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Third edition, revised and augmented by the author, published during his lifetime. The copy is complete with the title-frontispiece depicting a "portico of Tuscan architectural order" according to the description of the 1805 edition, whose terrace shows a man ploughing the fields, indicating the content of the book. It is likewise complete with the folding plate and the eight elaborate vignettes. The first edition of this major text was issued from the press only five years earlier, in 1600.

Con

First edition of the English translation, published in the same year as the first edition (in German). OCLC records only 8 copies in public libraries.

Original sewn wrappers with a pasted vignette to the upper cover, the title in English and Chinese surrounded by representations of chess pieces. Covers with sunned margins, small marginal tears at the spine folds.

Profusely illustrated with 80 in-text examples of chess games, as well as a photograph depicting monks engaged in a game of chess.

An exceptionally rare treatise on Chinese chess, published in Peking in 1937 by the only German-language publishing house in China before the Second World War.

First trade edition, partly original in its enlarged form.

A portion of the work had first appeared in 1832 in the Revue Encyclédique (May-June), and had been issued separately in a first offprint of 23 pages (cf. Cordier, Sinica, 1399-1340.)

Wrappers backed and restored, manuscript bookplate in the upper left corner of the title-page, a pleasing copy internally.

This is the Da Xue, the first of the Four Confucian Classics, first incorporated into the Li Ji (Book of Rites), then regarded from the Neo-Confucian revival of the Song period onward as a mirror for the Prince and likewise a mirror for subjects, centered on good government.

The Chinese characters were com

First edition of the French translation, illustrated with 1 folding table inserted in the second volume (cf. Cordier 547.)

Contemporary full mottled tawny calf bindings, smooth spines richly gilt with ornamental rolls and fleurons, green morocco lettering and volume labels, gilt rolls to the spine ends partially rubbed, covers framed with gilt fillets and dotted rules, marbled endpapers, gilt fillets on board edges, marbled edges, period bindings.

Some restorations to the joints and spines, a few rubs to the covers.

An important work for the legal history of China.

Volume I contains the preface, and the general, civil, fiscal, ritual and military laws; Volume II co

First edition of the French translation (cf. Bruun (Christian), Bibliotheca Danica, V, 235.)

Contemporary uniform marbled full calf bindings, spines in six compartments with five raised bands, decorated with faded gilt fillets, gilt compartments and floral tools, gilt roll tooling to the caps partly rubbed, marbled endpapers, gilt rules to board edges, corners lightly bumped, contemporary bindings.

Some restorations to several joints and a few spines.

The first volume is devoted to Holland and Denmark, the second to Sweden and Russia, the third deals exclusively with Russia, and the fourth concerns Poland.

A pleasing copy.

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the hierog

First edition, one of 37 numbered copies, ours one of a few hors commerce copies for collaborators and friends, signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards, each bearing Man Ray’s printed studio stamp (“Épreuve originale atelier Man Ray Paris”). The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée.

Publisher’s binding by the renowned bookbinder Merch

Original drawing signed in black and red felt-tip pen by Yves Saint Laurent, inscribed “Pour Gilles Bernard un souvenir amical / Yves Saint Laurent”. Single leaf mounted on card, with minor undulations. A dampstain not affecting the drawing, and a small restoration in the margin.

We also include the first edition of this infamous album of cartoons (La Vilaine Lulu, Claude Tchou, 1967) as well as the large-format and illustrated subscription slip for the album.

First edition, one of 9 numbered copies on japon, only deluxe issue aside from 35 copies on pur fil, and a few on coloured paper.

Full black morocco binding, flat spine, author’s name palladium-stamped, title stamped lengthwise in palladium and blind, grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind, turn-ins framed in morocco, light plum suede pastedowns and flyleaves, three palladium decorated deckled edges, outstanding custom binding by Thomas Boichot.

Original collage by Georges Hugnet, signed in white ink "G.H. 1961". Under mat and framed.

A whimsical photo-collage by the Surrealist artist and writer Georges Hugnet. Throughout his diverse oeuvre, collage represented an enduring passion for Hugnet, placing him among the leading innovators in the medium during the XXth century.

First edition.

Binding inspired by Seventeenth century Cambridge panelled boards, spine with five raised bands framed by double fillets in blind, boards framed by double fillets in blind, outer corners of central frame decorated with small fleurons tools in blind, decorated roll inside central frame, decorated roll in blind on edges, all edges gilt, a corner and edge and lower spine-end slightly rubbed, some chafing on boards, a small hole p. 8 affecting part of a letter.

