First edition of the French translation, one of 26 lettered copies on Lana wove rag paper, issued as part of the tête-de-tirage.
A fine copy.
Exceptional collection of 49 original watercolours depicting daily life in Tonkin, most illustrating rural scenes.
These unsigned watercolours, each measuring approximately 20 x 15 cm (excluding margins), are finely executed in Indian ink and watercolour, with touches of gouache, on paper sheets—some bearing the watermark "Latune et Cie Blacons"—and are all mounted on stubs.
Bound in contemporary half red percaline with corner tips, smooth spine covered in red shagreen, some rubbing to the spine, boards of marbled paper, blue endpapers and pastedowns.
Minor foxing to the margins of some watercolours.
The scenes depict a variety of subjects: a military post guarded by four soldiers, one standing sentry at the entrance; a guard in white uniform holding a rifle with a long bayonet, his head covered by a salacco (the traditional headgear of Indochinese riflemen); an elderly man seated at a table, smoking a pipe while being fanned by a servant; a peasant ploughing with two oxen; a woman praying at a grave; another peasant tilling the soil; two villagers meeting near a small bridge; four people working in a paddy field; a man in formal dress before a temple; three peasants harvesting rice; a cockfight, and more.
Also depicted are villagers carrying goods or fishing, wrestlers performing before a dignitary, a child guiding a blind man, two labourers transporting stones in a wheelbarrow, a procession led by a mounted dignitary carrying a wild boar in a cage, a prisoner being flogged, another about to be beheaded, a hunting scene, musicians, a woman at a loom, villagers at play, and so on.
The Western presence is only hinted at once: an Indochinese sailing vessel, flags flying, bears three tricolour standards, while in the background, a steamship—likely French—continues on its way...
Included is a piece of light brown calfskin (4 x 32 cm) blind-stamped with the inscription "Souvenir du Tonkin 1885-90".
A rare and precious visual record of Tonkin at the beginning of the French protectorate.
Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.
The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).
Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.
Some minor foxing, chiefly at the beginning.
Apart from the frontispiece and title-frontispiece, the entire text is printed in Armenian. Fumagalli, Biblioteca Etiopica, 304.
Father Dimotheos Vartabet Sapritchian, an Armenian priest from Constantinople, travelled to Ethiopia in 1867 with one of his compatriots, Archbishop Isaac.
The travellers, who carried to King Theodore of Abyssinia a message from the Armenian patriarch, entered the country via Wahni in the west and crossed the regions of Bagemder and Tegré before embarking at Massawa.
The first part contains the narrative proper; the second offers observations on the country’s history, manners, and customs.
It also includes reflections on the Ethiopian Church, the clergy, baptism, confession, penance, marriage, funerary rites, festivals, and more.
A rare Jerusalem imprint: printing in the city is thought to date back to 1823.
New edition.
A fine copy.
Attractive presentation inscription signed by Anaïs Nin to Christiane Baroche’s wife: "Christiane Baroche this book I offer with uneasiness because I wrote it for american students, and France is the source and will only recognize the déjà vu. Your faithful friend. Anaïs Nin." (Christiane Baroche, je vous offre ce livre avec gêne car je l'ai écrit pour des étudiants américains, et la France est la source et n'y reconnaîtra que du déjà-vu. Votre amie fidèle, Anaïs Nin)".
Very rare first edition illustrated with 14 plates, three of which are in colour, issued as a supplement to the "Guide pratique de la fabrication de la bière" and the "Guide raisonné de la fabrication de la bière" published in 1867 and 1868.
Not in Vicaire or Bitting. Oberlé, Fastes, 1125, does not record this supplement.
Spine restored with minor losses, small marginal defects to the boards, and a stain along the right margin of the upper cover.
The author was a hop dealer and purveyor of brewery equipment in Strasbourg and in Gray (Haute-Saône).
This volume reflects the advances achieved by the brewing industry, particularly in northern France and in Belgium.
"Ce livre alsacien est un des meilleurs traités sur la fabrication de la bière"(Oberlé).
The plates depict the malt kiln of the Arlen brewery, the Carpentier germ-removing machine, the boilers of the Brasserie de l'Eléphant in Strasbourg, a mixer, a vat with its wave-breaker, the cooling trough of the Brasserie du Pêcheur, and more.
Rare.
Rare first edition (cf. Tailliart 3062).
A disbound copy preserved in a plain brown paper wrapper, the titles handwritten in ink on the spine and upper cover, with a faint marginal dampstain to the title-page.
Edmond Doutté (1867–1926) was a sociologist, orientalist and Islamic scholar — fluent in both Arabic and Berber —, a multifaceted French intellectual and, above all, a French explorer of Islam and the Maghreb in his time, to whom Marcel Mauss paid tribute ("explorateur complet, géographe, géologue, naturaliste, anthropologue, ethnographe, sociologue, historien, linguiste, agent d'information")
Rare first edition of this project, whose development was certainly collective (with contributions from several democrats, including Frédéric Charrassin, Charles Fauvety, Adolphe Louis Chouippe, and Alexandre Erdan), but which was authored by the neo-criticist philosopher Charles Renouvier (1815–1903).
Bound in contemporary half cherry-colored sheepskin, with a smooth spine adorned with gilt fillets; some rubbing to the spine and boards. Marbled paper over boards, handmade laid paper endpapers and pastedowns, modern bookplate affixed to the front pastedown, slightly bumped corners, minor tears to the joints, speckled edges. Original binding.
Minor, insignificant foxing.
The central idea of this work is that of direct government and direct legislation, inspired by the debate initiated by Rittinghausen.
At the time, this idea was considered utopian and dangerous—much like in contemporary debates—on the grounds that it would discredit the representative system and, contrary to the authors’ intentions, play into the hands of the emerging Caesarism (this was 1851...).
The book also presents other proposals for institutional reform, notably the adoption of the canton as the basic administrative and political unit of the nation, intended to form the true French commune.
Provenance: from the library of Georges and Geneviève Dubois, with their bookplate affixed to the front pastedown.
First edition, illustrated with photographs by Lucien Clergue.
Publisher’s binding in full boards, smooth spine,
With a text by Jean-Marie Magnan.
Signed autograph inscription by Lucien Clergue to the writer Christiane Baroche: "Pour Christiane ces images de notre éternelle jeunesse ! et avec la bise de Lucien. 5.X.2002."
New edition.
Illustrated with engravings by Jean Hugo.
