, gilt edges at head, illustrated wrappers preserved, binding signed Engel.
        Preface by Léon Roger-Milès.
        A very rare copy preserved in its magnificent decorated publisher’s binding.
        €2,300
        480€
        Score : 100.00
        [IMPRESSION DE TAHITI] Messager de Taiti. Journal officiel des Etablissements français de l'Océanie. Paraissant tous les samedis, à 3 heures du soir. Te vea no Taiti
        COLLECTIF
        [IMPRESSION DE TAHITI] Messager de Taiti. Journal officiel des Etablissements français de l'Océanie. Paraissant tous les samedis, à 3 heures du soir. Te vea no Taiti
        Imprimerie du gouvernement|1864

        First edition of this issue of the Journal officiel des Établissements français de l'Océanie, published every Saturday at 3 p.m. (cf. O'Reilly & Reitman, Bibliographie de Tahiti, 10280).

        With a small marginal tear along the central fold of the paper.

        The official gazette of the territory, whose circulation in 1865 was 450 copies.

        This issue is divided into two sections: the first, the so-called "official part," contains the text of three ordinances of Queen Pomaré IV concerning the acquisition of land, whether by donation, sale, or long-term lease, within the twenty-two villages of the islands of Tahiti and Moorea; the appointment of a district chief and president of a village council in Moorea; and the granting of remission of sentence to certain indigenous prisoners.

        These ordinances, dated 14 August 1864, are signed by Pomaré and countersigned by the imperial commissioner Gaultier de La Richerie.

        The text is printed in French, followed by its translation into Tahitian. The "non-official" section contains information on the state of the Tahitian population during the second quarter of 1864 (births, marriages, deaths), the provisions and postal services, the administration of justice, port traffic and the Papeete market, etc.; it also provides details on the Mexican campaign, with a proclamation of Emperor Maximilian dated 28 May 1864 following his landing at Vera Cruz.

        A rare and appealing copy.

        €480
        1500€
        Score : 100.00
        Journal de l'Académie de l'Industrie [puis : Journal des travaux de l'Académie de l'Industrie] agricole, manufacturière et commerciale, fondée à Paris par M. César Moreau, le 26 décembre 1830 (…) dans le but de réunir, d'améliorer et de comparer ce que le laps de plusieurs siècles a fait connaître de plus utile et de plus certain, chez tous les peuples de la terre, sur l'état de l'industrie agricole, manufacturière et commerciale [titre de départ]
        César MOREAU
        Journal de l'Académie de l'Industrie [puis : Journal des travaux de l'Académie de l'Industrie] agricole, manufacturière et commerciale, fondée à Paris par M. César Moreau, le 26 décembre 1830 (…) dans le but de réunir, d'améliorer et de comparer ce que le laps de plusieurs siècles a fait connaître de plus utile et de plus certain, chez tous les peuples de la terre, sur l'état de l'industrie agricole, manufacturière et commerciale [titre de départ]
        Cosson|1831-1932

        Rare collector’s head volume of this fascinating economic, agricultural, and industrial journal founded by economist and statistician César Moreau (1791–1860), who also established the "Société française de statistique" (cf. BNF, "Catalogue collectif des périodiques", III, p. 157. Not in Hatin.)

        Text printed in three columns.

        Contemporary half brown sheepskin binding, smooth spine gilt-ruled with decorative panels, joints rubbed and professionally restored, marbled paper-covered boards, corners worn, yellow edges speckled with red.
        Issue no. 23 of the second year is lacking from our set, which collation is as follows:

        • 1) 8 pp. comprising the society’s statutes and a personalized "Diplôme provisoire" issued to a member of the Académie (Jean Antoine Barthe, architect and former inspector of Public Works: one folding plate). These two documents bear several autograph signatures, including that of César Moreau.
        • 2) 8 pp. listing the members of the Académie.
        • 3) First year: 154 pp. covering issues 1 to 12 (January–December 1831), 2 plates including 1 folding: "Pompe à comprimer l'air et les gaz inventée par M. Jobard" and 27 models of ploughshares and ploughs. Pages 105 to 122 (supplement to the first year) have been bound at the end of the volume.
        • 4) Second year: 192 pp. covering issues 13 to 24 (January–December 1832). Issue no. 23 (pp. 161–176) is missing.
        • 5) 72 pp. for the "Recueil supplémentaire des mémoires", 4 parts, issues I to IX.

         

        €1,500
        1500€
        Score : 100.00
        [IMPRESSION DE POISSY] Memorandum de los negocios pendentes entre Mexico y España, presentado al Exmo Sr. ministro de Estado por el representante de la Republica. El dia 28 de Julio de 1857
        ANONYME
        [IMPRESSION DE POISSY] Memorandum de los negocios pendentes entre Mexico y España, presentado al Exmo Sr. ministro de Estado por el representante de la Republica. El dia 28 de Julio de 1857
        Typographie de Arbieu|1857

        Very rare first edition of this work, never reprinted.