Very scarce first editions of T

First edition which supposedly had an issue of 500 numbered copies. “Gallimard donated the paper required for the production of this book, but only 258 copies could be printed, rather than the 500 announced in the justification” (from a note by Paul Éluard). A slight crease to the covers, slight marginal sunning primarily affecting the rear cover.

Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar.

Le temps déborde is a collection of eleven poems published

First edition, one of 1,400 numbered copies, only issue.

Outstanding publisher’s cream silk Bradel binding signed by Engel at the foot of the spine, flat spine decorated with Japanese characters; upper boards in excellent condition, elaborately decorated with a reproduction of Shinman’s starlings against a setting sun from the Henri Cernuschi collection (also illustrated pl. 26, vol. 1); corners slightly rubbed; both volumes complete with their illustrated dust jackets, showing tears and some losses.

Autograph letter signed “ta merre famme Babeuf” by Marie-Anne Babeuf, addressed to her son Émile. 3 pages on a bifolium.

An exceedingly rare and unpublished letter written from prison by Marie-Anne Victoire Babeuf (née Langlet), a revolutionary and wife of the celebrated leader of the Conspiracy of Equals, Gracchus Babeuf.

This appeal from a modest chambermaid turned political activist dates precisely from a period of her life about which almost nothing is know

Programme for the Ballets Russes, for the Paris season in May-June 1912 at the Théâtre du Châtelet and the Hungarian tour of March 1912. It includes the argument of Prelude to the Afternoon of a Faun, the programme for Saturday 8 June 1912 with cast list and the argument of Daphnis et Chloé, Sheherazade, The Rite of Spring, The Firebird (L’Oiseu [sic] de feu), followed by a page with the argument and cast list for Carnaval and Narcissus, and two pages in Hungarian announcing the programme of the March 1912 tour at the Royal Hungarian Opera.

First edition, illustrated with a frontispiece depicting the site of the ancient city of Panticapaeum (now Kerch, in Crimea), a title-page vignette showing a view of the modern town, two maps (Greek colonies of the Bosphorus and the Black Sea; the Strait of Kerch, with Macpherson’s route), as well as 12 plates, 9 of them in colour (tumuli, vases, bronzes, oil lamps, statuettes, symbols, inscriptions and various objects recovered during excavations), and numerous wood-engravings in the text.

Cf. Abbey, Travel in aquatint and lithography, 243. Blackmer, 1055.

Publisher’s grey blind-stamped cloth, gilt title lettered lengthwise to the smooth spine, large gilt device blocked at th

First edition for which no grand papier (deluxe) copies were printed.
Small marginal pieces missing at the top of the first board, a clear remnant of adhesive paper at the bottom of the first endpaper.
Copy complete with the facsimile at the end of the volume.

Precious handwritten inscription signed by Gabriele d'Annunzio to Natalie Clifford Barney: « à miss Barney et au Temple de l'Amitié attentive, cette légère torpille ‘sine litteris' est offerte par la ‘tête d'ivoire'. Gabriele d'Annunzio » (“To Miss Barney and the attentive Temple of Friendship, this light ‘sine litteris' torpedo is offered by the ‘ivory head'. Gabriele

First edition and first printing of Lucien Laforge’s pacifist illustrations, one of 400 deluxe copies on special matte red paper from the Barthélémy paper mills, the only deluxe issue announced.
Some light wear, otherwise a very good copy of this fierce anti-militarist pamphlet in which runs "comme le grésillement du fer rouge marquant à vif la chair pâle et grasse du Bourgeois repu de morts" (Paul Vaillant-Couturier in L'Humanité).

First edition of the French translation (cf. Blackmer 1752. Not in Weber or Atabey. See Barbier IV, 1083.)

Contemporary full marbled tan calf bindings, smooth spines gilt tooled in compartments with floral motifs, red morocco lettering-pieces, marbled endpapers and pastedowns, gilt fillets to board edges.

Some restorations to a few joints and spines, minor scattered foxing.