Signed autograph inscription from Anaïs Nin to her friend, the writer Christiane Baroche: "Christiane Baroche. Mais en ce jour damné décharné qui s’étire aux fenêtres 'c’est un peu moi j’assume...Anaïs Nin.'"
First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.
Spine very lightly sunned, without seriousness, faint spotting to the board edges.
Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."
First edition of this Latin work devoted to the history of the ancient Mediterranean: Sardinia and the influences of Greece, North Africa, the Syrtes and Numidian tribes, the history of the tyrant of Syracuse, the Balearic Islands, Corsica, the island of Rhodes, and more (cf. Adams, L-704. See Durling, 2796, which records only later editions).
Restored full brown calf binding, spine with five raised bands decorated with gilt tools now largely softened, blind fillets and gilt corner ornaments framing the boards, central gilt medallion enclosing a device in Greek characters, manuscript inscription on the fore-edge, early binding.
Ink numbering at the head of the verso of the lower cover; inner hinge cracked.
Handsome volume from the Basel press of Johannes Froben, bearing his printer’s device on the title-page and at the end.
Nicknamed “the prince of printers,” Johann Froben was among the first to employ italic types, inspired by Aldus Manutius.
A professor of philosophy, Greek, and Latin at the University of Padua, the Venetian scholar Tomeo Nicolò Leonico (1456–1531) was admired by Erasmus.
First edition, one of 922 numbered copies on vellum paper.
Bound in contemporary tricolour half-shagreen with horizontal bands, the spine with seven raised bands framed by beige shagreen fillets, the boards in blue and red shagreen with wood-grain patterned panels evoking the white of the French flag; marbled endpapers and pastedowns; original wrappers and backstrip preserved; top edge gilt. Binding signed by Louis Gilbert.
Work illustrated with coloured pochoir plates by Jean Bruller.
A handsome copy in a period patriotic binding for this work of antimilitarist inspiration.
First edition, illustrated at the close of the volume with six plates printed out of text.
Only three copies recorded in the CCF (BnF, Institut, Strasbourg).
Our copy is preserved in its original state, issued in a temporary paper wrapper.
Spine restored at head with small losses; marginal losses to the soiled covers; two small adhesive strips along the right margins of the final plate; author’s name and title pencilled on the upper cover.
The study of Phoenician languages was the speciality of Auguste-Célestin Judas (1805–1873).
First edition of this pioneering work in the history of psychiatry (cf. Garrison & Morton 4920; Semelaigne I, pp. 68-73; Waller records only the 1770 German translation; Wellcome III 547; Blake 277).
Contemporary half calf with vellum-tipped corners, smooth spines gilt with decorative rolls, some rubbing and small wormholes to the spines, marbled paper boards, sprinkled edges; bindings from the early nineteenth century.
Ink stains on pp. 72–76 of the first volume, a black ink spot at the head of the lower cover of the second volume, a few minor and unobtrusive foxmarks.
For Lorry, not all melancholic patients are driven by a single fixed idea, and melancholy is a state of mental disorder of physical origin, in which the mind—sharply disturbed by objects either external or produced by the imagination—becomes unable to resist, repel, or reason through the ideas arising from them. He identifies two forms of the condition, according to whether its origin lies in the solid parts or in the humours, which he terms nervous melancholy and humoral melancholy respectively.
"La mélancolie nerveuse peut parfois constituer l'hystérie chez la femme, l'hypochondrie chez l'homme ; ou bien c'est la manie vraie, ou encore, sans le moindre symptôme maniaque, elle consiste uniquement en convulsions. Il semble y avoir peu de différences entre la mélancolie et la manie, mais le mélancolique délire surtout sur ce qui le concerne en particulier, tandis que le délire maniaque s'étend à tous les sujets". Cf. Semelaigne.
Lorry (1726–1783) may also be regarded as the founder of dermatology in France (Tractatus de morbis cutaneis, Paris, G. Cavelier, 1777).
A pleasant copy, with generous margins.
First edition, printed in a small run, of this offprint from the Journal des savants.
Work illustrated with a finely engraved plate printed outside the text.
Some scattered foxing internally and to the wrappers.
Appointed in 1820 to the chair of archaeology at the Sorbonne, succeeding Quatremère de Quincy, Désiré Raoul-Rochette (1789–1854) was chiefly known for his expertise in Greek antiquity. He also served as curator of the Cabinet des médailles.
On the upper cover, authorial presentation inscription from Désiré Raoul-Rochette to the physician and botanist Henri Dutrochet (1776–1847), the discoverer of the phenomena of exosmosis and endosmosis.
Rare first edition.
Our copy is issued in its original state, unbound and preserved in wrappers.
Not recorded by Oberlé. Only two copies located in the CCFr (Cherbourg and Montpellier).
Alexandre Lesdos (1813-1865) was a member of the Société d'Agriculture and of the Société Académique de Cherbourg.
In this work, he devotes an entire chapter to the wines of Saint-Émilion, noted for their "bouquet as delicate as that of the violet." (our own translation)
First edition of this important work on former French Indochina, comprising:
On the half-title page of Volume VI, signed autograph inscription by Auguste Pavie: "A l'ami Vitoux, hommage affectueux. A. Pavie."
Accompanying this set is: "Carte de l'Indo-Chine dressée par MM. les Capitaines Cupet, Friquegnon et de Malglaive membres de la Mission Pavie."
Printed in Paris by Augustin Challamel in 1893 (broadsheet, folded and linen-backed, with some foxing).
The map is housed in a modern half green cloth portfolio with tips, red oasis title label, red board covers, and a red full-cloth slipcase, designed to match the text volumes.