        Only one copy listed in the CCF (Versailles).

        Contemporary bottle green half shagreen binding, spine with four raised bands ruled in gilt and adorned with double gilt compartments and gilt floral motifs, gilt title at foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.

        Some foxing; Mexican peddler's stamp on title page.

        Only edition of this collection presented from a Mexican perspective, with an introduction by José Maria Lafragua Ibarra (1813–1875).

        Name R. Criado stamped in gilt at foot of spine.

        €1,500
        150€
        Score : 100.00
        Les enfants du peuple
        Jules VALLÈS
        Les enfants du peuple
        Administration des messageries des journaux|1879

        First edition, with no deluxe copies printed on fine paper.

        Bradel binding in grey cloth-backed boards, flat spine with gilt central ornament and double gilt fillet at foot, red morocco title label with some rubbing, marbled paper-covered boards, grey paper endpapers and pastedowns.

        Some occasional foxing, contemporary gift inscription on the title page.

        Text preceded by three facsimile letters by Jules Vallès.

        Preface by Julien Lemer.

        €150
        3500€
        Score : 100.00
        Very scarce political and literary journal printed in Valparaíso
        Very scarce political and literary journal printed in Valparaíso
        [CHILI - JOURNALISME] San Martin. Periodico popular. Organo de los intereses americanos. Valparaiso, Imprenta de Chile, 80 numéros du n° 1 (29 août 1864), au n° 80 (24 mars 1866)
        COLLECTIF
        [CHILI - JOURNALISME] San Martin. Periodico popular. Organo de los intereses americanos. Valparaiso, Imprenta de Chile, 80 numéros du n° 1 (29 août 1864), au n° 80 (24 mars 1866)
        1864-1866

        Rare (possibly complete) collection of this popular Chilean weekly printed in Valparaíso, not listed in the catalogue of the National Library’s periodicals.

        Contemporary binding in red half sheep, smooth spine decorated with double gilt and black fillets, black morocco title label, marbled paper-covered boards, comb-marbled endpapers and pastedowns.

        Although primarily concerned with historical and political matters—featuring frequent polemics against Spain and Peru—this provincial paper also aspires to literary status, including numerous poems, occasionally illustrated with small wood engravings. The "classified ads," of particular interest, along with the theatre listings, offer a vivid glimpse into daily life in a mid-19th-century Chilean city.

        The final page of each issue carries advertisements. A few insignificant spots of foxing.

        Very scarce.

        €3,500
        1000€
        Score : 100.00
        Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia
        Jean-Pierre LAFFONT
        Photographie originale - Christopher Street Liberation Day March, New York - Le Baiser, Judy Bowen et Philip Raia
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

        Original photo - Christopher Street Liberation Day March, New York - "The Kiss, Judy Bowen and Philip Raia"
        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        Taken during the kissing contest, this picture shows Judy Bowen, prominent transgender activist and founder of Transsexual Anonymous, passionately kissing her friend Philip Raia, founding member of the Gay Activists Alliance.
        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,000
        450€
        Score : 100.00
        Sur la télévision suivi de L'emprise du journalisme
        Pierre BOURDIEU
        Sur la télévision suivi de L'emprise du journalisme
        s. n.|1996

        First edition, with no deluxe copies printed on special paper.

        A handsome copy.

        Inscribed and signed by Pierre Bourdieu to a friend named Emmanuel.

        €450
        4000€
        Score : 100.00
        Portrait photographique original dédicacé à Otto Eisenschitz
        Emile ZOLA
        Portrait photographique original dédicacé à Otto Eisenschitz
        Eugène Pirou|s.d. (ca 1890)

        Original inscribed photograph portrait of Emile Zola. Original albumen paper print on cardboard bearing the stamps of the Eugène Pirou studio, rue Royale, Paris.

         

        Signed and inscribed by Emile Zola to Otto Eisenschitz: "à M. Otto Eisenschitz / cordialement / Emile Zola".




         

        €4,000
        2500€
        Score : 100.00
        "Labori va tenter une démarche pour tâcher de rattraper les sept mille et quelques francs que vous avez versés en mon nom"
        Emile ZOLA
        "Labori va tenter une démarche pour tâcher de rattraper les sept mille et quelques francs que vous avez versés en mon nom"
        4 Mars 1901
        €2,500
        4500€
        Score : 100.00
        Une séance photo avec Willy Ronis
        Louis ARAGON (Willy RONIS)
        Une séance photo avec Willy Ronis
        s. d. [avril 1948]
        €4,500
        2800€
        Score : 100.00
        It has to be said that we are publishing here this masterpiece, deliberately ignored by those who write literary history and which makes existentialist teeth grind, or simply spoilt teeth, as an example, sure that it will not be in vain.
        It has to be said that we are publishing here this masterpiece, deliberately ignored by those who write literary history and which makes existentialist teeth grind, or simply spoilt teeth, as an example, sure that it will not be in vain.
        Manuscrit original sur "L'Atelier d'un peintre", "qui fait grincer les dents existentialistes"
        Louis ARAGON (Marceline DESBORDES-VALMORE)
        Manuscrit original sur "L'Atelier d'un peintre", "qui fait grincer les dents existentialistes"
        s. d. [circa 1950]
        Autograph manuscript by Louis Aragon, one page in blue ink on a leaf.