Volume IV is entirely devoted to the author’s stay in the Greek islands: Crete, Candia, Damaste, Retimo, Mount Ida, Gortyn, the labyrinth of Crete, Milo, Syphante, Seriphos, Antiparos, Paros, Naxia, Stenofa, Amorgos, Skinosa, Delos, Rhenia, Syra, Cynthos, Zia, Macrounisa, Jura, Tenos, Scio, Tenedos

First edition, one of the deluxe copies on alfa, this one an unnumbered hors commerce, only deluxe issue after 10 copies on Arches.

Full blue-gray morocco binding, spine with five raised bands, gilt date at foot, yellow box calf doublure, watered silk free endpapers, original wrappers including spine bound in, all edges gilt, half morocco chemise in panels, wood motif paper boards, slipcase edged in morocco, wood motif paper boards lined with blue felt, outstanding binding signed Hélène Alix.

Unrecorded p

First edition, printed in small numbers, of this offprint from the “Journal de la Société des Américanistes”. No deluxe issue printed. Skilful restauration to cover.

Rare presentation copy signed by Claude Lévi-Strauss to Simone de Beauvoir: “Cet humble aspect de la malédiction féminine, en amical hommage de Claude Lévi-Strauss” (“this humble aspect of the feminine curse, in friendly homage”) on the upper cover. This fieldwork study of the Nambikwara from Lévi-Strauss’ 1938 ethnographic expedition directly influenced Beauvoir, who

First edition printed in 25 numbered copies on pure rag paper, pulled on Ania Staritsky’s press on the occasion of an exhibition of her works at Larroque.

Illustrated with 7 original engravings numbered and signed in justification by Ania Staritsky who also designed the original layout of the work with the collaboration of Claude Nardin.

A rare and handsome copy complete with the following 7 engravings : 

- Magical cockerel

- Fishing of flies

- Fire hamste

- Though

Rare new edition based on the first French translation, produced in 1699 by William Popple and published by the Widow of J. van Dyck. A major work by Martin Clifford, originally published anonymously in 1674 under the title A Treatise of Humane Reason, which provoked immediate controversy within the Anglican Church; in the tradition of Spinoza and anticipating Locke, the author assigns a prominent role to reason in the practice of Christian faith. Clifford's more radical positions are thought to have been moderated in the French translation.

First edition, one of 30 numbered copies on featherweight wove paper, the only issue after 15 copies on Lana wove paper.

Illustrated with 2 original engravings by Ania Staritsky, signed by her, together with drawings by Elsabeth Hellens and Léopold Survage.

A handsome copy.

First edition, one of 250 numbered copies, this being one of 10 numbered in Roman numerals, the deluxe issue.

Illustrated with original black engravings by Ania Staritsky.

A rare and very handsome copy, complete with its original school-style green flexible card chemise, marginally faded.

Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.

As stated in the limitation notice, our copy does indeed contain a manuscript page by Michel Butor and an original signed collage by Ania Staritsky.

First edition, one of 70 numbered copies on Rives BFK wove paper, the only issue after 10 hand-made Angoumois copies.

Illustrated with original colour engravings by Ania Staritsky.

A rare and handsome copy despite a small tear at the head of the spine.

Manuscript pencil signatures of Gaston Puel, Pierre-Albert Birot and Ania Staritsky at the colophon.

First edition, one of the ordinary issue, with no deluxe paper copies noted.

Small angular losses at the upper margins of the first leaves, paper occasionally brittle in the margins of certain leaves.

Signed autograph inscription from Rachilde to Léon Frapié.

Signed autograph card, dated 18 November 1984, 12 lines in blue ballpoint, addressed to her friend, the woman of letters Christiane Baroche, in which she refers to her latest work  "Plaisirs amers" and to the friendship binding the two women writers.

Accompanied by the manuscript envelope addressed to Christiane Baroche.

"Merci Christiane de ta lettre qui m'a fait très chaud au coeur, car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien. Je t'embrasse. Annie.

PS. Jacques Duchateau a formidablement bien parlé de 'Plaisirs amers" à Droit de réponse, j'étais ravie."

Autograph signed postcard, dated 8 February 1984, 8 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, warmly thanking her for her friendship and for her laudatory reviews of her books.

Manuscript envelope addressed to Christiane Baroche included.

The postcard depicts a view of the leisure park at Cergy, in the Ile-de-France region.

"Christiane

tout ce que tu m'écris me fait très chaud au coeur. Je ne sais ce qui me touche le plus, ce que tu penses de moi comme auteur (écrivain c'est trop lourd ! ) ou ton amitié. Je t'embrasse. Annie."