"A pioneer of new routes in Cambodia and Laos, and a key figure in French expansion in Indochina, Auguste Pavie (1847–1925) holds a privileged place among the explorers of this region. Born in Dinan, he joined the army at seventeen, served in Cochinchina with the Marine Infantry (1868), and was sent to Cambodia in 1875 (…). In 1876, he was commissioned by the Governor of Indochina to create a new map of Cambodia, taking advantage of the construction of a telegraph line between Phnom Penh and Bangkok (…). In 1885, Le Myre de Vilers, recognizing his abilities, appointed him to the delicate post of French Consul in Luang Prabang, where he was to defend the rights France had inherited from Annam over Laos (…). From Luang Prabang, Pavie undertook a series of journeys across Laos from 1887 to 1889, regions that Mouhot and F. Garnier had only briefly explored. His investigations focused on three main directions: east (Tran-Ninh, Plain of Jars); northeast (Hua-Panh); and north (Sip-Song-Chau). It was in this last area that Pavie concentrated his efforts, seeking safe routes to Tonkin in order to open up Laos and firmly link it to France's other Indochinese possessions (…). From 1888, Pavie was no longer alone. He surrounded himself with military collaborators—Cogniard, Cupet, Malglaive, Pennequin…—and civilians such as the young diplomat Lefèvre-Pontalis and the brilliant biologist Le Dantec. Within a few years, the Pavie Mission, a veritable geographical service, would number some forty members, not counting the many indigenous auxiliaries. Dispersed in small groups along different routes, the mission members multiplied the leader's efforts, covering considerable ground. Thus, in 1890–1891, surrounded by a large team of geographers, naturalists, doctors, ethnographers, and economists, Pavie successfully completed a vast territorial survey intended to establish the future borders between French Indochina, China, Siam, and Burma (…). The scientific results of this collective enterprise, unparalleled in the French Empire, were impressive. Extending far beyond Laos, the investigations covered Tonkin, Annam, Cambodia, and southern China. In total, some 600,000 km²—an area larger than France—were surveyed and partially mapped, and 70,000 km of land and river routes were recorded (…). Truly multidisciplinary, the Pavie Mission encompassed all fields of knowledge, neglecting neither history, nor literature, nor folklore…" (Cf. Numa Broc, Dictionnaire illustré des explorateurs français du XIXe siècle, Asie, pp. 366–368).
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
First edition of this paean to intoxication, adorned with a charming engraved frontispiece depicting Bacchus seated on a barrel, holding a wine cup in one hand and a bunch of grapes in the other.
Cf. Vicaire 326. Bitting 415. Barbier II, 75 d. Oberlé, Une bibliothèque bachique, 523 (for the 1798 ed.).
Bound in contemporary fawn half-calf with corners, spine with five raised bands decorated with gilt fillets, marbled paper boards, corners slightly worn, edges speckled red.
This work abounds with anecdotes and quotations drawn from the history of many lands. It asserts "that wine gives wit," offers "a catalogue of some illustrious drinkers," and claims "that wine wins us friends & reconciles us with our enemies," or again "that it is good for one’s health to get drunk now and then," though one must not "carry drunkenness too far." Born into a family of Protestant refugees,
Albert-Henri de Sallengre (The Hague, 1694–1723) was a lawyer at the Court of Holland, advisor to the Prince of Orange, and financial commissioner for the States General of the United Provinces.
Minor brown spot to the right margin of the first leaves, a few ink annotations and a stamp on the slightly soiled white endpapers.
A pleasing and rare copy.
Provenance: from the library of Fridrich Otto de Munchhausen, with his engraved bookplate affixed to the front pastedown.
Collective edition, partly original, issued without any deluxe copies.
A pleasing copy.
Author's signed presentation inscription from Elias Canetti to his cousin: "Meiner liebsten Kusine Matica, der einziger, die geblieben ist, was sie immer war, begabt, klug, offen in Liebe und Freundschaft. Elias Canetti. Paris, September 1962" ("A ma chère cousine, la seule qui est reste ce qu'elle a toujours été, douée, intelligente, ouverte, en amour et en amitié)."
First edition, with a single copy recorded in the CCF (Dijon).
Our copy is preserved in its original wrappers and housed in a plain blue interim cover, with a mounted title label at the head of the spine.
Some foxing.
The sole edition of this compilation, conceived primarily for fiscal purposes: indirect taxes at the time were levied chiefly on beverages.
The bookseller Louis Rondonneau (1759–1834) is renowned as the author, compiler, or editor of numerous legal codes, manuals, collections, and repertories of legislation and jurisprudence.
First edition printed in two columns, one in French and the other in Italian.
Not recorded by Starace or Roland Bonaparte.
Contemporary limp vellum-style boards, smooth unlettered spine; covers soiled.
Some scattered foxing; one quire working loose.
Third edition.
Our copy is preserved in its original state, issued in temporary blue paper wrappers, with some losses to the corners and a mounted title label on the spine.
Some light foxing.
Pierre-Auguste Mutel (1795–1847) entered the École Polytechnique in 1813, graduating 34th in the class of 1815, and went on to serve in the artillery corps.
Manuscript ex-libris of Becquerel, dated 24 October 1833; it is difficult to determine which member of this illustrious family should be associated with this provenance.
First edition printed on alfa wove paper.
A fine copy.
Inscribed and signed by Jacques Perret to Charles Linder, the presentation augmented with a small drawing depicting a ballot box topped with a tricolour flag.
Original photograph of a gilt clasp detail of the binding of the first edition of Priscien de Césarée, Prisciani grammatici caesariensi Libri omnes.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits copyright ©Librairie Le Feu Follet. All rights reserved.
Original photograph of a detail of the binding of the first edition of Histoire de ma vie by George Sand.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits copyright ©Librairie Le Feu Follet. All rights reserved.
Original photograph of a detail of the binding of the first edition of Histoire de ma vie by George Sand.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".
A few waterstains, a small hole at "qu'il vous ait".
"My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you proof of my esteem and affection. Whereupon I pray God that He may have you, My Cousin, in His holy and worthy keeping. Written at Versailles the 31st of January 1776." (our own translation).
First edition and complete run of this bi-monthly journal by university students from Brittany.
A unique collection on coloured paper of L'Étudiant Breton, from issue no. 1 of the first year (January 20, 1906) to no. 39 of the third year (February 8, 1908), bound in one volume. The journal continued publication until March 1910 (no. 63), cf. BnF - Catalogue collectif des périodiques, vol. II, p. 537.
Contemporary half marbled calf with corners, smooth spine decorated with two gilt ermines, red morocco lettering piece laid horizontally, gilt fillet borders on marbled paper boards, hand-marbled endpapers and paste-downs, some original wrappers preserved, corners slightly bumped, minor rubbing.
A manuscript note in black ink at the head of the volume states: "Unique series printed on coloured papers, specially made for Dr J. Marly". Each issue is printed on a double leaf except for no. 7 (3 leaves), no. 20 for Christmas 1906 which comprises 6 pages and two wrappers (the first illustrated in two colours and signed H. Gélèbart, December 1907), no. 28 which includes an additional leaf (musical score of a song by Rennes students dedicated to the local police and titled "Saint-Eloi"), and no. 37 for Christmas 1907 which comprises 5 pages and two wrappers (the first printed in green). The wrappers for no. 20 are also mounted at the beginning and end of the volume.