        Precious study by Louis Aragon accompanying the serial publication in Les Lettres Françaises of Marceline Desbordes-Valmore's novel L'Atelier d'un peintre (1833). Aragon rehabilitates the female poet-novelist canceled from the history of literature and snubbed by Existentialists, placing her in the tradition of socialist realism.

        ***


        Autograph manuscript by Louis Aragon, one page in blue ink on one leaf. Numerous crossed out words and rewritings. Slight rusting due to a paper clip, slight shadows of an ink transfer from another page. Published in Les Lettres Françaises, episode 16, 23 February 1950.
        In 1949, Aragon chose to publish 'L'Atelier d'un peintre' serially with his own comments. The Cold War made socialist realism the official literary genre for Communist cultural policy: 'For Aragon, reading Marceline Desbordes-Valmore is above all reading the history of a generation, of a people. More precisely, he made Marceline an incarnation of the unfinished Republic, of a world still under construction, and one that was tending towards freedom. To understand Marceline, Aragon invites us to 'date her writings', and not be content to confine her to a single period of her life, but to try to find an explanation for her stances, which were as different as the regimes during the gestation of the Republic in the nineteenth century'. (Aghbarian, Lina, 'Aragon éditeur de Marceline Desbordes-Valmore', Recherches croisées Aragon - Elsa Triolet, no. 14).
        Of all his comments accompanying 'L'Atelier d'un peintre', this is one of his most polemical: Aragon opposes the Surrealists by contesting Lautréamont's distate of the Romantics with whom Desbordes-Valmore was associated. The writer criticizes the hasty rejection of her work, which nevertheless has counterparts in modern literature: 'The Atelier that Aragon reopens with the publication of this novel, to rework it, to reveal it, to give it a second life closer to his own concerns, after having disentangled it from its time, and emptied it of its Romantic religiosity, to lay bare its richness, which lies in the feminist cause defended by Marceline Desbordes-Valmore [. ...] For her, Ondine, the literary character, was a transposition of the missing child, her son, the son of Henri de Latouche, her lover. Ondine is thus three times hybrid, androgynous, real and imaginary, daughter and mother at the same time, and Léonard, her inverted double, the one she would have liked to be in order to succeed in the forbidden world of painting. Aragon doubles androgyny with homosexuality, as seen in Yorick's phrase 'Talma doubles my existence'. Among other allusions, he refers to Henri Miller's Sexus [an allusion is made about this work in this manuscript] Aragon cultivates the theme of duality on which the whole novel is built. Without abandoning the imaginary world of the novel, he seeks to bring out the realistic side of this romantic novel, hidden in the shadow of the lyrical novel. In a word, Aragon reverses the order of the foreground and background: the romanticism of Marceline Desbordes-Valmore's novel becomes secondary, and the historical background takes precedence' (ibid.).