Autograph postcard dated and signed by Florette Lartigue addressed to the woman of letters Christiane Baroche (12 lines in blue felt-tip), additionally initialled by Jacques-Henri Lartigue and embellished with a small drawn sun.

The postcard reproduces an original photograph by Jacques-Henri Lartigue entitled "Bibi à Marseille"; a crease to the lower right corner of the postcard. Florette Lartigue congratulates Christiane Baroche on all her publishing successes and would like to embrace her "de vive voix" et non toujours par écrit...

The postcard bears the photographer’s handwritten initials, which he enhanced with a small drawn sun.

Very rare first edition, with the title printed in black, illustrated with 4 copper-engraved plates hors-texte (cf. Gumuchian, 5321.)

Contemporary half brown sheepskin over marbled boards, smooth spine tooled in gilt with fillets and dotted rolls, covers framed with a double gilt rule, marbled endpapers and pastedowns, two corners slightly bumped, speckled edges, period binding.

Expert restorations to the corners and spine ends, spine partially faded with light rubbing, occasional minor foxing.

With a highly interesting preface by the author, in which she explains that she herself directed a puppet theatre.

Brings together the following four adaptations for marione

First edition, a Service de Presse (advance) copy.

Iconography at rear.

Precious autograph inscription signed by André Malraux to the diplomat and great resistance fighter, faithful among the faithful of General De Gaulle, Gaston Palewski to whom this work is dedicated below the printed dedication: "C'est pour vous distraire. Vous recevrez vos exemplaires convenables la semaine prochaine" ["This is to entertain you. You will receive your proper copies next week"].
 

First edition, one of 100 numbered copies on hollande paper, deluxe issue (only the first volume numbered).
Each volume includes a historical introduction by Philippe De Gaulle.
Ex-libris pasted to the front of each volume.
A very fine copy with wide margins, complete in twelve volumes of this important work, commencing in 1905 and concluding in April 1969.

First edition - only published issue of this journal of the Resistance.
Minor rubbing at head and foot of spine, slight tears in margins of covers.
Anonymous texts by Claude Bourdet, Maurice Clavel, Jean-Louis Curtis, Yves Gandon, Flavien Monod and Maximilien Vox, who was the magazine's director.
This single issue was put together between December 1943 and March 1944, but La Revue noire could not be published during the Occupation. The final press proof was given on 15 February 1944 and the imprint is dated 15 February 1945.
A rare and pleasant copy.

First edition.
Some foxing to spine and boards.

Precious dated and signed autograph inscription from Irène Delmas, president of the National Association of Former Female Deportees and Prisoners of the Resistance (ADIR): "A monsieur Massin avec l'amitié et la reconnaissance des Anciennes Déportées de la Résistance. IRDelmas Présidente de l'ADIR. Paris 13 Novembre 1957." (To Mr. Massin with the friendship and gratitude of the Former Female Deportees of the Resistance. IRDelmas President of ADIR. Paris 13 November 1957.)

Our copy is exceptionally enhanced with the signatures of several members of the editorial committee of the Association of

First edition for which was no grand papier (deluxe) copy.
Pleasant copy of this work which received the Prix Fémina in 1984.
Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)

Provenance: from the library of Régine Defor

First edition. Text in Russian, one of a sole issue of 15 copies numbered by Ania Staritsky. Our copy is one of 5 on coton écru, followed by ten copies on cotton in various colours.

Produced in collaboration with Claude Nardin, comprising 14 cotton pages stamped with original engravings by Ania Staritsky, in which the text is fully integrated into the composition.

A masterwork of Lettrism, printed entirely on cotton, by the Russian-Belgian artist of Ukrainian origin Ania Staritsky.

Exceedingly rare first edition. A sole copy in the U.S. (Newberry), out of only five listed on OCLC with the correct first edition pagination (British Library, BnF, Allard Pierson, Lucerne).

True first edition of Philidor’s chess book housed in a contemporary armorial binding of a noble chess player: Charles Theodore, Elector Palatine of the Rhine.

Later forming part of the library of famous chess player Lothar Schmid, chess grandmaster and arbiter of the 20th century, who assembled the largest and most prestigious private c

First edition, no copies on deluxe paper issued.