The rarity of this set lies in the variety of printings: - no. 7: 1 copy on beige paper printed in black and 1 copy on thick glazed paper printed in black - no. 19: 1 copy on green paper printed in green and 1 copy on beige paper printed in green - no. 20: copy on white glazed paper printed in black, with wrappers - no. 21: copy on blue paper printed in black - no. 23: 1 copy on blue paper printed in black and 1 copy also on blue paper printed in gold ink - no. 24: 1 copy on pink paper printed in black, 1 copy on pink paper printed in gold ink, and 1 remarkable copy on bicoloured paper (glossy black for the first and last pages and beige for the interior) printed in gold ink - no. 25: copy on green paper printed in black - no. 26: 1 copy on blue paper printed in black and 1 copy on red paper printed in black - no. 27: 1 copy on pink paper and 1 copy on green paper, both printed in black - no. 28: copy on pink paper printed in black - no. 29: 1 copy on green paper and 1 copy on beige paper, both printed in black - no. 30: copy on lilac paper printed in black - no. 31: copy on orange paper printed in black - no. 32: copy on fuchsia paper printed in black - no. 33: copy on brown paper printed in black - no. 34: copy on green paper printed in black - no. 35: copy on brown paper printed in black - no. 36: copy on blue paper printed in black - no. 37: copy on white glazed paper printed in black, with wrappers - no. 38: copy on green paper printed in black - no. 39: copy on blue paper printed in black.
A unique collection.
New edition.
Spine lightly toned.
Work illustrated with photomontages by Val Telberg.
Inscribed by Anaï Nin to her friend, the writer Christiane Baroche : "Christiane Baroche whose dreams are strong and have roots and bear fruit. Anaïs Nin."
First edition, one of the review copies.
A pleasing copy.
Signed presentation inscription from Paul Valéry to Germaine Fiévé : "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
First edition, one of the review copies.
Spine partially and lightly sun-faded without consequence, with a small restored nick at the head of the backstrip.
Author's signed presentation inscription from André Malraux to the diplomat and man of letters Pierre de Boisdeffre.
First edition of the French translation, one of 80 numbered copies on alfa paper issued in a special "du monde entier" wrapper, the only deluxe copies together with 35 on pur fil.
A handsome copy.
First edition, with no copies printed on deluxe paper, one of the publisher’s review copies.
Pleasing copy, complete with its publisher’s printed slip.
Autograph presentation inscription signed by Paul Valéry to Germaine Fiévé: "... petit souvenir d'une collaboration sans mauvaises pensées et autres..."
Autograph card, dated and signed, sent from his Paris residence to the writer Christiane Baroche, comprising twelve lines in blue ink.
With the accompanying handwritten envelope on which Christiane Baroche added "Leiris" in the upper right corner.
"5 avril 1979,
chère Christiane Baroche,
merci à vous ainsi qu’à tous ceux qui ont bien voulu m’adresser, par l’intermédiaire de Sud, un signe amical. Je ne puis qu’en être reconforté et trouver là un peu de courage dont je manque de plus en plus pour travailler ! Soyez donc certaine que votre idée m’a fait plaisir et croyez à mes sentiments les meilleurs. Michel Leiris."
First edition.
A pleasing copy.
Inscribed by Anaïs Nin to her friend, the writer Christiane Baroche: "Vos paroles Christiane Baroche : 'je veux cueillir le feu comme un dernier amant' amitié et concordances. Anaïs Nin."
Original photograph of the first edition of Des Hommes by Joseph Kessel on a library background.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
Original photograph of the first edition of Des Hommes by Joseph Kessel on a library background.
Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
Hanging system on reverse.
Certificate of authenticity provided by Librairie Le Feu Follet.
Photo credits ©Librairie Le Feu Follet. All rights reserved.
First edition and the inaugural volumes of this significant scientific periodical, whose publication continued until 1954.
Volumes 43, 4, 5, and 6 are illustrated with respectively 332 in-text figures, 392 figures, 138 in-text figures, and 179 in-text figures.
Contemporary half-sheep bindings in brown, smooth spines decorated with gilt fillets and garlands, spines rubbed, red lettering and volume labels with a few minor losses on some volumes, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, some volumes slightly rubbed at the extremities, the upper corner of the fourth volume lacking, a few snags to the board edges; period bindings.
The first three years include Claude Bernard’s experimental pathology lectures—on toxic and medicinal substances, bodily fluids, the nervous system, and related subjects—as well as contributions by Louis Pasteur, Étienne-Jules Marey, Gustave Flourens, Alfred Vulpian, Marcellin Berthelot, Virchow, and others.
First edition of the English translation of "De Logomachiis eruditorum" (Amsterdam, 1688) by the Swiss Reformed theologian Samuel Werenfels (1657–1740), a notably engaging essay on the obstacles to concord among Christians created by the endless disputes over the terminology used to define points of belief.
A few small spots of foxing.
Full speckled fawn calf, the spine with five raised bands decorated with gilt compartments and gilt tools; rubbing to the spine, the gilt title almost entirely effaced, headcaps trimmed down with a small loss to the tailcap; gilt double-fillet border with gilt corner tools on the covers; some wear to the board edges with gilt fillets, corners softened; edges sprinkled red; contemporary binding.
A few small spots of foxing.
Copy from the library of Charles-Maurice de Talleyrand-Périgord, bearing his armorial bookplate “Re que Diou” from the Château de Valençay, mounted on the front endpapers.
A highly appealing provenance, given the fundamental scepticism of the former bishop of Autun.
First edition, exceedingly scarce, of this light-hearted and engaging introduction to the principal ancient myths, prepared for a Polish aristocrat. Annopol (today Anopal) is a locality now situated in Belarus.
No copies recorded in the CCF. A single copy located in WorldCat (National Library of Poland, Biblioteka Narodowa, Warsaw).
Contemporary-style half sheep binding in brown, the smooth spine ruled with alternating thick and thin gilt fillets, marbled paper boards, comb-marbled endpapers and pastedowns; modern binding.
Losses to the title-page expertly filled and restored; the final two leaves also restored.
Autograph note dated and signed by Marguerite Yourcenar, written from her Paris residence to journalist Marcel Baroche of the literary review Sud. Written on one of her visiting cards.
Eighteen lines in green ink, with the autograph envelope addressed to her correspondent, concerning a proposed collaboration with Yourncenar initiated by the director of Sud.
[27 December 1980,
to the journal Sud, to Marcel Baroche,Dear Sir, you have my acceptance of the proposal for a special issue on my work in 1982, together with my thanks in advance. There exist many photographs of me, a few of which strike me as fairly faithful likenesses: I do not personally possess any, but perhaps I may be able to find some to send you in due course. For the moment at least, I have no unpublished material to offer. Perhaps later…
With kind regards,
Marguerite Yourcenar.]