        'We have now come to the night scene in the Place Vendôme, which is one of the most intense, the most beautiful minutes of the novel of the other century... I know that not everyone will agree. It's come to my attention that there are people who are superbly distracted from L'Atelier d'un peintre, and find it wrong that we should publish a story in which there is absolutely nothing of what THEY are looking for in novels, and it's possible that those who can't read only see a bluette, literature for young girls. Even if it is, it's as good as literature for old men!
        But, finally, it has to be said, we are publishing here this masterpiece, deliberately ignored by those who write literary history, and which makes existentialist teeth grind, or simply spoilt teeth, as an example, sure that it will not be in vain.
        Isidore Ducasse, Comte de Lautréamont, whose authority today's fashionable people would not dare challenge, condemned nearly eighty years ago those he called 'the Great Softheads' of Romanticism, those who wrote badly. But to this day, all literature written for the good is judged with contempt by this Medusa, the so-called elite, made up of very small soft heads. The revision of values announced by Ducasse has begun, whether he likes it or not. And right here.
        The scene in Place Vendôme - for those of you who are just reading, not thinking whether it holds up next to Henry Miller's Sexus -, to better imagine it, what if we gave you a new image of Yorick Angelmann, its protagonist? What do you say to this portrait of a stranger [illustration chosen for this article], by Géricault, and which for similar reasons no doubt has been claimed to be this portrait of Lord Byron? which is very far from being proved.'
        €2,800
        5800€
        Score : 100.00
        " L'homme libre que je suis "
        Louis ARAGON
        " L'homme libre que je suis "
        s. d. [1948]
        €5,800
        450€
        Score : 100.00
        [LIBERTE DE LA PRESSE] Projet du code pénal du royaume des Pays-Bas - Délits de la presse
        ANONYME
        [LIBERTE DE LA PRESSE] Projet du code pénal du royaume des Pays-Bas - Délits de la presse
        Imprimerie de J. J. Cautaerts|1827
        €450
        500€
        Score : 100.00
        "il sera de toute impossibilité de vous faire même la plus petite place dans le Cri"
        Jules VALLES
        "il sera de toute impossibilité de vous faire même la plus petite place dans le Cri"
        1884
        €500
        6800€
        Score : 100.00
        In the midst of universal cowardice, you wouldn't believe how moved I am to feel a few faithful people around me
        In the midst of universal cowardice, you wouldn't believe how moved I am to feel a few faithful people around me
        "je crois que c'est la fin du monde"
        Émile ZOLA
        "je crois que c'est la fin du monde"
        19 août 1898
        Autograph letter signed by Emile Zola to Octave Mirbeau, dated August 19, 1898. Four pages in black ink on a bifolium written to Octave Mirbeau.
        Usual trace of horizontal fold.
        Published in Zola's Œuvres complètes, t. XLIX, ed. F. Bernouard, 1927, p. 808.
        Exceptional testament of friendship and self-sacrifice from Emile Zola in exile, after being sentenced to the maximum penalty for writing "J'accuse!", the most famous article proclaming Captain Dreyfus's innocence.
        After his historic article in L'Aurore, Zola was sentenced a first time by a jury on February 23, 1898 to one year's imprisonment and a fine of three thousand francs. The verdict was overturned, and the case was referred back to the Versailles court of justice, which upheld only three of the eight hundred lines in "J'accuse!" as a charge. Unwilling to accept such a stifling of the proceedings, Zola's defense decided to default, and the conviction was upheld. After his eventful exit from the courthouse, Clémenceau and his lawyer Labori advised him to leave the country before the judgment could become enforceable. Zola left on the last train that evening, with only a shirt hastily rolled up in newspaper as luggage.
        A month after his departure, the writer writes this superb reply to a letter from his loyal supporter, Octave Mirbeau, who had written to him a few days earlier: "We think only of you; there isn't a minute of our existence that you don't fill entirely" (August 14, 1898). Settled in the London suburb of Weybridge, he angrily receives the "echoes of Paris" and is enraged to see Esterhazy, the true culprit of the Dreyfus Affair, once again cleared - this time by civil courts.


        "My dear friend,
        Thank you for your kind letter [...] In the midst of universal cowardice, you wouldn't believe how moved I am to feel a few faithful people around me.
        My existence here has become possible, since I've been able to get back to work. Work has always comforted me, saved me. But my poor hands are still trembling with a shiver that cannot end. You wouldn't believe the outrage I feel at the echoes from France that reach me. In the evening, when daylight falls, I think it's the end of the world.
        You think I should go back and make myself a prisoner, without returning to Versailles. That would be too good, to have the peace of prison, and I don't think it's possible. I didn't set out to go back like that; our attitude would be neither logical nor beautiful. Rather, I think I'm in indefinite exile, unless I run the abominable risk of a new trial. Besides, we won't be able to make up our minds until October. And by then, who knows? Although I'm counting on a miracle, in which I have little faith.
        So let us be brave, my friend, and let our work be done! If I can keep working, things won't be too bad yet.
        [...]
        I shake your hand, my good friend, the faithful and rare friend of bad days".



        Poignant manuscript confession from Zola, forced into exile. Death would strike him in the midst of his glory days, without him ever knowing the outcome of the affair he had devoted so many years of struggle.
         



















        €6,800
        6800€
        Score : 100.00
        "je souffre ici, moralement, intellectuellement, dans l'impuissance d'agir"
        Émile ZOLA
        "je souffre ici, moralement, intellectuellement, dans l'impuissance d'agir"
        15 décembre 1898
        €6,800
        4000€
        Score : 100.00
        "mon seul but est le peu de vérité que nous réussirons sans doute à faire encore"
        Émile ZOLA
        "mon seul but est le peu de vérité que nous réussirons sans doute à faire encore"
        10 avril 1898
        €4,000
        3500€
        Score : 100.00
        Cocteau fascinated by New York, the "city that sleeps standing"
        Cocteau fascinated by New York, the "city that sleeps standing"
        "New York n'aime ni s'asseoir si s'étendre. C'est une ville qui dort debout."
        Jean COCTEAU
        "New York n'aime ni s'asseoir si s'étendre. C'est une ville qui dort debout."
        17 janvier 1949
        Initialed autograph manuscript by Jean Cocteau, entitled "L'Aurore" dated by the author 17 January 1919. One page on one leaf written in blue pen. Published in L'Aurore, 19 January 1949 (no. 1353).