Half light brown morocco binding, flat spine with author stamped in gilt and title stamped in gilt lengthwise, gilt date at foot, brown stingray boards framed in morocco, brown suede endpapers and pastedowns, original covers and spine preserved, top edge gilt, elegant binding signed Thomas Boichot.

Manuscript ex-libris in black ink and a slight restoration to the upper right corner of the first endpaper.</

First edition displaying all the distinctive features of its publication: it presents no capital letters except at the beginning of paragraphs and it is the very first work to have been printed with Voltaire's spelling. Our copy is complete with its errata leaf, which is often missing.
Later bindings (19th century) in full red morocco, Jansenist spines with five raised bands, dates and places gilt at foot, boards struck at center with large gilt typographical fleurons, double gilt fillets on leading edges and headcaps, pastedowns lined with blue morocco presenting a wide gilt decorative border, monogrammed bookplates mounted on the pastedowns of each volume, following endpapers of comb

Rare and genuine posthumous first edition of the first six books of the Confessions, the remaining volumes not appearing until 1789. Several other editions were issued shortly thereafter, but the evidence provided by the commentary published in the June 1782 issue of the Journal Helvétique clearly establishes that this separately printed edition, known as the "large type" issue, is indeed the very first (F. Michaux, "L'Édition originale de la première partie des 'Confessions' de J.-J. Rousseau" in Revue d'Histoire littéraire de la France, 35th Year, No. 2 (1928), pp. 250-253).
Contemporary half calf bindings, flat spines tooled with gilt fillets and decorated

A unique combination of French translations of the first two philosophical works on the Sublime, marking the beginning of the most important reflection on aesthetics in Western history.
Extremely rare first edition of the first French translation of a philosophical work by Immanuel Kant, and the second ever translation of a Kantian text. The others were only translated during the 19th century. Illustrated with a portrait of the author by Benezy. The first edition in German was published in 1764 in Königsberg under the title "Beobachtungen über das Gefühl des Schönen und Erhabenen".
Contemporary half brown roan binding with vellum corners, smooth spi

First edition, one of 18 numbered copies on pur fil, from the deluxe issue.
Full red Jansenist morocco binding, spine in five compartments, date gilt at foot, black morocco endpapers and pastedowns, covers and spine preserved, all edges gilt; matching half red morocco chemise, spine in five compartments, date gilt at foot, black felt lining; slipcase edged in red morocco, ochre felt interior, a highly elegant ensemble superbly executed by Duhayon.
A superb copy, impeccably bound in a triple binding by Duhayon.

First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.

First edition. One of 10 copies on vélin de Lana (lettered G, around which Genet has signed in blue ink), signed by Genet at the limitation page, most limited deluxe issue, except for a unique copy. Complete with the loose leaf beginning with “Une brusque lassitude...”. With an autograph letter signed by Jean Genet, on one page with customary fold marks from mailing, published in Edmund White, Jean Genet, pp. 260-261.

Illustrated with 29 erotic lithographs by Jean Cocteau, and an original pencil drawing by Cocteau, as well as a suite of the illustrations presentin

First edition illustrated with 6 original lithographs by Pablo Picasso, one of 500 numbered copies on Lafuma paper.
A pleasing copy, complete with its "prière d'insérer" written by Paul Eluard.

First edition, one of 15 numbered copies on Hollande Van Gelder paper and signed with the publisher's initials.
Full green morocco, the spine in five compartments, the first cover inlayed with a large and superb plate by Marguerite Lecreux of a horn sculpted in Cameo, featuring a sailboat with its sails unfurled, on the calm sea appears an engraved silverfish set under the plate of the horn and visible in transparency, pastedown in silk decorated with a submarine pattern (coral, jellyfish, starfishes and algae) framed in morocco embellished with quintuple gilt fillets, endpages of iridescence cloth, the following pages in marbled paper, the headband highlighted with a

Complete autograph manuscript of 106 pages entitled: “Mémoire de la construction et agrèz d'une galère ordinaire, avec l'explication des termes, l'usage des manœuvres, et de toutes les parties qui composent le corps de la galère et son armement”. Penned in a neat, unrubricated hand, with occasional marginal notes in another hand.
 
Contemporary full vellum binding, lightly soiled with minor wear, smooth spine without lettering.
A major and invaluable manuscript chronicling the revival of the French galley fleet, written by the most influential galley shipwright of his time: Jean-Baptiste Chabert.
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