Marseille

First edition, one of 30 numbered copies on Auvergne, deluxe copies ("tirage de tête").
Beautiful copy despite very slight tears affecting mostly the endpapers.

Rare first edition.

Only two copies recorded in the CCF (BnF and Marseille).

“…their change of residence, abandoning the old city to settle in the new districts? A memoir awarded by the Société académique de médecine de Marseille at its public session of 1 August 1819; (…). Enlarged with the plan of a medical topography of the city of Marseille, which the author proposes to publish.” Marseille, Joseph-François Achard, 1819, 8vo, disbound. Title, 40 pp. Only two copies recorded in the CCF (BnF and Marseille). Very rare. The author was a physician attached to the dispensaries and the maternity hospital of Marseille.

First edition (a reprint was issued in 1963) of one of the two major works by Marcel Sarrazin, known as Vassal, now considered one of the leading French-speaking 'mentalists'—a modern term borrowed from English (cf. Fechner, p. 554). Only 2 copies listed in the CCF (BnF and Sainte-Geneviève).

Small stains to the lower right corner of the title page, otherwise a well-preserved copy.

Contemporary half tawny sheep binding, spine with four raised bands and gilt fleurons, minor rubbing to spine, marbled paper boards, marbled endpapers and pastedowns, original front wrapper preserved, sprinkled edges, very slight rubbing to corners.

Illustrated with in-text figures after drawings by the author, 2 plates out of text (including a chart of 20 lamps, and a newspaper clipping).

Copy belonging to the illusionist Hervel (Benoît-Joseph Phillis, 1913–1992), with his inkstamp on the title page.

First edition printed in Marseille and illustrated with 20 steel engravings. Contemporary half hazel sheep binding. Smooth spine decorated with gilt fillets. Gilt title and volume numbers. Spine slightly faded. Minor rubbing. A well-preserved copy, with only occasional light foxing.

First edition printed in 200 copies, ours one of the 30 on Holland paper, deluxe copies.
Spine slightly browned with small lacks and tears at head and foot, slight lacks and tears to board margins, handsome interior condition despite clear foxing on the final endpaper.
Rare.

Autograph letter dated and signed (25 lines in black ink) from the illustrator and caricaturist Sennep, addressed to his friend the Provençal writer, caricaturist and filmmaker Carlo Rim, thanking him while teasing him after having been decorated with the Legion of Honor: "Merci, gros jaloux ! mais, d'abord, je n'ai pas les cheveux aussi blancs ! ensuite, ma cravate est d'un bleu de ciel, qui évoque le ruban des "Enfants de Marie", beaucoup plus que l'ordre du Saint-Esprit..." ["Thank you, big jealous one! but, first, I don't have hair that white! then, my tie is sky blue, which evokes the ribbon of the "Children of Mary", much more than the order of the Holy Spirit..."]

A self-portrait in black felt-tip pen and heightened with blue pencil represents the illustrator, freshly honored, with his decoration around his neck.

Fold inherent to mailing.

Carlo Rim was a Provençal writer, author of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.

First edition illustrated with 24 original lithographs by René Seyssaud, one of 70 copies printed on pure Arches wove paper, this one being among the first 20 enhanced with an additional suite of lithographs and an original drawing by René Seyssaud, signed in brown pencil.

The additional suite comprises only 8 lithographs, 5 in color and 3 in black and white.

Text by René-Jean and J. Tourette.

A well-preserved copy, complete with its original chemise and slipcase (spine sunned), a few scattered spots of foxing, notably on the covers.

First edition, hors commerce, printed in 100 numbered copies on pur fil paper, the only printing with a few copies for the author, this one specially printed for Thomas Stearns Eliot.
Handsome autograph inscription from Saint-John Perse to his friend and U.S. translator, Allen (Tate) : " Pour vous, mon cher Allen, en bien vive et profonde admiration [for you, my dear Allen, with lively and profound admiration]".
Covers and spine slightly and marginally faded, two small insignificant tears to head and foot of spine.