        Jean Cocteau wrote this dazzling portrait of the city that never sleeps for the newspaper L'Aurore after a twenty-day stay in New York. The writer would later extend this account with his 'Lettre aux Américains' (Grasset, 1949) taking up some of the words and expressions written on the spot in this charming manuscript.
        According to legend, Cocteau began writing his 'Lettre aux Américains' on the flight home. One can imagine the writer, eyes still shining with the lights of the city, jotting down his first impressions on this page:

        "It's very difficult to speak in a few lines about a city like New York. Did my trip last twenty days or twenty years? I wonder [...] Nothing is lighter than the air of New York. Too light. Everything swirls. What rests and settles is very rare. The skyscrapers themselves sway slightly at the top, and the light shines through them like tulle. At night, Broadway is plagued by frightful electrical tics. And luminous Christmas trees six stories high adorn Park Avenue."



        Cocteau had flown to New York in the last days of December 1948 for the premiere of The Eagle with Two Heads, starring Edwige Feuillère as the Queen, and his great love Jean Marais as the young anarchist poet. He hoped to convince the great actress Greta Garbo to play a role in one of his next films:

        "It was the first time I'd spent New Year's Eve away from my city, and I'm lucky, when the clock struck midnight, to be kissing Greta Garbo, whose face is more and more admirable."


        The writer ends the manuscript with a masterful ode to the New York way of life:


        "There are sitting cities. There are cities that lie down. New York likes neither to sit nor to lie down. It's a city that sleeps standing."


        In New York, Cocteau found the perfect match for his own creative energy. During this short stay, he posed for Philippe Halsman who had been commissioned by LIFE magazine to "capture on camera what goes on inside a poet's mind". Halsman's emblematic portraits - a janiform double profile, or as a monster-magician with three pairs of hands, smoking, drawing and reading - caught the likeness of the surprisingly varied artist with incomparable accuracy.
        Precious impressions of a dandy and protean Cocteau, irresistibly drawn to New York's bustling energy.
         
        €3,500
        1350€
        Score : 100.00
        "Un rendez-vous avec Gilles de La Tourette"
        Émile ZOLA (Georges GILLES DE LA TOURETTE)
        "Un rendez-vous avec Gilles de La Tourette"
        15 octobre 1893
        €1,350
        1200€
        Score : 100.00
        Lettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury "je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro"
        Émile ZOLA
        Lettre autographe datée et signée adressée à son ami le médecin Maurice de Fleury "je crois bien que j'ai trouvé quelque chose pour le supplément du Figaro"
        22 oct[obre] 1891
        €1,200
        100€
        Score : 100.00
        Décadence et grandeur
        Tristan BERNARD
        Décadence et grandeur
        Editions des portiques|1928

        First edition on ordinary paper.

        A fold mark at the foot of the lower cover, otherwise a well-preserved copy.

        With a fine signed autograph inscription by Tristan Bernard: "A Charles Cuvillier cette oeuvre capitale qui absorba quinze ans de ma vie. Bien affectueusement Tristan Bernard."

        €100
        120€
        Score : 100.00
        Journal d'un journaliste
        Robert de SAINT JEAN
        Journal d'un journaliste
        Grasset|1974

        First edition, one of 38 numbered copies on alfa paper, the only deluxe copies issued.

        A very handsome copy.

        €120
        250€
        Score : 100.00
        Pêle-mêle. Chroniques de l'Humanité
        Régine DEFORGES
        Pêle-mêle. Chroniques de l'Humanité
        Arthème Fayard|2004
        €250
        100€
        Score : 100.00
        Téléjournaliste - Un homme et son métier
        Léon ZITRONE
        Téléjournaliste - Un homme et son métier
        Robert Laffont|1974
        €100
        3500€
        Score : 100.00
        Photographie originale dédicacée au critique d'art Vittorio Pica
        Emile ZOLA
        Photographie originale dédicacée au critique d'art Vittorio Pica
        Benque & Cie|s.d. (ca 1880)
        €3,500
        150€
        Score : 100.00
        L'or noir du Sahara - La pathétique aventure de Conrad Kilian - Exemplaire de Stephen Hecquet
        Yves SALGUES
        L'or noir du Sahara - La pathétique aventure de Conrad Kilian - Exemplaire de Stephen Hecquet
        Pierre Horay|1956
        €150
        150€
        Score : 100.00
        Un ange américain - Exemplaire de Stephen Hecquet
        Yves SALGUES
        Un ange américain - Exemplaire de Stephen Hecquet
        Pierre Horay|1956
        €150
        300€
        Score : 100.00
        Indios adios - Le corsaire de la forêt amazonienne
        Marc BRUWIER
        Indios adios - Le corsaire de la forêt amazonienne
        Filipacchi|1991
        €300
        150€
        Score : 100.00
        Journal d'une parisienne
        Françoise GIROUD
        Journal d'une parisienne
        Seuil|1994
        €150
        120€
        Score : 100.00
        Une année particulière
        Anne SINCLAIR
        Une année particulière
        Fayard|1982
        €120
        100€
        Score : 100.00
        Mon père
        Florise LONDRES
        Mon père
        Albin Michel|1934
        €100
        3000€
        Score : 100.00
        'Balthus's painting is topical enough to dispense with topicality'
        'Balthus's painting is topical enough to dispense with topicality'
        "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"
        Antonin ARTAUD, BALTHUS
        "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"
        27 Avril 1934

        Autograph letter dated and signed by Antonin Artaud on Le Dôme brasserie letterhead, addressed to Maurice Martin du Gard, founder and director of Nouvelles Littéraires. 29 lines in blue ink in a nervous handwriting.
        Traces of folds and small marginal tears inherent to postal dispatch and handling. Minor stains at the beginning of the letter.