"27 décembre 1980, à la revue Sud, à marcel Baroche,
cher monsieur, vous avez mon acceptation au projet d'un numéro spécial sur mon oeuvre en 1982, et mes remerciements anticipés. Il existe de nombreuses photographies de moi dont quelques unes me paraissent ressemblantes : je n'en possède personnellement aucune, mais peut-être en trouverai-je à vous en envoyer en temps utile. Pour l'instant au moins, je ne possède aucun inédit à offrir. Plus tard peut-être... Bien sympathiquement Marguerite Yourcenar."
First edition, describing 829 entries.
Contemporary half calf, spine with five raised bands showing traces of rubbing, brown calf lettering-piece, marbled paper boards, two small blue spots on the upper cover, wear to the edges, corners softened, red edges, early shelf label pasted at the head of a pastedown.
A few marginal spots, not affecting the text.
Born in Antwerp to a family of Spanish origin, Jean-François de Los Rios (1727–1820) practised as a bookseller in Paris (1745), then in Lyon (1760), where—despite opposition—he was entrusted with the conduct of public book auctions. He was the one who purchased the Jesuit college library after the suppression of the Order.
He left Lyon only in 1812 and died in Mechelen, nearly a centenarian.
First edition, illustrated with a large folding colour map printed out of text (cf. Tailliart 2645).
Bradel binding in half blue percaline, the smooth spine slightly sunned, the brown skiver lettering-piece lightly rubbed, marbled-paper boards, blue endpapers and pastedowns showing a few small spots, corners softened, top edge sprinkled.
A few light spots.
The only edition of this comprehensive survey of the state of Algeria, published after the death of Jules Ferry (17 March 1893), the driving force behind the senatorial commission that had commissioned the work. It serves as a reminder that Ferry was a staunch advocate of France’s colonial expansion and of the mission to “civilise” indigenous peoples, a view then broadly shared across the political left, with the exception of a few dissenting voices (including Clemenceau).
On the half-title, presentation inscription by Henri Pensa to Madame Jules Ferry (Eugénie Risler).
The volume later entered the library of Ferry’s nephew, Abel Ferry (1881–1918, member of parliament for the Vosges from 1909), with his ink stamps on the title-page and at the foot of p. 105.
Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.
Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.
Headcaps missing, surface losses to covers and one larger loss to upper left corner of back cover, corners bumped and worn, rubbing to edges with a small loss at foot of front cover, ink gift inscription to first blank leaf.
In this copy: light marginal dampstaining to early leaves and to pp. 53-58 and pp. 463-472, not affecting text.
This volume is enriched with ink annotations: "n°23 =" to verso of front free endpaper, another inscription to recto of second endpaper, and several ink corrections to margins and text at pp. 3, 125, 127, 148, and 269.
First edition, one of 35 numbered copies on Rivoli vellum, the only deluxe-paper issue.
A particularly handsome copy
First edition, one of 24 numbered copies on Vélin Rivoli, the only deluxe issue.
A particularly handsome copy.
First edition, one of 36 copies on pure-wire vellum, the only copies printed on deluxe paper.
A particularly attractive copy.
Autograph letter signed by Gracchus Babeuf, dated 8 Pluviôse [Year II] (27 January 1794). Two and a half pages on a reused bifolium, the letter written around an earlier inscription by Babeuf: “Histoire des Conspirations et des Conspirateurs du Département de la Somme ; Qui comprend celle des Persécutions et des quatre Procès criminels intentés, depuis 89, à un second Marat, son émule dans le Département”.
Published (except for the title Histoire des Conspirations…, omitted in the description of the letter) in Victor Advielle, Histoire de Gracchus Babeuf et du babouvisme d'après de nombreux documents inédits, vol. I, 1884, pp. 101-102.
An extraordinary torrent of curse words by the revolutionary and proto-communist Gracchus Babeuf, addressed to his eldest son, who would later help disseminate babouvism. Babeuf writes on a reused leaf bearing the full title of one of his lost works hitherto known only in part: "Histoire des Conspirations et des Conspirateurs du Département de la Somme ; Qui comprend celle des Persécutions et des quatre Procès criminels intentés, depuis 89, à un second Marat, son émule dans le Département"
First edition of the French translation, for which no deluxe paper copies were issued.
A handsome copy, complete with its photographic dust jacket showing a tiny tear at the head of the spine, with illustrations.
Inscribed and signed by Julio Cortázar to the writer Christiane Baroche: "Pour toi, Chirstiane, avec toute mon amitié. Julio."
Very rare first edition (125 copies printed according to Quérard) of this remarkable exposition of Talma’s dramaturgical principles, still regarded as a “revolutionary” actor despite his immense success (his friendship with Napoleon never wavered); the text was inserted the same year, 1825, at the beginning of the new edition of the Memoirs of Henri-Louis Caïn, known as Lekain (1729–1778), who was still considered in the early nineteenth century as one of the greatest tragedians of the eighteenth century.
See Quérard IX, 333.
Scattered foxing.
Full cherry-red long-grain morocco, smooth spine tooled with gilt fillets, garlands and fleurons, gilt rolls at head and tail, gilt fillet, garland and dotted border together with blind-stamped palmettes on the boards, small black speckling on the front board, blue endpapers and pastedowns, gilt lace border on the pastedowns, gilt fillets on the board edges, all edges gilt, contemporary binding.
A handsomely produced copy in a period Romantic full-morocco binding.
First edition, one of the 81 numbered copies on Holland paper, the only deluxe issue.
A handsome copy.
First edition, illustrated with a frontispiece and four plates after drawings from life by Voutier, engraved on copper by Normand fils (cf. Loukia Droulia, 429; Blackmer, 1750; not in Atabey).
Half black shagreen binding, spine restored, with four raised bands ruled in triple gilt fillets, aubergine paper boards, boards faded, gilt armorial device stamped to the upper cover, modern bookplate pasted at the head of a pastedown, contemporary binding.
Scattered foxing.
"Voutier went to Greece in 1821 and acted as ADC to Mavrocordatos on the Peta campaign" (Leonora Navari).
Distinguished provenance: copy bearing the arms of King Ernest Augustus I of Hanover (1771–1851), with his library’s red stamp on the verso of the title-page.
First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.
Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.
A pleasing copy.
First edition.
With press clippings laid in.