        Antonin Artaud fought to have his article on Balthus's painting, exhibited for the first time in France, published. He fiercely defended the artist he considered his 'double', so similar were they physically and intellectually.

         

        €3,000
        680€
        Score : 100.00
        Le mois : série complète en 25 numéros du N°1 1er Mars 1848 au N°25 du 1er Janvier 1850
        Alexandre DUMAS
        Le mois : série complète en 25 numéros du N°1 1er Mars 1848 au N°25 du 1er Janvier 1850
        Reignier|1848-1850
        €680
        650€
        Score : 100.00
        Le Spectateur ou le Socrate moderne, où l'on voit un portrait naïf des Moeurs de ce Siécle
        Richard STEELE, Joseph ADDISON
        Le Spectateur ou le Socrate moderne, où l'on voit un portrait naïf des Moeurs de ce Siécle
        Chez Wetsteins & Smith|1741
        €650
        1500€
        Score : 100.00
        Lettre autographe datée et signée adressée au magnat de la presse Arthur Meyer à qui il recommande Louis de Robert  "... vous trouveriez sans doute en lui un excellent rédacteur pour "Le Gaulois"
        Émile ZOLA (Arthur MEYER)
        Lettre autographe datée et signée adressée au magnat de la presse Arthur Meyer à qui il recommande Louis de Robert "... vous trouveriez sans doute en lui un excellent rédacteur pour "Le Gaulois"
        5 Avril 1893
        €1,500
        80€
        Score : 100.00
        Le petit nazi illustré - Une pédagogie hitlérienne en culture française : Le petit téméraire (1943-1944)
        Pascal ORY
        Le petit nazi illustré - Une pédagogie hitlérienne en culture française : Le petit téméraire (1943-1944)
        Editions Albatros|1979
        €80
        1200€
        Score : 100.00
        Une autre jeunesse
        Jean-René HUGUENIN
        Une autre jeunesse
        Seuil|1965
        €1,200
        400€
        Score : 100.00
        L'ironie du sport - Chroniques de l'Equipe 1954-1982
        Antoine BLONDIN
        L'ironie du sport - Chroniques de l'Equipe 1954-1982
        Editions François Bourin|1988
        €400
        350€
        Score : 100.00
        La semaine buissonnière
        Antoine BLONDIN
        La semaine buissonnière
        La Table Ronde|1999
        €350
        350€
        Score : 100.00
        Liste manuscrite adressée à André Parinaud concernant la réalisation de la série des écrits sur l'art d'André Malraux
        André MALRAUX
        Liste manuscrite adressée à André Parinaud concernant la réalisation de la série des écrits sur l'art d'André Malraux
        S. n.|s. d. [1954]
        €350
        200€
        Score : 100.00
        Les juges
        Élie WIESEL
        Les juges
        Seuil|1999
        €200
        300€
        Score : 100.00
        Lettre autographe datée et signée à André Parinaud à propos d'un article de presse paru dans le journal gaulliste Carrefour du 20 décembre 1949
        André MALRAUX
        Lettre autographe datée et signée à André Parinaud à propos d'un article de presse paru dans le journal gaulliste Carrefour du 20 décembre 1949
        S. n.|s. d. [circa 1955]
        €300
        1500€
        Score : 100.00
        Photographie originale - Christopher Street Liberation Day March, New York - Master and Slave
        Jean-Pierre LAFFONT
        Photographie originale - Christopher Street Liberation Day March, New York - Master and Slave
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

        Original photo from Christopher Street Liberation Day March, New York - "Master and Slave"
        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        This beautiful picture shows a couple of young women sitting in the grass and wearing two matching t-shirts "Master" and "Slave". One is holding a flyer announcing the Harmonyville Music Festival, a major Woodstock-inspired event planned for August 1970 which never took place.

        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,500
        1200€
        Score : 100.00
        Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
        Jean-Pierre LAFFONT
        Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

        Original photo from Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        This fine photograph shows three young women holding a sign "Perverts' Union for Gay Liberation" and another that reads "Gay Pride".
        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,200
        1200€
        Score : 100.00
        Photographie originale - Christopher Street Liberation Day March, New York - Militant en fauteuil roulant
        Jean-Pierre LAFFONT
        Photographie originale - Christopher Street Liberation Day March, New York - Militant en fauteuil roulant
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

        Original photo from Christopher Street Liberation Day March, New York - "Activist in a Wheelchair"
        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        This fine picture shows a man in a wheelchair with a sign that reads "Gay Pride" in the middle of the crowd.
        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,200
        1800€
        Score : 100.00
        Photographie originale signée - Christopher Street Liberation Day March, New York - "Gay People This Is Your Church"
        Jean-Pierre LAFFONT
        Photographie originale signée - Christopher Street Liberation Day March, New York - "Gay People This Is Your Church"
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)


        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        Wonderful full-length portrait of Rev. Robert Clement, wearing his cassock and proudly holding a sign that reads "Gay people this is your church". In 1970, he founded the Church of the Beloved Disciple, the first “gay church” in New York City, not only welcoming gay parishioners, but also the first to include openly gay pastors. Rev. Clement created and celebrated the first "Holy Unions" – same-sex religious marriage ceremonies.
        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,800
        1800€
        Score : 100.00
        Photographie originale signée - Christopher Street Liberation Day March, New York - Baiser sous un parapluie
        Jean-Pierre LAFFONT
        Photographie originale signée - Christopher Street Liberation Day March, New York - Baiser sous un parapluie
        1970

        "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

        Original photo from Christopher Street Liberation Day March, New York - "Kiss under an umbrella"
        Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
        Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
        A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
        On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
        Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
        Fine photograph showing a couple lying in the grass, their faces under a large umbrella; one of the lovers is giving the middle finger to the camera.

        Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
        €1,800
        80€
        Score : 100.00
        Vingt ans avant - Chroniques du Matin de Paris
        Bernard FRANK
        Vingt ans avant - Chroniques du Matin de Paris
        Grasset|2002
        €80
        80€
        Score : 100.00
        Lettre manuscrite adressée à Carlo Rim
        Jeanne MARÉCHAL
        Lettre manuscrite adressée à Carlo Rim
        S. n.|31 juillet 1963
        €80
        400€
        Score : 100.00
        Le Journal illustré, quatrième année complète (1867), du n°152 du 6 janvier 1867 au n°203 du 29 décembre 1867, soit 51 numéros
        COLLECTIF, Charles MONSELET
        Le Journal illustré, quatrième année complète (1867), du n°152 du 6 janvier 1867 au n°203 du 29 décembre 1867, soit 51 numéros
        Le Journal illustré|1867
        €400
        60€
        Score : 100.00
        Le petit homme et le grand journal
        Charles BAUDINAT
        Le petit homme et le grand journal
        Julliard|1973
        €60
        10000€
        Score : 100.00
        Scènes de la vie orientale : les femmes du Caire [Véritable édition originale du Voyage en Orient]
        Gérard de NERVAL
        Scènes de la vie orientale : les femmes du Caire [Véritable édition originale du Voyage en Orient]
        Ferdinand Sartorius|1848
        Ferdinand Sartorius | Paris 1848 | 13,5 x 22 cm | one volume bound in shagreen & one note
        First edition, rare and very sought after according to Clouzot. Precious copy with the title page having the correct date of 1848. This work is the first to be published recounting Nerval's stay in Egypt and will be followed the same year by Femmes du Liban. These two main texts will form the famous Voyage en Orient in 1851.
        Copy free from foxing, some leaves have angular fold marks.

        Binding in half green shagreen, spine in four compartments enhanced with gilt stipples, decorated with double gilt spine panels and fleurons, black fillets, some signs of rubbing, marbled paper boards, two corners restored, sprinkled paper endpapers, charming contemporary binding.

        Our copy is enriched with a receipt for the amount of seventy-five francs signed by Gérard de Nerval and mounted on the guards.

        Extremely rare in good condition according to Clouzot.
        €10,000
        700€
        Score : 100.00
        Livre d'hommages des lettres françaises à Emile Zola
        Georges CLEMENCEAU, Octave MIRBEAU
        Livre d'hommages des lettres françaises à Emile Zola
        Georges Balat|1898
        First edition published in the wake of the resounding and historic front page "J'accuse" printed in the newspaper "L'Aurore", one of 200 numbered copies on laid paper, each justified by the publisher.
        Bound in red half-shagreen, spine with four raised bands gilt-ruled with dotted fillets and decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
        Some rubbing along the joints, pleasingly fresh interior.
        Illustrated with a photographic portrait of Emile Zola as frontispiece.
        Includes numerous contributions, among them Paul Alexis, Jean Psichari, Elisée Reclus, Joseph Reinach, Paul Adam, Maurice Bouchor, Georges Eekhoud, Gustave Geoffroy, René Ghil, André Ferdinand-Hérold, Camille Lemonnier, Laurent Tailhade, Paul Fort, Mecislas Golberg, Camille Mauclair, Pierre Quillard...
        The committee of sponsorship included, among others, Georges Clemenceau, Octave Mirbeau, Séverine, Maurice Maeterlinck and Emile Verhaeren...
        €700
        30000€
        Score : 100.00
        Libération. Collection complète des vingt premières années du journal
        Jean-Paul SARTRE, Serge JULY
        Libération. Collection complète des vingt premières années du journal
        Libération|1973-2004

        Complete run of the first twenty years of the newspaper Libération, founded in 1973 by Jean-Paul Sartre, Serge July, Philippe Gavi, Bernard Lallement and Jean-Claude Vernier.