Half bronze sheep binding, spine with four raised bands framed with gilt pointillé and decorated with double gilt fillets, red sheep lettering-piece, a few small black spots and a light scratch to the spine, marbled paper boards, cat’s-eye patterned endpapers and pastedowns, contemporary binding.
A pleasing copy.
First edition (cf. Not in Quérard or Musset-Pathay. Oberlé 101-02.).
Including, with the appended pieces (cf. infra), the account of the thirteen experiments conducted by Maupin between 1772 and 1777 on the handling of wines.
Bound at the end:
Bradel-style binding in half bottle-green long-grain morocco, smooth spine tooled with gilt fillets, date gilt at foot, cat's-eye patterned paper boards, bookplate mounted at the head of one pastedown; modern binding.
Spine and lower cover marginally faded and sunning, light upper-marginal dampstaining.
First edition from the Imprimerie Royale, complete in nine quarto volumes with all 262 black-and-white engraved plates.
Contemporary full polished and mottled calf, spines with raised bands decorated with guilloche tooling and gilt ornaments in the compartments, red morocco lettering-pieces and numbering-pieces, triple gilt fillet border on boards, double gilt fillet on board edges, marbled endpapers and pastedowns, marbled edges. Minor variations in the tooling on volume 3.
In this set, some headcaps missing, 6 cm joints split at foot of volume 1, 6.5 cm and 6 cm at foot of volume 2, 3.5 cm at head of volume 3, corners bumped, scratches and minor restoration to boards, including a more significant repair on volume 7 measuring 11 cm, browning in left margin of lower board of volume 4.
In this copy: some worming, several instances of dampstaining throughout the set, more pronounced in volumes 1, 3, and 8, some tears, restored on the title page and on pp. ix and xxiii of volume 1, also restored on p. 496 of volume 2, on pp. 259 and 260 of volume 3, on pp. 481 and 482 of volume 4, and on pp. 173 to 176 of volume 5.
Copy with some marginal annotations: in volume 2, a manuscript footnote added in ink on p. 541 ("Voyez les Planches enluminures n°491"), erroneous manuscript dates in ink in volumes 2 and 8, the number "18" annotated in ink in the upper right corner of the rear endpaper of volume 9.
Copy richly illustrated with drawings by Jacques de Sève, engraved by Robert de Launay, Lucas, Michel, Madeleine-Thérèse Rousselet, C. Baron, Hubert, Catherine Haussard, Carl Gottlieb Guttenberg, Jean-Guillaume Blanchon, Menil, Dufour, Louis Claude Legrand, Claude Mathieu Fessard, Elisabeth Haussard, François Hubert, A.-B. Duhamel, Mlle Mansard, C. Baquoy, Heinrich Guttenberg, Laurent Guyot, Benazeth, Schmitz, Marie-Anne Rousselet (M. R. veuve Tardieu), Louis-Gabriel Monnier, Pierre-Étienne Moitte, Jean-Louis de Lignon, Levillain, N. du Four, Thomas Chambars, Nicolas Thomas, Luigi Valperga, and George Louis Biosse.
Accompanied by two additional plates, heightened in color, numbered XX and XXII, from a volume 7 of the Histoire naturelle des oiseaux.
Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.
Not recorded in Blackmer, Atabey or Hage Chahine.
Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.
Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter-alliance against Turkey, Amédée Jaubert (1779–1847) was a distinguished orientalist, professor of Persian at the Collège de France, and of Turkish at the École des langues orientales, of which he became president in 1838.
First edition of this pamphlet devoted to the largest marshland in Italy, the Fucecchio wetlands.
Illustrated with a double-page engraved plate.
Disbound copy.
From the library of the economist, agronomist, industrialist, and lithographer Charles-Philibert de Lasteyrie du Saillant (1759–1849), with his ownership stamp on the title-page.
First edition of the French translation and notes prepared by Billecocq (cf. Sabin, 41879; Leclerc, 943; Field, 947; Howes, 443; Staton-Trenlaine, Bibliogr. of Canadiana, 597 for the original edition).
Half mottled calf, smooth spine decorated with gilt tools, brown shagreen title-piece, marbled paper boards slightly darkened and faded at the edges, red edges; modern binding.
Stamp on the half-title, a light marginal dampstain affecting the outer margins of the final leaves.
Illustrated with a folding copper-engraved map by P. F. Tardieu, “Des pays situés à l'ouest du Canada”.
“The interest of the work lies in the detailed and relatively objective descriptions it provides of Indigenous life (…) The work is also of great value for its extensive lists of terms used by the Inuit, the Agniers, the Algonquins, the Mohegans, the Chaouanons and the Saulteaux.” Cf. Dictionary of Canadian Biography, IV, pp. 524–525.
First edition, illustrated with seven folding plates.
Preserved in its original state, sewn and issued in plain blue paper wrappers with an added inner lining.
This volume gathers eight short papers previously published in the annual reports of the Kew Observatory.
Francis Ronalds (1788–1873), a largely self-taught engineer, became in 1843 the director and superintendent of the Kew meteorological observatory.
His work included, among other tasks, the development of a system for recording meteorological data.
On the front flyleaf, autograph presentation from Francis Ronalds to a member of the Becquerel family, most likely Antoine-César (1788–1878) rather than his son.
First edition, illustrated with four tinted plates, including a frontispiece (cf. O'Reilly & Reitman, Tahiti, 6452).
Contemporary half plum sheep, the spine faded and decorated with gilt garlands and floral tools, some rubbing to the spine, marbled-paper boards, marbled endpapers and pastedowns, a few worn spots along the edges.
Scattered foxing, the plates evenly toned.
The work offers a history of the island, written in the aftermath of its annexation following the cession of his domains by King Pomare V. It provides an overview of the voyages of Quirós, Wallis, Bougainville and Cook, a portrait of Tahitian life a century earlier, and a sketch of the island’s development since the arrival of the first missionaries.
Chapter V is devoted to the principal episodes of Captain Cook’s three voyages to Tahiti: encounters with the inhabitants, meetings with local chiefs, the revolt on the island of Eimeo, visits to the surrounding islands... (pp. 107–220).
Joseph Bournichon (1839–1924) was a priest and the author of several edifying monographs.
First edition of the French translation, with no issue on deluxe paper.
Minor surface scuffs along the margins of the front wrapper.
With a fine signed presentation inscription by Italo Calvino: "A Michel Tournier avec le souvenir de Italo Calvino. Mai 1974."
First edition on standard paper.
A handsome copy, complete with its publisher’s wraparound band.
Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."
First edition of this concise treatise on rural economy, attributed to the Duke of Sully, the famed minister of Henri IV, born at Rosny and who bore the name of that estate.
His well-known commitment to the development of agriculture has passed into national lore. However, it cannot be excluded that another author, sharing the same territorial designation, may be responsible for the text.
Contemporary full mottled fawn sheep, spine with five raised bands decorated with gilt compartments and gilt tools, gilt fillets, Havana morocco lettering-piece, gilt rolls to the headcaps, gilt fillets to board edges, red sprinkled edges.
Some repairs to the binding. Manuscript ex-libris inscriptions “Cousturier, Prieur de Champsanglard [Creuse]” and “Denesmond, prêtre” on the title-page of the first volume.
The booklet is followed, as very often with this title, by two short agronomic treatises, which vary from one copy to another.
In this copy:
Third edition, partially revised and corrected, incorporating new material.
Bradel binding in olive-green half percaline, smooth spine, bordeaux morocco-grained shagreen lettering-piece; restored and lightly soiled original wrappers preserved; modern binding.
Some scattered foxing, bookplate mounted on the verso of the front wrapper, traces of adhesive at the head and foot of the endpapers.
The first edition appeared in 1868.
This collection of twenty-six short independent pieces chiefly concerns the Chinese world and its adjacent regions (Indochina and Japan).
First edition, with no copies issued on deluxe paper.
Backstrip lightly creased, minor corner creases to the covers.
Inscribed, dated, and signed by Marguerite Duras to Yvonne Beaujour.
First edition, with no deluxe paper issue, one of the review copies.
A pleasing copy.
Inscribed, dated and signed by Annie Ernaux to her friend, the writer Christiane Baroche.
First edition of these observations and proposed reforms concerning the Navy. Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.
Contemporary full fawn calf, mottled and polished, smooth spine tooled with gilt decorative compartments and false bands, red shagreen lettering-piece, joints lightly rubbed, boards framed with delicate gilt rolls, a few abrasions and small losses to the leather at the lower edges, marbled endpapers and pastedowns, corners softened, all edges gilt, a period binding.
Pierre-Alexandre Forfait (1752–1807) served as Minister of the Navy from November 1799 to October 1801.
Forfait and Bonaparte met in Venice around 1798, and it was he who "forma" the future Emperor in the principles of naval warfare that Napoleon would later wage against England.
In this pamphlet, he characterises the English in the following terms « … ces dominateurs des mers ne donneront jamais le temps nécessaire pour recréer et former une marine par les moyens ordinaires, la navigation marchande ou la pêche … Comptez qu'ils vous déclareront toujours la guerre, ou vous la feront sans la déclarer, avant que vos forces navales aient pu atteindre son degré de développement qui puisse les inquiéter ».
The plan of 21 July 1803, in which the flotilla was to operate without the support of the Navy, clearly demonstrates the deep influence Forfait’s ideas had on Bonaparte.
However, the group formed by Decrès, Ganteaume, Bruix and Villeneuve during the Egyptian campaign exerted a powerful influence on Napoleon; and Decrès ultimately succeeded in definitively supplanting Forfait.
Provenance: manuscript ex-libris of Decrès mounted on a pastedown; he succeeded the author as Minister of the Navy and remained in office until 1814.
Rare first edition of this small opus, traditionally regarded as constituting the fourth part (of five) of the *Euphormionis Satyricon*, an allegorical satire of the tastes of King James I, and the author’s second most important work after his *Argenis* (cf. Brunet I, 652.)
Full brown calf, spine with five raised bands, compartments decorated with gilt floral tools, cherry-calf lettering piece, headcaps restored, trace of a shelving label at the foot of the spine, single blind fillet framing the boards, gilt fillets to board edges, lower corners rubbed, sprinkled edges, slightly later binding.
Loss restored to the title-page, which also bears two ink annotations; edges slightly trimmed.
The first part appeared under the London imprint in 1605, the second in 1607 under the Paris imprint, and the third in 1611 under the title “Apologia Euphormionis pro se”.
However, these last two texts are not works of fiction and are only loosely connected to the first two parts.
The present work, which may be rendered as Icon animorum, is in fact an essay offering, from life, a description and classification of the traits that mark both the differences and the affinities among Europeans.
Barclay examines their inner and outward signs, stemming sometimes from the conditions of human nature and education, sometimes from national character and from social or professional determinants.
Here the European man receives one of his earliest and most contrasted definitions, blending history and geography, culture and secularized religious ideals, in a treatise that eludes generic classification, abounds in stylistic gems, and compels today’s reader to reflect on his own preconceptions.
First edition of this almanac of the Neue Dichtung published by Kurt Wolff, featuring the first book-form appearance of Kafka’s short story "Vor dem Gesetz" (pp. 126-128). Covers sunned, tear to spine not lacking paper, chipping to spine-ends, and corners rubbed.
First edition of the short story "Vor dem Gesetz" (Before the Law), later published verbatim in Kafka’s masterpiece "Der Proceß" (The Trial).
First edition (cf. Martin & Walter, 16 491; Monglond III, 630; not in Schefer, Blackmer or Atabey).
Bradel binding in full marbled paper boards, smooth spine with a vertically lettered fawn sheepskin label, red edges; a modern binding.
Some foxing; marginal staining to the upper edges of the final leaves.
Excellent abridgement of General Hénin de Cuvillers’ diplomatic mission to Constantinople (1793–1795).
Upon his return from Turkey, Hénin (born 1755) took part in the Italian campaign of 1796 and was wounded at Caldiero and Arcole.
Appointed in 1802 as assistant to the general staff in Saint-Domingue, he was entrusted by Rochambeau with the colony’s military archives, which he brought back to Paris in 1804.
His military career under the Empire ended in 1813, when he was required to justify himself before the Grenoble court martial following the evacuation of the Simplon, deemed too hasty.
Granted retirement in 1815, he lived until 1841.
The 164 dispatches summarised in this volume provide valuable insights into diplomatic life in Constantinople, relations with the Revolutionary government, news from the Asian trading posts, the situation in the Levant, and maritime and military affairs.
New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates some of which in color.
Publisher's gilt Globe binding, upper plate signed Blancheland, Engel relieur, spine with lighthouse, second plate of Engel H type, publisher's catalogue Y at end of volume.
Fine copy despite the last endpaper hinge partly split.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.
This work is in fact the reissue of the original edition, published under a new title: the 1772 edition was entitled "Dissertation sur les vins".
One hundred blank leaves have been bound at the end of the text.