        6,200 issues in pristine condition (never opened).

        This unique collection comprises 6,200 issues of Libération in impeccable condition (never opened), and is absolutely complete – including all the “numéros zéros”, promotional issues, special reports, thematic supplements (including the entire series of the celebrated “Sandwich” issues), and the commemorative twentieth anniversary album – from Monday 5 February 1973 to Monday 3 January 1994.  
        The collection is offered with its custom-made display unit (2.60 m high, 4.20 m wide, and 50 cm deep). It consists of 35 stackable compartments, each measuring 84 x 36.5 x 50 cm, each housing two sliding drawers. Each drawer holds approximately one hundred issues of the newspaper.
         
        Provenance: Frédéric Fredj Collection.

        €30,000
        300€
        Score : 100.00
        Le poil civil du N°1 au N°15, collection complète
        Tristan BERNARD
        Le poil civil du N°1 au N°15, collection complète
        Le Poil civil|Avril-Juillet 1915
        First edition and complete collection of this magazine exclusively animated by Tristan Bernard at the same time editor-in-chief, leader, chief of the echoes, military critic and manager.
        Binding in full white percaline, smooth back, rectangles of red and blue percaline in margins of boards, covers of each pamphlet preserved, Contemporary binding.
        Signed autograph dedication of Tristan Bernard to Lucette Descaves at the head of the first pamphlet.
        €300
        1000€
        Score : 100.00
        Manuscrit autographe signé « Au conseil municipal »
        Octave MIRBEAU
        Manuscrit autographe signé « Au conseil municipal »
        1899
        €1,000
        1000€
        Score : 100.00
        Manuscrit autographe signé « Habitudes »
        Octave MIRBEAU
        Manuscrit autographe signé « Habitudes »
        [1902]
        €1,000
        150€
        Score : 100.00
        Le Merle blanc, écrits 1919-1922
        Henri BÉRAUD
        Le Merle blanc, écrits 1919-1922
        Editions Du Lérot|2008
        First edition, one of 25 numbered copies on Rives, the tirage de tête.
        A very good copy.
        €150
        160€
        Score : 100.00
        Le canard enchainé - Ecrits 1916-1919
        Henri BÉRAUD
        Le canard enchainé - Ecrits 1916-1919
        Editions Du Lérot|2009
        First edition, one of 30 numbered copies on Rives, the tirage de tête.
        A very good copy.
        €160
        150€
        Score : 100.00
        Gringoire III, Ecrits 1940-1943
        Henri BÉRAUD
        Gringoire III, Ecrits 1940-1943
        Consep|2006
        €150
        50€
        Score : 100.00
        L'Humanité Nouvelle n°47 Mai 1903, 7e année
        COLLECTIF
        L'Humanité Nouvelle n°47 Mai 1903, 7e année
        Schleicher frères|Mai 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°45 Octobre 1902, 6e année
        COLLECTIF
        L'Humanité Nouvelle n°45 Octobre 1902, 6e année
        Schleicher frères|Octobre 1902
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°63 Mai 1901, 5e année
        COLLECTIF
        L'Humanité Nouvelle n°63 Mai 1901, 5e année
        Schleicher frères|Mai 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°63 Janvier 1901, 5e année
        COLLECTIF
        L'Humanité Nouvelle n°63 Janvier 1901, 5e année
        Schleicher frères|Janvier 1901
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°54 Décembre 1903, 7e année
        COLLECTIF
        L'Humanité Nouvelle n°54 Décembre 1903, 7e année
        Schleicher frères|Décembre 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°53 Novembre 1903, 7e année
        COLLECTIF
        L'Humanité Nouvelle n°53 Novembre 1903, 7e année
        Schleicher frères|Novembre 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°51 Septembre 1903, de la 7e année
        COLLECTIF
        L'Humanité Nouvelle n°51 Septembre 1903, de la 7e année
        Schleicher frères|Septembre 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°50 Août 1903, de la 7e année
        COLLECTIF
        L'Humanité Nouvelle n°50 Août 1903, de la 7e année
        Schleicher frères|Août 1903
        €50
        50€
        Score : 100.00
        L'Humanité Nouvelle n°48 Juin 1903, de la 7e année
        COLLECTIF
        L'Humanité Nouvelle n°48 Juin 1903, de la 7e année
        Schleicher frères|Juin 1903
        €50
        80€
        Score : 100.00
        Physionomie de la presse ou catalogue complet des nouveaux journaux qui ont paru depuis le 24 Février, jusqu'au 20 Août, avec le nom des rédacteurs
        ANONYME
        Physionomie de la presse ou catalogue complet des nouveaux journaux qui ont paru depuis le 24 Février, jusqu'au 20 Août, avec le nom des rédacteurs
        Chez tous les libraires et marchands de journaux|1848
        €80
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