The work saw an expanded edition in 1782, which was subsequently reprinted. (Cf. Simon BG: 510. Not recorded by Vicaire, Oberlé, or Bitting. Lacking from the Kilian Fritsch Collection.)
Contemporary half mottled tawny sheep with vellum-tipped corners, the spine with five raised bands decorated with gilt compartments, marbled paper sides, red edges.
An important treatise on vinification by a former wine merchant’s employee who had worked in France, England, and Holland.
The volume details the methods then used to preserve and improve wines, as well as to treat those that had spoiled. One chapter is devoted to the manner of making wines in Champagne (pp. 135–179). It is also, however, a veritable compendium of “fraudulent recipes”…
An open invitation to fraud, so much so that the censor responsible for granting approval was visibly unsettled: this dissertation "contient les formules suivant lesquelles on sophistique les vins, cependant on peut le laisser imprimer, parce qu'elle n'apprend aux frelateurs de vins que ce qu'ils savent bien faire et qu'elle fait connaître au public qui et prévenu, que les vins frelatés sont dangereux et les moyens qu'on emploie pour le tromper". [D. Denis, Histoire socio-économique de la vigne et du vin.]
Edition published in the same year as the first.
Spine and covers faintly sunned, without seriousness.
Attractive presentation copy signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche vos paroles "je la sais qui m'attend jusque dans ma mémoire. Anaïs Nin."
First separate edition, the text having previously appeared in the series Philipp's new voyages and travels (London, 1820–1823) (cf. Cordier, Sinica, 308).
Bradel-style binding in full grey boards, smooth spine, title label, sprinkled edges; a modern binding.
An exceptionally early account of the coastal region between Macao and Canton, published anonymously despite the initials J.R. at the end of the preface (this J.R. served as supercargo on the ship The Friendship).
Unique ensemble of works devoted to the philanthropic achievements of the Marquise d'Aligre (1776–1843).
Full olive-green calf, the spine slightly darkened, with five raised bands framed by triple gilt fillets and decorated with double gilt panels; gilt roll tools on the partially worn headcaps, rubbing to joints, gilt scrolling borders on the covers, gilt armorial device stamped at the centre of the upper cover, large blind-stamped fleuron at the centre of the lower cover; marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt edges somewhat dulled on the board edges, all edges gilt; lower corners softened; contemporary binding.
A few scattered spots.
The volume is bound with the arms of the Marquise d'Aligre’s husband, Étienne-Jean-François-Charles, Marquis d'Aligre (1770–1847), member of the Conseil général de la Seine in 1803, chamberlain to Caroline Murat (1804), peer of France under the Restoration, and supporter of the constitutional and liberal monarchy.
Louise Camus de Pontcarré, whom he married in 1810, was his second wife—and his first cousin.
"Femme de bien, possédant, comme son mari, une fortune considérable, elle s'associa à toutes ses oeuvres, les développant et en créant des nouvelles. Parmi celles-ci, il faut citer notamment l'asile d'Aligre à Chartres, l'hôpital d'Aligre à Bonneval (Eure-et-Loir), l'hôpital de Bourbon-Lancy (Saône-et-Loire)" [Dict. de biogr. française].
We provide below a detailed list of the pieces gathered in this volume:
First edition, with no deluxe paper issue.
The covers are faintly and marginally toned; a pleasing copy overall.
Moving and precious presentation copy signed by Jacques Julliard: "Pour Simone Veil à elle qui a été de tous les combats contre ce fascisme qui vient... pour lui dire estime et amitié. Jacques Julliard."
Extremely scarce Toulon printing, illustrated with in-text figures and tables.
Only one copy recorded in the CCF (BnF).
Contemporary half brown sheep, the faded smooth spine gilt with fillets, garlands and floral tools, marbled paper boards slightly sunned at the head-margins, marbled endpapers and pastedowns, marbled edges.
A tear without loss to the foot of the half-title.
A professor at Franeker and later at Amsterdam, Jan Hendrik van Swinden (1746–1823) was the most renowned Dutch physicist of the eighteenth century.
Rare first edition, illustrated with two vignettes: one on the title page and another at the head of the opening text leaf (cf. Backer & Sommervogel VII, 185, no. 58.)
See Brunet, "Recherches sur les imprimeries imaginaires, clandestines et particulières", p. 19.
Printed on the private presses of the Turin Court of Appeal, the work offers a detailed account of the miraculous phenomena reported in Rome between July 1796 and January 1797. The author rebuts, in particular, the sceptical reactions of the "fiers à bras du philosophisme".
Our copy is preserved in its original drab paper wrappers, the spine cracked, the covers soiled, a few spots, a pale dampstain at the head of the first leaves, and an inked stamp on the title-page.
Jean-Joseph Rossignol, born in Vallouise or La Pisse (Hautes-Alpes) on 3 July 1726, entered the Society of Jesus in 1742. He taught the classics, rhetoric, and philosophy at Marseille and, after the suppression in France (1762), at Vilna, where he directed the observatory. After 1773 he joined the Collegio dei Nobili in Milan, where he taught physics and mathematics for eighteen years. He died in Turin in 1817.
Original linen-backed lithograph, featuring a large portrait of Liane de Pougy by A. Gallice after a photograph by Léopold-Emile Reutlinger ("cliché Reutlinger" stated on the plate). Printed by G. Bataille. Horizontal and vertical fold marks, discreet traces of rolling at the hem of the dress, four pasted and stamped tax stamps, and a shadow in the left margin.
Exceptionally rare original poster advertising a performance by the dancer and courtesan Liane de Pougy, renowned for boldly displaying her beauty on stage and for the openly sapphic loves recounted in her writings (Idylle saphique, 1901). This unrecorded document is the only copy we can trace.
Original ink composition in magenta, brown, green, and blue hues, titled and signed “Moscou / LD” by Léon Deubel made on the verso of a leaf from his collection of poems titled La Lumière natale.
Magnificent multicoloured ink-blot drawing (klecksography) signed by the poète maudit Léon Deubel, inspired by Arthur Rimbaud’s Illuminations. This early Rorschach-like fold drawing was created using a technique dear to Victor Hugo.
New edition.
Foreword by Wayne McEvilly.
Spine and boards faintly and marginally toned, without consequence.
Handsome presentation inscription signed by Anaïs Nin to the writer Christiane Baroche : "Christiane Baroche écrit : "Ici j'entends germer le monde. Et je m'invente au jour le jour. L'infame imaginaire que mon rêve a du vivre a l'inverse de ma vie. Anaïs Nin."
